When, in the seventies, British folk singer Cat Stevens, later known as Yusuf Islam, achieved worldwide fame, he immediately became the spokesman for a disillusioned hippie generation.

Considering that Musakov’s Abdulladzhan (1991) was dedicated to Steven Spielberg, we might suggest that these four boys embody nothing more complicated than a conflict of youthful innocence with some ominous threat—the basic workings of E.T. (1982) or War of the Worlds (2005), say. That threat, however, is best understood not through vague nationalism or warmed-over socialism, but through the other reference-point of Abdulladzhan—Tarkovskii’s Stalker (1980). Musakov leaves his boys in a simplified radiance so bright and so overexposed that it no longer looks like the skies of sunny Tashkent, but a disturbing, borderless luminosity to match the flat tonal range of Stalker’s “Zone.” Our Uzbek boys are nowhere in particular; this is a broader domain than anything international.

A new light on Hollywood’s greatest director, offering a unique perspective on his work, digging into the Cinema Master’s personal influences. Discover what makes Spielberg’s whole world so special through great archives and testimonies.

Cat Stevens and his band recorded and broadcast live by BBC Television in November 1971.

In the Fall of 1984 a brilliant but rebellious teenager is accepted to a prestigious private school where he meets a depressed classmate and helps her stand up to her neglectful father.

Commissioned for the centenary of the famous French architect and designer Robert Mallet-Stevens and shot on the street that bears his name in Paris' 16th arrondissement, Rue Mallet-Stevens depicts a mysterious, nocturnal scene of romance (featuring Akerman and her partner, the cellist Sonia Wieder-Atherton) unfolding before and inside one of the street's modernist constructions.

The first part in Gotovac’s trilogy of structuralist films is dedicated to jazz musician Duke Ellington and director George Stevens. A camera placed at the front of a moving streetcar records the passing urban landscape: the train tracks and the passing streets and pedestrians transport the viewer (now a passenger on the streetcar) fifty years back in time.

In February 2013 Steven Wilson released The Raven That Refused To Sing (And Other Stories), his third solo album. Steven assembled a virtuoso band to record the album and subsequently embarked on an extensive world tour: Guthrie Govan (guitar), Adam Holzman (keyboards), Theo Travis (flute / sax), Nick Beggs (bass / stick), and Marco Minnemann (drums). Features the new video for lead track 'Drive Home' along with the video for 'The Raven That Refused To Sing', both directed by Jess Cope. It also includes four tracks recorded live in Frankfurt during the recent tour. In addition, this release includes two previously unreleased tracks, 'The Birthday Party' and an orchestral version of 'The Raven that Refused to Sing'.

Complete Comedy Video Collection DVD Set. 1. The Ballad Of The Blue Cyclone (The Beginning)

2. Virgil And The Moonshot

3. Juanita and The Kids

4. Too Drunk To Fish

5. The Haircut Song

6. The Pirate Song

7. Freddie Feelgood (And His Funky Little Five Piece Band)

8. The Ballad Of The Blue Cyclone (The End?) BONUS VIDEO - Hello Mama EXTRA BONUS VIDEO - Osama-Yo' Mama

Complete Comedy Video Collection DVD Set. 1. Ahab The Arab 2. Gitarzan 3. The Streak 4. The Mississippi Squirrel Revival 5. Sittin’ up with Dead 6. Shriner’s Convention 7. Help Me Make It Through The Night 8. It’s Me Again Margaret 9. Power Tools 10. Everything Is Beautiful BONUS VIDEO - Thank You

“The Color Purple” by Steven Spielberg animated and summarized in 1 minute by Mohammad Babakoohi. Inspired by some paintings by Felix Vallotton in visual research.

Steven found a new hobby!

When two hikers are caught in a life-threatening heat wave – injured, off the grid and without water sources – it becomes a race against the clock. Will they succumb to the elements or fight to survive?