A businessman with places to be will be changed forever after a chance encounter in an elevator.

A juicy moving picture about words, the world and a beloved, oft overlooked fruit. Tomato is the first in a series of bite-sized, visually punny films that reconsider some of the most humble and ubiquitous foods on our plate— the ways we define and consume them, and also how those foods might be defining us!

Playful meditation upon landscape, colour and the process of collaborative filmmaking. As two artists battle the inclement Cornish weather they discuss Derek Jarman, the golden light and the magic of the craggy coastline.

Amidst her own personality crisis, southern housewife Evelyn Couch meets Ninny, an outgoing old woman who tells her the story of Idgie Threadgoode and Ruth Jamison, two young women who experienced hardships and love in Whistle Stop, Alabama in the 1920s.

Tomatoes, peppers, and all the other plants in Adana’s Çetirevli village survive on medications, just like the diagnosed depression patients who make up half of the village population. As the production of pepper paste—the village’s source of livelihood—goes through various stages such as harvesting, sorting, and grinding, the burden of physically heavy work on people’s mental worlds gradually increases. During a summer coinciding with the pepper harvest, the director retraces the summer memories of her childhood and pursues the question, "how to make pepper paste when depressed? The camera follows her uncle Mehmet, who suffers from depression, his wife Naziye, and her elder uncle Yakup, who lives in the same house and also grapples with depression.

In a Japanese colony, children overthrow their parental guardians and attempt to form a new society. Their plan spirals out of control and they are soon lost in a web of sexual deviation and violence.

In southern Italy, stateless migrants pick the tomatoes the rest of the world will taste. But what about these workers’ European dreams? Will they be ground to a pulp? Our canned tomatoes are picked by migrant workers who have come to southern Italy to realise their dream of Europe. However, they never get beyond the tomato fields. This documentary shows how the tomato broaches a broader issue. Will the pickers keep believing in their dream, or fight against a Europe where others reap the sweet rewards of their disillusion?

After a wave of reports of mysterious attacks involving people and pets being eaten by the traditionally docile fruit, a special government task force is set up to investigate the violent fruit and put a stop to their murderous spree.

Crazy old Professor Gangreen has developed a way to make tomatoes look human for a second invasion.

In Puglia, a cooperative wants to farm the land confiscated from a Mafioso, as it is legally entitled to do. But things are moving slowly. So the members of the cooperative turn to Filippo, who belongs to an anti-mafia organisation with its headquarters in the north. Filippo arrives in Puglia and realises that everyone, starting with the carabinieri, is taking huge liberties with the law.

Elias, a small farming village in central Greece, is dying out. But two cousins team up with the village grannies to cultivate the tomato seeds they have kept for hundreds of years. With a little help from Wagner’s music –which they use to help their tomatoes grow– the team succeeds to export little jars with organic tomato recipes across the world. The film follows the protagonists of this unlikely quest, as they struggle to survive and make their dream come true. Humorous and bittersweet, this is a story about the importance of reinventing oneself in times of crisis and the power of human relationships.

With their hair salon business now on track, longtime couple Sakura and Makoto mull over inviting Sakura's estranged father to their upcoming wedding.

Kwaku, a young African medical student, arrives in Italy where he is to meet his brother Job (nicknamed Pummarò.) This one is a tomato picker in the Naples region and works in extreme conditions to be able to pay his brother's studies. But to Kwaku's dismay, Job has disappeared. The young student then decides to do everything he can to trace missing Pummarò.

Taste of Wild Tomato begins with the history of Kaohsiung, which was an important military base for the Japanese army during the Japanese occupation, and tends to the deep scars of the survivors, their descendants, and their descendants’ descendants.

When small town drifter Sammy Barlach drives into town on the search for his next cold beer and the bunch that'll have him, he gets a lot more than he bargained for.

Middle-aged farmer Noda Masao (Daichi Yasuo) is a good, honest man, but his attempts for marriage have all met with failure. Through a friend, Masao meets Liberty (Ruby Moreno), a Filipino woman working in Japan. When they decide to get married, Masao borrows money from his Agricultural Association and travels to the Philippines for the wedding - only to discover that it was all a scam. Stranded in Manila with no money, Masao ends up staying to work. One day he meets a beautiful farmer's daughter, Christina (Alice Dixson), reawakening not only his chances for love, but also his love for farming.

Nothing particularly special appears to happen in Tomatoheads: a regular couple doing regular things. But something becomes increasingly strange in the way they are behaving, something that the spectator cannot read clearly. The world seems to be turning upside down.

Unemployed actor Kati gets a job as a tomato on a commercial. Turns out that the gig is not what she expected.

A movie was released based on an actual brutal murder case. The lead actress, Sasa Handa, has won numerous awards. Megumi, a newspaper reporter, comes to the actress's house to do an interview. In order to approach the role, Handa meets with Kenichi Asakura, a convicted murderer and death row inmate. Asakura admits to killing thirteen headless corpses that came out of the Suzuki family's garden...