In 1959, Jean Cocteau looked back on his artistic journey for the Télé Monte-Carlo television show Tout la vérité, rien que la vérité. The program ends with a tasty anecdote about television that Cocteau describes as a “box of tricks”. A few weeks later, in the same Victorine studios, Cocteau directed most of the sequences for his last opus: The Testament of Orpheus (1959).
England, 1890s. The brutal and embittered Marquis of Queensberry, who believes that his youngest son, Bosie, has an inappropriate relationship with the famous Irish writer Oscar Wilde, maintains an ongoing feud with the latter in order to ruin his reputation and cause his fall from grace.
After a difficult break-up, Hockney is left unable to paint, much to the concern of his friends.
Super 8 short film by Derek Jarman, shot on Fire Island in New York.
The Robert Mapplethorpe documentary, from 1988--one year before he died--is an excellent examination of one of the most controversial of American photographers. British documentarian Nigel Finch does an outstanding job fusing interviews with Mr. Mapplethorpe himself, with critic and author Edmund White, and with several of Mapplethorpe's subjects as well, with numerous shots of the man's work. Mapplethorpe, gay, did not hesitate to photograph what he wanted to without fear of reprisal or censorship. Indeed, a good number of his pieces were not shown in the documentary at its original airing on PBS with the comment, "Considered Unsuitable for Viewing On This Transmission." His openly sexual work can at times be more than shocking, but it is always powerful and direct; as critic Lynn Davies says in the documentary, he did not pose people but photographed them doing what they would normally do in the course of their lives.
An experimental documentary covering the British Columbia Social Credit Party's passage of Bill 34, a piece of legislation that legalized the quarantine and internment of people with HIV/AIDS. A comparison is made to the internment of Japanese Canadians in British Columbia during World War II. Based on David Tuff's video installation at Emily Carr in 1988.
A brief look at the life of the Greek poet Constantine Cavafy.
Melvin Udall, a cranky, bigoted, obsessive-compulsive writer of romantic fiction, is rude to everyone he meets, including his gay neighbor, Simon. After Simon is hospitalized, Melvin finds his life turned upside down when he has to look after Simon's dog. In addition, Carol, the only waitress at the local diner who will tolerate him, must leave work to care for her sick son, making it impossible for Melvin to eat breakfast.
In the 1960s, British painter Francis Bacon surprises a burglar and invites him to share his bed. The burglar, a working class man named George Dyer, accepts. After the unique beginning to their love affair, the well-connected and volatile artist assimilates Dyer into his circle of eccentric friends, as Dyer's struggle with addiction strains their bond.
Traces the Beats from Allen Ginsberg and Jack Kerouac's meeting in 1944 at Columbia University to the deaths of Ginsberg and William S. Burroughs in 1997. Three actors provide dramatic interpretations of the work of these three writers, and the film chronicles their friendships, their arrival into American consciousness, their travels, frequent parodies, Kerouac's death, and Ginsberg's politicization. Their movement connects with bebop, John Cage's music, abstract expressionism, and living theater. In recent interviews, Ginsberg, Burroughs, Kesey, Ferlinghetti, Mailer, Jerry Garcia, Tom Hayden, Gary Snyder, Ed Sanders, and others measure the Beats' meaning and impact.
A look at the theme of love in the life of the poet WH Auden, who wrote such famous poems as "Stop All the Clocks" (made famous in "Four Weddings and a Funeral"), "Lay Your Sleeping Head My Love" and "As I Walked Out One Evening". This film centres on new interviews with Auden’s close friends and looks at how his most important relationships were reflected in some of the greatest poems of the 20th century.
Benjamin Smoke is the highly acclaimed documentary by directors Jem Cohen and Peter Sillen on legendary underground musician Benjamin Smoke. Benjamin Smoke follows the crooked path of this fringe-dweller, speed-freak, occasional drag-queen and all-around renegade living in the hidden Atlanta neighborhood called “Cabbagetown,” and playing with his band Smoke.
The film is a day in the life of a young artist, Jean-Michel Basquiat, who needs to raise money to reclaim the apartment from which he has been evicted. He wanders the downtown streets carrying a painting he hopes to sell, encountering friends, whose lives (and performances) we peek into.
A short documentary about the Disco legend Sylvester. Sylvester James began as a child gospel singer and sashayed past barriers of race and sexual identity to become the definitive anthemist of disco and dance soul. With a vibrant falsetto and genderbending persona, he redefined what it means - on stage and in life - to be "mighty real." This documentary will restore to the spotlight a pivotal performer whose music defined an era and whose influence is still felt by dozens of current vocalists.
"GENERAL IDEA: Art, AIDS and the fin de siècle is a humorous, informative and ultimately poignant documentary about General Idea. Formed in 1969, they produced art that targeted and mimicked media, consumerism and celebrity, creating a revolutionary new spirit of art making. Interviews with AA Bronson, the sole survivor of the trio, lends personal relevancy to this story of art and sexual politics. GENERAL IDEA: Art, AIDS and the fin de siècle is a tale of love, fame, overwhelming loss and, ultimately, renewal."
-AGO.net
About the young life and loves of artist Salvador Dalí, filmmaker Luis Buñuel and writer Federico García Lorca.
Hervé Guibert was the author of a single film shortly before his death at the age of 36. However, before directing 'Modesty and Shame', he will have tried, on several occasions, to become a filmmaker. This film is an invitation to travel in the cinema dream of a major author of contemporary literature.
In 2005 the NGO Cultural Association Visible in Madrid begins to create a collection of gay-themed art (LGBT), with works donated by artists from around the world. The Visible Collection contains more than four thousand works of artists from thirty countries, what's making it in one of the world's largest of its kind, and now is looking for a space to be displayed. The documentary tells the story of how a project was realized that only seven years ago seemed impossible and now is looking for a "home", a museum to house the collection of a stable way and protect it from inclement weather and the vagaries of history and politics.
Harris Glenn Milstead, aka Divine (1945-1988) was the ultimate outsider turned underground hero. Spitting in the face of the status quos of body image, gender identity, sexuality, and preconceived notions of beauty, Divine succeeded in becoming an internationally recognized icon, recording artist, and character actor of stage and screen. Glenn went from the often-mocked, schoolyard fat kid to underdog royalty, standing up for millions of gay men and women, drag queens and punk rockers, and countless other socially ostracized misfits and freaks. With a completely committed in-your-face style, he blurred the line between performer and personality, and revolutionized pop culture.
Portrait of an artist who has marked the history of contemporary photography with his images in sequences where gravity and humor and even writing are mixed. Through the emblematic themes of his work, such as love, desire, death or immortality, this film proposes to revisit the places that have marked him: Pittsburgh, the flagship city of the steel industry, the city of his childhood and his first discoveries; New York, where he has been living for many years with his companion Frédéric, a city that symbolizes encounters and desire; and finally Vermont, for the nature, the seasons and the disused hotel where he works. These places bring out the artist's fantasy, humor and emotion. Duane Michals is a young man of 80 years, with a great freedom of spirit and vitality, his enthusiasm is contagious and this film is a reflection of it.