A short documentary about the Disco legend Sylvester. Sylvester James began as a child gospel singer and sashayed past barriers of race and sexual identity to become the definitive anthemist of disco and dance soul. With a vibrant falsetto and genderbending persona, he redefined what it means - on stage and in life - to be "mighty real." This documentary will restore to the spotlight a pivotal performer whose music defined an era and whose influence is still felt by dozens of current vocalists.
In 1959, Jean Cocteau looked back on his artistic journey for the Télé Monte-Carlo television show Tout la vérité, rien que la vérité. The program ends with a tasty anecdote about television that Cocteau describes as a “box of tricks”. A few weeks later, in the same Victorine studios, Cocteau directed most of the sequences for his last opus: The Testament of Orpheus (1959).
An experimental documentary covering the British Columbia Social Credit Party's passage of Bill 34, a piece of legislation that legalized the quarantine and internment of people with HIV/AIDS. A comparison is made to the internment of Japanese Canadians in British Columbia during World War II. Based on David Tuff's video installation at Emily Carr in 1988.
In 2005 the NGO Cultural Association Visible in Madrid begins to create a collection of gay-themed art (LGBT), with works donated by artists from around the world. The Visible Collection contains more than four thousand works of artists from thirty countries, what's making it in one of the world's largest of its kind, and now is looking for a space to be displayed. The documentary tells the story of how a project was realized that only seven years ago seemed impossible and now is looking for a "home", a museum to house the collection of a stable way and protect it from inclement weather and the vagaries of history and politics.
A brief look at the life of the Greek poet Constantine Cavafy.
Portrait of an artist who has marked the history of contemporary photography with his images in sequences where gravity and humor and even writing are mixed. Through the emblematic themes of his work, such as love, desire, death or immortality, this film proposes to revisit the places that have marked him: Pittsburgh, the flagship city of the steel industry, the city of his childhood and his first discoveries; New York, where he has been living for many years with his companion Frédéric, a city that symbolizes encounters and desire; and finally Vermont, for the nature, the seasons and the disused hotel where he works. These places bring out the artist's fantasy, humor and emotion. Duane Michals is a young man of 80 years, with a great freedom of spirit and vitality, his enthusiasm is contagious and this film is a reflection of it.
Skin diving with Miss Rosewood. Take a plunge into the dark side of uber-sophisticated New York with performance artist, Jon Cory, performing as Miss Rosewood. She strips to full she-male nudity and shares her passion for her art and shows you just how far she's willing to go to blow your mind. Raw. Intense, and without filters, you'll explore her explicit universe from the safe distance of your plush theatre seat.
A look at the theme of love in the life of the poet WH Auden, who wrote such famous poems as "Stop All the Clocks" (made famous in "Four Weddings and a Funeral"), "Lay Your Sleeping Head My Love" and "As I Walked Out One Evening". This film centres on new interviews with Auden’s close friends and looks at how his most important relationships were reflected in some of the greatest poems of the 20th century.
"GENERAL IDEA: Art, AIDS and the fin de siècle is a humorous, informative and ultimately poignant documentary about General Idea. Formed in 1969, they produced art that targeted and mimicked media, consumerism and celebrity, creating a revolutionary new spirit of art making. Interviews with AA Bronson, the sole survivor of the trio, lends personal relevancy to this story of art and sexual politics. GENERAL IDEA: Art, AIDS and the fin de siècle is a tale of love, fame, overwhelming loss and, ultimately, renewal."
-AGO.net
Super 8 short film by Derek Jarman, shot on Fire Island in New York.
Hervé Guibert was the author of a single film shortly before his death at the age of 36. However, before directing 'Modesty and Shame', he will have tried, on several occasions, to become a filmmaker. This film is an invitation to travel in the cinema dream of a major author of contemporary literature.
In the 1980s Keith Haring blazed a trail through the galleries and nightclubs of downtown New York's art scene. Rebellious and ingenious, Haring chose to operate both inside and outside the art world. Inspired by the city's graffiti scene, he made New York's subways, tarpaulins and walls his canvas. This new feature documentary blends stunning archive and an edgy soundtrack, with tender and candid first-hand accounts of Haring. It tells the extraordinary story of an artist who lived and created with a boundless energy, throughout the social, cultural and political counter-revolution of the 1980s.
Edgardo is a frustrated artist turned cab driver in Buenos Aires, who spends his messy nocturnal life in shady dumps, that distract him from his otherwise constant self-loathing. When he turns fifty, he decides to look for Salvador, his son. His life will take an unexpected turn when he meets Gala, a transvestite tango singer that will bring back Edgardo's inspiration and passion for art.
An investigation of Edward Brezinski, an ambitious, charismatic Lower East Side painter hell-bent on sucess, who thwarted his own career with antics that roiled NYC’s art elite. Brezinski’s quest for fame gives an intimate portrait of the art world’s attitude towards success and failure, fame and fortune, notoriety and erasure.
In his time of greatest splendor, the singer Miguel 'Bambino' Vargas Jiménez (1940-99) was the last frontier of flamenco, an immense musical genre that he developed and brought closer to large audiences: an artist of artists, the idol of the roadside bars, whose inimitable style, scenic magnetism and heartbreaking personality made of his figure a myth, a king without a kingdom, a giant of the popular music of the 20th century.
George Michael was one of the greatest pop stars of his generation, with millions of albums sold around the world both as part of the pop duo Wham! and as a soloist. But behind the persona, things were not all they appeared.
The Robert Mapplethorpe documentary, from 1988--one year before he died--is an excellent examination of one of the most controversial of American photographers. British documentarian Nigel Finch does an outstanding job fusing interviews with Mr. Mapplethorpe himself, with critic and author Edmund White, and with several of Mapplethorpe's subjects as well, with numerous shots of the man's work. Mapplethorpe, gay, did not hesitate to photograph what he wanted to without fear of reprisal or censorship. Indeed, a good number of his pieces were not shown in the documentary at its original airing on PBS with the comment, "Considered Unsuitable for Viewing On This Transmission." His openly sexual work can at times be more than shocking, but it is always powerful and direct; as critic Lynn Davies says in the documentary, he did not pose people but photographed them doing what they would normally do in the course of their lives.
The parallel lives of writer Truman Capote (1924-84) and playwright Tennessee Williams (1911-83): two friends, two geniuses who, while creating sublime works, were haunted by the ghosts of the past, the shadow of constant doubt, the demon of addictions and the blinding, deceptive glare of success.
Kate, Anton, and Keith, three young artists in New York's art scene of the early 1980s. An intimate glimpse into the creative and emotional lives of the young and carefree. They party, photograph, paint, sing, and play their way through the clubs and lofts of Alphabet City. The party ends in 1984 when Anton and Keith contract a mysterious illness known as the "gay cancer." As her music career takes off, Kate tries to save her friends.
Benjamin Smoke is the highly acclaimed documentary by directors Jem Cohen and Peter Sillen on legendary underground musician Benjamin Smoke. Benjamin Smoke follows the crooked path of this fringe-dweller, speed-freak, occasional drag-queen and all-around renegade living in the hidden Atlanta neighborhood called “Cabbagetown,” and playing with his band Smoke.