Ratings By Year
Twin PeaksApril 8, 1990
The body of Laura Palmer is washed up on a beach near the small Washington state town of Twin Peaks. FBI Special Agent Dale Cooper is called in to investigate her strange demise only to uncover a web of mystery that ultimately leads him deep into the heart of the surrounding woodland and his very own soul.
The WireJune 2, 2002
Told from the points of view of both the Baltimore homicide and narcotics detectives and their targets, the series captures a universe in which the national war on drugs has become a permanent, self-sustaining bureaucracy, and distinctions between good and evil are routinely obliterated.
When the Levees Broke: A Requiem in Four ActsAugust 21, 2006
Spike Lee's award-winning documentary follows the events that preceded and followed Hurricane Katrina's catastrophic passage through New Orleans in 2005.
The House in the WoodsSeptember 12, 1971
During World War One, in a small rural French village far away from the front, a gamekeeper and his wife take in children displaced by the war.
The KingdomNovember 24, 1994
The Kingdom is the most technologically advanced hospital in Denmark, a gleaming bastion of medical science. A rash of uncanny occurrences, however, begins to weaken the staff's faith in science – a phantom ambulance pulls in every night, but disappears; voices echo in the elevator shaft; and a pregnant doctor's fetus seems to be developing much faster than is natural.
HeimatSeptember 16, 1984
Heimat premiered on West German television in 1984 and follows the life of Maria Simon, a woman living in the fictional village of Schabbach. It was filmed in and around the village of Woppenroth in Rhein-Hunsrück, a rural region of Germany to the west of the Rhineland-Palatinate. Spanning 1919 to 1982, the film depicts how historical events affect the Simon family and the community in which they live.
DekalogDecember 10, 1989
Originally made for Polish television, “The Decalogue” focuses on the residents of a housing complex in late-Communist Poland, whose lives become subtly intertwined as they face emotional dilemmas that are at once deeply personal and universally human. Its ten hour-long films, drawing from the Ten Commandments for thematic inspiration and an overarching structure, grapple deftly with complex moral and existential questions concerning life, death, love, hate, truth, and the passage of time.
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