"A renowned composer and organist, Olivier Messiaen was also a great teacher. Michel Fano, who took his composition class at the Paris Conservatory, films some of the privileged moments of his teaching. This film, co-directed with Denise Tual, also shows Messiaen as a devotee, an ornithologist, and a synaesthete, evoking the fundamental concepts of his inspiration with an often sparkling ease (the musician imitating certain bird songs in a manner reminiscent of Rouch recreating the cries of wizards for certain films). In this way, the film boldly collides sequences with visual or sound correspondences, the directors succeeding in dragging us into the world of mystery and dreams dear to the musician." (François Waledisch)

A portrait of French composer Olivier Messiaen (1908–1992), through archival films from 1964 to 1987.

An interview with film scholar Olivier Cuchod on Jean Renoir's 1939 film THE RULES OF THE GAME.

Pappachan is a truck driver who struggles to uphold his father Meesha Mathachan's legacy while continuously looking for approval from others.

The New Year's tragicomedy "Olivier" tells how, having prepared a bunch of food and a bowl of salad "Olivier", Lucy remains completely alone for the New Year. Unable to survive this, Lucy orders Santa Claus, but who will he turn out to be?

A fifty years old chemist, Olivier, does everything in order to hide his baldness from his wife. Worried that she might not love him with his hairless head, he has created a skillful routine to disguise it. But one day, Olivier is forced to use an extreme solution that might affect the couple's life.

At age 25, Olivier Rousteing was named the creative director of the French luxury fashion house, Balmain. At the time, Rousteing was a relatively unknown designer, but in the decade since, he’s proven his business prowess and artistic instinct by leading Balmain to new heights. Wonderboy gives the viewer the rare opportunity to experience the inner sanctum of the fashion world, as we stand shoulder-to-shoulder with this extraordinary individual while he works.

The son of a French colonialist in Algeria returns to Algeria after learning that his father is ill. Memories from childhood return. He also must deal with some problems involving the Algerian fight for independence.

Directed by Mohamed Nadir Azizi.

Olivier, the nine-year-old son of Elisabeth and Serge, a country veterinarian, vanishes one afternoon on the way to his grandmother's house. The emotional aftermath of his disappearance sends his father packing and nearly destroys his mother.

A young and charming employee finds himself victim of an "office intrigue" engineered by his attractive female boss.

Promotional short hosted by Laurence Olivier promoting the film "Othello."

In this television documentary, Laurence Oliver is interviewed by Kenneth Tynan about his Shakespearean films.

In 1992, Olivier Messiaen's epic opera "Saint François d'Assise" was brought to the Salzburg Festival in a staging by Peter Sellars. The distinct visual appearance that Sellars lent to the opera, where video monitors with powerful images are used as a sort of high-tech metaphor for a cathedral's stained glass, drew critical acclaim and is still talked about as a watershed moment in opera to this day. This film here is a 75-minute documentary on the 1992 staging. Jean-Pierre Gorin filmed Sellars, baritone José van Dam (St. Francis) soprano Dawn Upshaw (The Angel), and the LA Philharmonic and conductor Esa-Pekka Salonen as they rehearsed for the big day. There are interviews with these artists, though Sellars gets most of the screen time. The documentary is very much about Sellars' vision for Messiaen's theatrical drama. Very little is said about Messiaen's music.

Olivia, a beautiful hooker under the influence of the violent and degenerate pimp Claudio, uses her charms to seduce young women so Claudio can film them. Things take a turn for the worse when Melody, one of Olivia's willing "victims", suddenly disappears one day. Her roommate Alice fears that she may be next.