Two friends (and legendary French New Wave filmmakers) meet in real and virtual worlds.

Remake of Chris Marker's film "Chat écoutant la musique", set to the music "My Little Brown Book" by Duke Ellington and John Coltrane.

Inspired by Chris Marker's Bestiary. The short film is divided into three parts, each one will deal with the inner world of specific animals through a specific theme, and together they will give us a common vision of their inner life. The different pieces show specific situations: in the first the gestures of an animal, in the second different realities of some animals and the third an animal listening to music.

This silent film shows the jury voting for Chris Marker, who receives the Louis Lumière award for his film ¡Cuba sí!

Feature film made by students of the 2020 course of the Realization 4 chair (DAA/FDA/UNLP) during confinement due to Covid-19 and with the support of the PAR Program (UNLP). It consists of a series of still image stories inspired by the famous short fiction film “La Jeteé”, made by Marker in 1962.

A desktop documentary about the online afterlife of the late French filmmaker, Chris Marker.

A collective, cinematic love letter to the elusive French filmmaker, Chris Marker; Emiko Omori's film captures the persona of the legendary and enigmatic filmmaker.

Posthumous portrait of Chris Marker, the elusive French filmmaker- essayist, traveller, photographer and cat-lover. Two filmmakers, Jean-Marie Barbe and Arnaud Lambert, propose a chronological journey through his thoughts and cinematographic work: from the cartography of new political utopia in the 1950s, from Siberia to La Habana, to its relentless defeat, starting with Chile; from his review of cinéma-verité to the great television experience in "L'Héritage de la chouette", which traces a journey through classical Greece, organized into twelve words.

Ten years after the death of iconic French filmmaker, Chris Marker. A filmmaker, hoping to rediscover that unique sensibility against the uncertainty of the new century, returns to the places synonymous with those incomparable and unforgettable films-- From the cat cemetery of Sans Soleil, to the mausoleum of The Last Bolshevik; The caves of Level Five to the rooftops of The Case of the Grinning Cat. A biographical portrait of one of the 20th century's greatest and most misunderstood filmmakers.

This work arises from the random encounter of two titles having a tie in the 50th place on the Sight & Sound list in 2012, curiously enough, when considering a dialogue between these two films, we see how cinema can generate its own ghosts: in both films the dead and the living coexist; in La Jeteé thanks to time (insubordinate of movement) and in Ugetsu Monogatari thanks to movement (a panoramic view within a sequence shot, which refers to a deceptive narrative continuity). What would happen if we stripped both films of their construction?