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March 15, 2019

Eight year-old Hamid learns that 786 is God's number and decides to try and reach out to God, by dialing this number. He wants to talk to his father, who his mother tells him has gone to Allah. One fine day the phone call is answered.

A high school girl has a dream of entering a water ballet competition and having a hot romance. Both get her wet.

Atarashii Gakko! live at Tokyo Metropolitan Gymnasium

At the center of this documentary are Hamid Naficy, a historian of Middle Eastern and Iranian cinema and his family, who remained in Iran. Behind them, however, we see the shadows of thousands of other families whose offspring - artists, researchers, scientists - live far away from their homeland. In following Naficy's personal and professional life, this documentary reels in his generation as well, to explore identity, immigration, exile and the cultural purgatory that is created as immigrants try to preserve their ancestral sense of belonging while seeking to establish a new home.

Ebn Hameedo is an undercover police officer who arrives with his colleague Hassan at a fishing area near Suez where drug trafficking is practiced. They meet two sisters, Azeeza, the younger, and Hameeda, the older maiden. They rent a room in their father’s house and fall in love with the two girls. Their love could have led to marriage had it not been for al-Baaz Effendi who wanted to marry Azeeza and tried to get rid of Hassan. Al-Baaz is also involved in the narcotics business. so they track him down in order to catch the rest of the gang.

A Film By Jafar Sadeghi

The documentary "Homa's Hamid" is about the life and work of two important artists in the field of theater and cinema in Iran, Hamid Samandarian and Homa Rousta.

January 1, 1953
August 9, 1974

Hamidah, who is Budi’s childhood friend and his sweetheart as a grown up, has to leave him to treat her illness. Left without any news of his love, Budi is disappointed and becomes a reckless man who plays around with women and goes drinking in nightclubs. Then he becomes a police fugitive after a fight with another man

This is the story of three Bedouin women, struggling within a polygamous system. Living in the Negev desert in Israel, the story is told through the eyes of a wedding photographer, Mariam Al-Quader. She herself is living under constant fear that her husband will marry "over her" (the expression used when a man chooses an additional wife). The other two women are pushed into marrying already married men, and become "second wives", forced to cooperate within a structure they despise or are afraid of. \par \par \par The family tragedies presented in this film highlight the strength and survival of the social structures and their injustices, leaning usually on the victims' reluctant cooperation. This is most exemplified by the climax of a Bedouin wedding, wherein the groom showers upon his bride gold and jewelry in a gesture symbolizing her purchase.

A documentary about capital punishment for people accused of (presumed) homosexuality in Iran. Starting from the sensational case of Ebrahim Hamidi, a 21-year old sentenced to death (and at risk of being stoned to death) the film shows the sad fate (and the young faces) of the gays who have been hanged; the social and political context of these atrocities (including several hangings of minors); and the painful, risky and humiliating undercover life of gay people. Spine-chilling images of executions and tortures, moving reconstructions of the victims' lives, the silent struggle for liberation of young Iranians, of women, of gay people. Interviews and remarkable testimonies from Mohammud Moustafei, the lawyer of Ebrahim Hamidi and Sakineh; from a young homosexual Iranian boy; from Drewery Dyke, the head of Amnesty International in Iran; and with the valued contribution of Peter Tatchell, English activist for human rights.

January 28, 1966

Directed by Jean Mailland (as Jean Michaud-Mailland) .

In this documentary double dose, Sir Alfred of Charles de Gaulle Airport examines the life of Mehran Karimi Nasseri, an Iranian exile caught in immigration limbo, and Shahrbanoo explores the commonalities of two culturally diverse women. The inspiration for The Terminal, Nasseri (aka Sir Alfred) seeks refuge in the U.K., but settles for life in the French airport. And in Shahrbanoo, an American forges a friendship with an Iranian housekeeper.

January 1, 1987

A TV Film made in 1987.

"Waltz in A-flat major, Op. 69, No. 1" is a waltz composed by Frédéric Chopin in 1835. Golnoosh Hamidi also played this piece with alto saxophone.

This is the story of the "Midrashia", the flagship of Religious Zionism in Israel, "the mother of the high-school yeshivas." This is a story about an educational start-up that was founded before the establishment of the state, and trained thousands of high-quality students who worked in all the centers of power in the State of Israel. This is a story about a school that, in a complex and surprising process, changed its face, and became an elitist and luxurious high school that produced successful and dedicated students - to an anarchic and disordered place. It is a chilling and unbelievable story about a sublime educational vision that has collapsed, about brotherhood, loss of control and maturation, and about the nature of the human soul, in which good and evil, cruelty and kindness, are mixed up.

Come along to Camilla's Moroccan family where she gets to learn about the Moroccan baking culture together to understand more about where she belongs. Camilla has always felt too Swedish in Morocco and too Moroccan in Sweden and never really felt 100% at home anywhere. With this program, she hopes not only to offer new exciting baking pleasure, but also understanding and recognition.

The show focuses on the family of Abdel Hamid Hafez

October 31, 2015

Cadets from every level of Israeli society undergo intense training to join their country's elite, highly classified intelligence service, the Mossad. The series revolves around a secret Mossad compound called 'HaMidrasha', which is surrounded by surveillance cameras and is equipped with technological devices. The compound operates a training course in which 13 trainees are sent to complicated missions in order to test their suitability for the occupation, and their improvisation, seduction and impersonation abilities. Yonna, the commander of the course, criticizes the mediocrity of Mossad's agents and demands from the new trainees a higher level of execution. He decides to create a new training program to test his trainees via unusual and radical situations, in which, apart from excellence, Yonna demands a creative "out of the box" thinking.

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