It is the story of the brilliant football player Cotechiño, hired by the Napoli team as a centre-forward. Too bad that his professional career will be strongly influenced by the frequent absence of his fiancée, for which he feels an inexplicable, almost obsessive jealousy. That's why he hires a plumber very similar to him to keep an eye on his beloved, but that won't be enough when Cotechiño is kidnapped.

Roberto Clemente is an in-depth look at an exceptional baseball player and committed humanitarian who challenged racial discrimination to become baseball's first Latino superstar. Featuring interviews with Pulitzer Prize-winning authors David Maraniss and George F. Will; Clemente's wife Vera; Baseball Hall of Famer Orlando Cepeda; and former teammates, the documentary presents an intimate and revealing portrait of a man whose passion and grace made him a legend.

Live from Munich, 2005. London, 1601: love, lust and a death sentence at the English royal court - that's just the mix for great Italian opera. Roberto Devereux - an opera for a sovereign, a work for Edita Gruberová! The prima donna assoluta of bel canto triumphs in this drama. Either an opera house can acquire the services of "la Gruberová" - or they can forget putting on this opera.

In the last and most dramatic aria in Roberto Devereux , one of the four Tudor period operas composed by Donizetti in 1837 (along with Anna Bolena , Maria Stuarda and Il Castello di Kenilworth), the protagonist, Queen Elizabeth I of England, exclaims: "I do not reign, I do not live". This statement encapsulates great operatic themes, and it is the culmination of an opera that reveals the passions of characters who live among palace intrigues. Written in the mature period of the leader of Italian romanticism, the opera displays a great vocal virtuosity, and is an example of Donizetti prizing the voice above all in the genre. The staging, by South African director Alessandro Talevi, who has been very successful in great opera houses as well as with more experimental theatre, places the play in an undetermined period, focusing on the chiaroscuro. Bruno Campanella conducts.

In this 1975 production from the Wolf Trap Festival, Beverly Sills is joined by John Alexander, Susanne Marsee, and Richard Fredericks in a stunning live performance.

A lyric tragedy in three acts by Gaetano Donizetti, libretto by Salvatore Cammarano. Roberto Devereux was composed in the summer of 1837, the year, according to biographers, in which Donizetti seems to have suffered most, having lost his third son and his adored wife Virginia Vasselli. The opera made its debut at the San Carlo Theatre in Naples on October 28th in the same year and was a great success. The rehearsals of the original performance were postponed for a month due to censorship of the decapitation scene of the leading actor.

More than two thousand years, one hundred thousand slaves worked in the mountains piercing the prosperous Roman colony of Carthage, in search of silver. Portman Bay, then "Portus Magnus", started the galleys to the metropolis, laden with the precious metal. Since then, the mountains, the bay and the people have gone through a delicate balance, which broke with the advent of modern mining and construction Robert Sink, the world's largest in its field. Today, the beautiful bay of Portman is saturated with millions of tons of toxic waste from washing the ore.

A journey to discover Roberto Laneri's ways of sound, a geographical map made of sound and energy waves. Classical and contemporary avant-garde music, jazz, Indian music, Australian Aboriginal instruments, and Central Asian overtone singing.

Before Roberto Lugo became a renowned potter, painter, educator, and activist, he was just another kid hustling in the streets of Philadelphia. When Roberto was still working his way through art school, his brother was imprisoned and put in solitary confinement. Now Roberto returns to his hood to pay his inspiration forward and do justice to his brother’s story.

Rooms must be vacated before noon on the day of departure. An extra night will be charged for all late departures." Jean-Claude Rousseau has used this banal, well-known notice as a synopsis for his film. Taken out of context, thereby rendering it mysterious, it is an ideal introduction to this letter, which consists of two shots – the front and behind of a window in a hotel in Turin – and an insert. Here, Rousseau continues to explore "basic film techniques" but in this case, he abandons super eight to film in DV, a new technique and a new quest for harmony between visuals and sounds. Jean-Pierre Rehm.