Educational film about the dangers of drug use and abuse in high school. Framed around the death of a classmate from overdose.
After the passing of his wife, a single father attempts to reconnect with his daughter as she crumbles under the weight of severe neglect and substance abuse.
An educational film that depicts the widespread use of prescription drugs to treat illnesses as well as the misuse and abuse of those drugs.
A man gets left at a motel room by his friends and his addiction is forcing him to relapse.
An experimental story, focusing on a group of punks disillusions with the neoliberal state, and the tendency’s towards so called filth and degeneracy that those on the margin are pushed towards.
This program is an overview of best practices to keep a person who has overdosed alive between discovery and hospitalization. Practices include quickly finding or identifying the substance the person on which the person has overdosed and traveling to a hospital or other treatment site immediately. Several simulations of different situations are shown, and the narrator asks the viewer what he or she would do differently. It provides an excellent overview of the basic prehospital approach to an overdosed patient. The initial field management of a patient is covered, accompanied by well-done scenarios illustrating incorrect technique. Although the inclusion of more medical detail would have been beneficial, this is a compelling presentation which is highly recommended for use.
Marty, a "good boy," experiments with marijuana and experiences "profound mental and emotional disturbances." As in all anti-drug films of this vintage, marijuana leads straight to "H," and Marty's decline continues until he is busted, rehabbed and reformed. Drug Addiction's stilted view of the urban drug culture and unrealistic portrayals of stoned slackers make it entertaining viewing today. It belongs to that little-known "second wave" of anti-drug films, the postwar scare stories about middle-class kids overcome by junkiedom. What this wave of films reveals is that drugs were an issue for white adolescents long before the psychedelic Sixties, and that the official response to the threat expressed a general, not specifically targeted paranoia.
Two friends, Caily and Sabine, wake up after a long night of drinking. Their make-up has faded and they are still wearing yesterday’s clothes. After getting reading for another day, they go to their desolated hangout spot and hit the bottle and do drugs. After a bit of talking, they fall asleep. Waking up is the hard part.
A man gathers all the necessary supplies for a party. Chips, pretzels, and most importantly, lots of drugs. Once people start arriving, the party goes wild. He’s in complete ecstasy, only to discover that the party may not be what it seems.
Months after the gruesome events of Ramen Hell, Alejandro and Frank try to escape to Colombia with the help of René, a mysterious driver, and Tarántula, a thug drug dealer.
Twin girls cope with the pressure of tennis stardom and the absence of their mother in an unstable society.
A Centron Film presentation, produced by Gordon-Kerchoff, this color film is about a teenage girl who overdoses on alcohol and pills, and winds up in a coma, opens with the girl recovering in a hospital bed. This scare film from 1979 is essentially a public service announcement on the dangers of getting involved in drugs and the horrible effects that using drugs and overdosing can have on an individual and their loved ones.
The purpose of this presentation is to discuss the types of narcotic deaths and drugs encountered by Dr. Milton Helpern in his post as Chief Medical Examiner for New York City and to describe internal and external body changes resulting from narcotism. This objective is achieved with the use of photographs of overdose victims and the equipment found and used by addicts. According to this presentation narcotic addiction which has been a problem for many years has increased markedly within the last twenty years. The use of amphetamines and marijuana is discussed briefly and the equipment used by addicts is described and illustrated. Dr. Helpern then shows photographs of overdose victims and describes the circumstances under which the body was found.
Henry Rollins narrates Lilly Scourtis Ayers' no-holds-barred profile of volatile Bay Area punk legend Marian Anderson, whose hypnotic beauty, devil-may-care rebellion and shocking sexual exploits onstage launched her to infamy before tragically dying of a heroin overdose at the tender age of 33.
Three best friends enjoy an idyllic summer day out and something is wrong.
Yearning for the confidence to give his crush a New Year's kiss, Riley takes pills with unpredictable side effects.
A young girl dies after a batch of deadly pills find their way into a dance club scene. Cody and Fiorelli attempt to stop others from taking the lethal cocktail as they uncover an established underground manufacturer.