Cecil B. Demente (Stephen Dorff) é o líder de um grupo de cineastas terroristas que tem como meta principal em sua vida se vingar dos estragos provocados pelo cinema comercial de Hollywood. Para isso, decide sequestrar Honey Whitlock (Melanie Griffith), a mais popular estrela do cinema americano, que estava se dirigindo para a pré-estréia de seu mais novo filme arrasa-quarteirão. Com Whitlock em seu poder, Demente e sua gangue logo preparam a produção de um filme underground, em que forçam a famosa atriz a estrelar. Armados com luzes, câmeras e muita coragem, Demente e sua trupe se preparam agora para filmar em Baltimore, onde pretendem invadir os sets de filmagem de uma badalada sequência.
Este documentário intimista retrata uma antiga era da paixão pela sétima arte e o surgimento de jovens cinéfilos na Coreia do Sul, entre eles Bong Joon Ho.
A lonely man, who spends all his time watching films, finds a way to get his hands on a copy of the lost film Cleopatra (1917), but will he be able to pay the price?
We delve into an encounter between Erradi ( an old man nearing the end of his life) and Aymane (a young boy eager to learn about life), in the presence of a woman (Rahma) taking the form of DEATH. Which ends with a series of poignant flashbacks that portray the old man's journey through life, filled with joy and sorrows and lessons learned. The short film explores the cyclical nature of life capturing the essence of reincarnation and the idea that our stories continue on living despite death
Filipino-born Ella works as a nanny in a prosperous Moscow family. Day by day, she carries out the same routine actions: washing, cooking, cleaning, babysitting. But once she accidentally hurts her arm, her smooth repetitive life gradually gives a lurch…
He is a 75-year-old half-blind man. He takes 3000 steps every day. Since 2004 he has made a decision: he will no longer talk about cinema. Boudjemâa, our living memory. That of Algerian cinema, African cinema, Arab cinema, cinema in short. The Algiers Cinematheque. The “masterpiece of Algerian cinema”. Boudjemâa Karèche directed it for 34 years. So why does Boudjemâa no longer talk about cinema? The answer lies next to the circumstances which caused his ouster from the Cinémathèque. Boudjemâa was silent. The time has come for him to let the word think for itself.
Since his father's death, Bruno divides his time between his duties as a student and his love of cinema. When he finds an old super8 camera belonging to his father, he changes his perception of the world in which he lives.
A collection of short movie reviews created by Jonah.