This film describes the 1960s drug culture. Addicts discuss their experiences in the United States and in Vietnam. Dr. Stanley Yolles, director of the National Institute of Mental Health (NIMH), talks about the drug culture and the NIMH role in prevention and treatment. The tape describes growth in the use of marijuana and heroin. In 1966, the Narcotic Addict Rehabilitation Act is the first law to give the addict a choice of treatment or jail. Synanon in California is a private, self-help, residential community that helps people deal with their addictions. New York's Daytop Village works not only with addicts on addictions, but on developing a new lifestyle. Methadone, though still experimental, has proved to be an effective treatment for heroin addiction.
The purpose of this presentation is to discuss the types of narcotic deaths and drugs encountered by Dr. Milton Helpern in his post as Chief Medical Examiner for New York City and to describe internal and external body changes resulting from narcotism. This objective is achieved with the use of photographs of overdose victims and the equipment found and used by addicts. According to this presentation narcotic addiction which has been a problem for many years has increased markedly within the last twenty years. The use of amphetamines and marijuana is discussed briefly and the equipment used by addicts is described and illustrated. Dr. Helpern then shows photographs of overdose victims and describes the circumstances under which the body was found.
This program is an overview of best practices to keep a person who has overdosed alive between discovery and hospitalization. Practices include quickly finding or identifying the substance the person on which the person has overdosed and traveling to a hospital or other treatment site immediately. Several simulations of different situations are shown, and the narrator asks the viewer what he or she would do differently. It provides an excellent overview of the basic prehospital approach to an overdosed patient. The initial field management of a patient is covered, accompanied by well-done scenarios illustrating incorrect technique. Although the inclusion of more medical detail would have been beneficial, this is a compelling presentation which is highly recommended for use.
Stresses recognition and treatment of drug abuse emergencies, accurate identification of symptoms, and immediate clinical procedures. Presents scenes of actual cases in the emergency room and adjoining physician's offices of Beth Israel Medical Center in New York City. Viewers observe emergency treatment of patients in the major classes of drugs commonly abused, opiates, depressants, stimulants, and hallucinogens. The film demonstrates to health professionals that successful management of drug overdoses can save most lives and avert additional organic and psychiatric complications.
This color propaganda ‘scare’ film is about the horrors of the drug heroin. It seems to be reel 1 and is missing its credits and its other reels. It is made circa the late 1960s in England.
Heroin anti-drug educational film
Presented by Voices in Society and Travelers Insurance Indemnity, this untitled PSA-style film from the 1970s is a compilation of various anti-drug use PSAs from National Clearinghouse for Alcohol and Drug Abuse Information (NCADI). The films were assembled by a film collector who did public screenings of cult films; he often showed this compilation under the moniker “Stoner’s Night Out”. NCADI is the information service for the Center for Substance Abuse Prevention of the U.S. Department of Health & Human Services. The PSAs that comprise this film combine footage of drug use as well as interviews. Overall, this film warns of the short-term and long-term effects of drug use with the later segments of the film focusing on marijuana use specifically.
An educational film sponsored and distributed by the Los Angeles-based Narcotic Educational Foundation of America and directed by Gilbert Lasky with financial assistance of the Woman’s Relief Corps targets teachers as well as junior and senior high school students in the war on drugs. Narcotics are classified and effects of opiates, stimulants, and barbiturates are summarized and dramatized
This experimental 1970 color documentary film, ostensibly designed to provoke classroom discussion employs a boldly unconventional approach to addressing the issues of drug addiction, featuring the music of Canadian singer-songwriter Bruce Cockburn. The film eschews narration for montage effects and extended fly-on-the-wall scenes of various drug users in conversation.
Examines the widespread use of drugs in American society and presents experts discussing different reasons for increased drug abuse by youth. Focuses on the varying opinions of a judge, researcher, child psychologist, minister, and drug user toward increased drug abuse. Emphasizes the need for helping children make proper choices about drugs. Highlight: JIM NABORS and unidentified woman do operatic duet to "Figaro" with lyrics changed to
drug references; Jim Nabors pops pills in the sequence. ALSO: Good hippie sequence in Haight-Ashbury.
A color educational drug “scare” film about the history of drug use
About Addiction was created to educate the youth about proper and improper drug use. It draws a compassion between prescription drugs, alcohol, coffee, over-eating and illicit drug use. The opening scenes show the narrator informing viewers addiction is a dependence on anything taken into the body
This color educational movie “Narcosis” is a “scare film” about the realities of heroin and drug addiction The title narcosis refers to a state of stupor, drowsiness, or unconsciousness produced by drugs. According to a card at 1:50, actual addicts appear in the film.
Maya is Ayaibex's daughter, an addict in recovery that feels a blame for damages that caused her daughter, Maya decides to remember her mother's childhood experiences in her world of addiction to seek the redemption of the weight that her mother has loaded for 20 years and get both to forgiveness.
Shocking, devastating and unflinchingly real. KOMO News' Eric Johnson looks at the heroin crisis in Seattle.
ALL KINDSA GIRLS traces the evolution of garage/punk rock from its inception in the sixties through current interpretations. Focusing on the career of singer/songwriter John Felice and his band the Real Kids, the film examines the significance of music in the lives of performers and fans. In 1976, the year the Ramones and the Sex Pistols issued their first albums, ex-Modern Lover John Felice put together the band that would become the Real Kids. One year later, they recorded the garage/punk classic known as the Red Star Album. ALL KINDSA GIRLS documents Felice's evolving search for success
This documentary intends to contribute to the analysis of the drugs problem, by studying a huge district in a peripheral area of a large city: the Mirafiori South suburb of Turin, a vast ghetto where 15.000 people live in huge 9/10-storey buildings without any social services.
Filmmaker JJ Martin explores Gia Carangi's life through rare home movies and photos, previously unseen interviews with Gia, and contemporary interviews with family, friends, and associates.
Cal Thacker, a would-be artist, shares his slum living quarters with Mike Rubel, a pusher who exists in a private drug-centered world, and Richard Stoney Morgan, an embittered drifter who sponges from the other two. Cal's girl friend, Carrie, who has provided his only meaningful human contact, finds him in bed with another girl and breaks up with him. In despair, Cal tries unsuccessfully to obtain funds by selling his paintings. His motorcycle is wrecked in a crash, though Cal miraculously escapes injury. Later in the day, the three roommates meet at the apartment and attempt to obliterate their problems with cheap whiskey. The liquor only creates new problems, however; Mike and Cal become involved in a violent argument with Stoney, who eventually leaves. Seeking revenge, Stoney reports Mike to the police as a marijuana pusher and then returns to the apartment with a knife. In the fight that ensues, Cal kills Stoney; but Cal is then gunned down by police.
Documentary on the penetration of drugs in Milan in the 70s. Filomena is only 24 years old and recounts with a lucidity that takes her breath away her journey as a child locked up in boarding school, ran away from home, taken back by her family and treated as a lost woman. She talks about her marriage to a boy who emigrated to Germany, and her inability to adapt to this new situation. She narrates the arrival in Milan, the meeting with Antonio and the one with drugs. A dialogue for two voices traces the ruthless picture of drug addiction, the daily search for the dose and the attempts to get out of it. It is a poignant document, above all for the lucidity, measure, maturity and intelligence of two unforgettable figures.