Early "shockumentary", apparently shot in Egypt, which documents the habits of opium addicts. The interiors of drug dens are shown, and at the conclusion the film an addict is shown collapsing on a sand dune; the booming voice of the narrator informs us that the addict has perished. Footage used is from the silent film Dope Fiends.
A once-promising doctor begins a downward spiral, finding himself in opium dens, a carnival freak show, and drugs parties.
A young girl named Burma attends a beach party with her boyfriend and after she smokes marijuana with a bunch of other girls, she gets pregnant and another girl drowns while skinny dipping in the ocean. Burma and her boyfriend go to work for the pusher in order to make money so they can get married. However, during a drug deal her boyfriend is killed leaving Burma to fend for herself. Burma then becomes a major narcotics pusher in her own right after giving up her baby for adoption.
The personal and social tragedy of drug addiction with its evil accompaniment, drug traffic. Over the side of the silent liner in the darkness slips the package of smuggled narcotics, introducing us to the complex problem which involves all races and classes of man. We see many aspects of addiction - the addict preparing an injection, a group waiting tensely for their dope peddler; agents preparing and adulterating the illegal product; the police catching a pusher red-handed. International and national authorities are working from two angles - suppression of the illicit traffic; and where possible, rehabilitation of the addict.
A federal agent infiltrates a crime syndicate.
Educational film about drug addiction.
Bill is targeted by pot pushers who use him as their entry to the "good kids." Needing money because his mother is sick and his father is absent, he drops out of school to become a pusher. He seeks help after seeing his supplier shoot up.
Marty, a "good boy," experiments with marijuana and experiences "profound mental and emotional disturbances." As in all anti-drug films of this vintage, marijuana leads straight to "H," and Marty's decline continues until he is busted, rehabbed and reformed. Drug Addiction's stilted view of the urban drug culture and unrealistic portrayals of stoned slackers make it entertaining viewing today. It belongs to that little-known "second wave" of anti-drug films, the postwar scare stories about middle-class kids overcome by junkiedom. What this wave of films reveals is that drugs were an issue for white adolescents long before the psychedelic Sixties, and that the official response to the threat expressed a general, not specifically targeted paranoia.
An educational film sponsored and distributed by the Los Angeles-based Narcotic Educational Foundation of America and directed by Gilbert Lasky with financial assistance of the Woman’s Relief Corps targets teachers as well as junior and senior high school students in the war on drugs. Narcotics are classified and effects of opiates, stimulants, and barbiturates are summarized and dramatized
London police and reporters from a local newspaper go after a gang of foreign criminals.
Three teens get into the drug business when they discover two pounds of uncut heroin in a briefcase that was lost during a botched drug bust.
An escaped convict gets a hold of some radioactive material after his escape. Authorities desperately try to find the man that unknowingly is threating the lives of everyone in the city.
A detective investigating the murder of a heroin addict discovers that there is a connection between the junkie and his fiance, who is his boss' daughter.
Nick Romano lives in a poor tenement building on the south side of Chicago with his well-meaning but drug-addicted mother, Nellie. She encourages him to pursue his piano-playing talent in hopes that it will bring him a better life. Nellie's neighbors, like the alcoholic ex-lawyer who secretly loves her, help her in keeping Nick away from Louie, the resident drug dealer. But a chance meeting between Nick and Louie could change things forever.
A title card announces that the film is a result of found footage assembled by cameraman J.J. Burden working for the acclaimed documentary filmmaker Jim Dunn, who has disappeared. Leach, a heroin addict, introduces the audience to his apartment where other heroin addicts, a mix of current and former jazz musicians, are waiting for Cowboy, their drug connection, to appear. Things go out of control as the men grow increasingly nervous and the cameraman keeps recording.
This color educational movie “Narcosis” is a “scare film” about the realities of heroin and drug addiction The title narcosis refers to a state of stupor, drowsiness, or unconsciousness produced by drugs. According to a card at 1:50, actual addicts appear in the film.
A dramatization of the goings on at a drug rehabilitation home. Filmed at the original Synanon House in Santa Monica, California.
This film presents a series of extemporaneous interviews with teenagers and young adults who have taken narcotics for "kicks," "association," or "curiosity." Residents of the California Rehabilitation Center relate how they were introduced to narcotics, why they wished they had not used drugs or narcotics, and what the future holds for them. Film is shot in Hollywood, Calif.
Narcotics agent Dennis goes undercover in the Mediterranean Islands to investigate a smuggling operation, and gains the confidence of a woman who works for the ringleader. But Dennis ends up arrested for murder when the crime boss turns up dead.
A masked killer prowls the beaches of Argentina, injecting beautiful girls with heroin, and then using weird organ music to make them his zombie slaves.