O amor pela música uniu Liam (Josh Whitehouse), um artista batalhador e colecionador de vinis, e Natalie (Freya Mavor), que abandonou seu sonho de criar capas de álbuns e se tornou uma publicitária bem sucedida. Com os acontecimentos da vida afastando cada vez mais o casal, a trilha sonora do seu relacionamento continua os mantendo juntos.
In 2007, 11 years after one of the most influential American punk bands, Jawbreaker, called it quits, the three members, Blake Schwarzenbach, Chris Bauermeister, and Adam Pfahler reconnect in a San Francisco recording studio to listen back to their albums, reminisce and even perform together one last time. Follow the band as they retell their "rags to riches to rags" story writhe with inner band turmoil, health issues, and the aftermath of signing to a major label. Featuring interviews with Billy Joe Armstrong, Steve Albini, Jessica Hopper, Graham Elliot, Chris Shifflet, Josh Caterer and more.
An American girl's beautiful song in a lonely New York karaoke bar catches the attention of an ultra-hip Japanese boy. Convinced she is his dream come true, he attempts to win her over despite his lack of English.
A multi-awarded 23 minute short film about pansexual punk rockers in a toxic relationship in London’s underground music scene
All Tomorrow's Parties is a 2009 documentary film directed by All Tomorrow's People and Jonathan Caouette covering the history of the long running All Tomorrow's Parties music festival. Described as a "post-punk DIY bricolage", the film was created using footage generated by the fans and musicians attending the events themselves, on a multitude of formats including Super8, camcorder and mobile phone. All Tomorrow's People is a name representing the contributions of these attendees.
Em Março de 2017, Fernanda Takai lançava o CD e DVD “Na Medida do Impossível – Ao Vivo no Inhotim” na comemoração de 10 anos do instituto. Para celebrar essa data, a Deck lança no digital uma versão deluxe desse álbum, com faixas que estavam apenas no formato DVD. São elas: “Diz que Fui Por Ai”, “Amar como Jesus Amou”, “Com Açúcar, Com Afeto”, “Liz” e a versões ao vivo de ““Nada Pra Mim” e “I Don’t Want To Talk About It”, essa ultima trilha da novela das 21 horas da Rede Globo ‘O Outro Lado do Paraiso”.
A documentary that follows a middle-aged Azorean record obsessive who has lost the vinyl collection of his youth, and so seeks to reconnect with it through talking with the fellow island collectors he grew up with about the music scene of their wilder years.
On the night before he is set to leave his Rhode Island home to study photography in New York City, Rocco must decide how much he's willing to give up to follow his dreams.
Adrian Edmondson narrates a documentary chronicling the story of Stiff Records, a tiny independent that took music out of the boardroom and gave it back to the fans. Stiff's successes included Nick Lowe, the Damned, Elvis Costello, Ian Dury, Madness, Tracey Ullman and the Pogues. Contributors include Captain Sensible, Jonathan Ross, Suggs, Shane MacGowan and label founders Jake Riviera and Dave Robinson.
On August 23, 2018, Beach House performed a stunning, career-spanning set at Brooklyn’s historic Kings Theatre. Performing music from their latest album '7' and stretching back through 2010’s 'Devotion', Victoria Legrand and Alex Scally brought their moody and mysterious dream pop to life, backed by state-of-the-art visuals, in a venue as grand and majestic as their music.
A chronological history of one of the most influential bands to come out of Australia, the Go-Betweens.
A girl's obsession with a rock star ends with an unfortunate choice.
Lyla Riley is in a punk band -- Minor Illusion. They suck. Regardless, she perseveres with her best friend Rob on guitar, numbskull drummer Sean and showboat bassist Pete. Minor Illusion's pathetic existence vexes Lyla's older sister Stephanie, a former punk turned 9-to-5 suit. Through lineup changes, borrowed cash, shitty gigs and drunken nights, Lyla and the band journey through the perils of Chicago's DIY music scene to get their shot at adequacy.
Everything Will Change is a feature-length documentary concert film of The Postal Service’s performance at the Greek Theater in Berkeley, CA during their 2013 reunion tour. A collaboration between Benjamin Gibbard (of Death Cab for Cutie) and Jimmy Tamborello (from Dntel), with Rilo Kiley’s Jenny Lewis, The Postal Service released Give Up, their one and only album, in 2003. That record went on to sell over a million copies and most of the band’s fans never had the chance to see them perform live. In celebration of the 10-year anniversary of Give Up, the band reunited to tour the world. With intimate interviews and backstage footage of the band, Everything Will Change captures one of the nights when everything did change.
Two mysterious souls meet at a bus stop and secretly decide to manipulate each other into a stilted and disaffectionate relationship.
The Comeback Special documents The The's triumphant Royal Albert Hall Concert on 5th June 2018. The Royal Albert Hall concert was the first of a trio of London shows during The Comeback Special tour—the others taking place at Brixton Academy and The Troxy—all of which sold out within minutes of going on sale. Performing live for the first time in 16 years with a headline appearance at Denmark’s Heartland Festival a few days before the Royal Albert Hall concert, the rejuvenated The The, which featured previous members James Eller on bass, DC Collard on keyboards and Earl Harvin on drums and new member Barrie Cadogan on guitar alongside Matt Johnson, would go on to play sold-out shows and make festival headline appearances across the globe throughout 2018.
Sleater-Kinney performs live to a completely sold-out house at the Palace Theatre in St. Paul, Minnesota. The band will bring new songs from their 2019 album 'The Center Won't Hold' – as well as tunes from their entire discography – to life on stage in this can't-miss concert.
Documentary tracing the existence of noted rock band Pavement from 1989 to their final performance in late 1999.
This show at the University of London Union was the drunken culmination of six weeks of touring Europe from April to May, 1992. Even our faithful crew abandoned us into the stagediving frenzy of the throbbing throng of punters that packed ULU that night. The performance is followed by an embarrassing pre-show interview in which we try not to bare our souls. English beer, plenty of sweat and all the hits - what more could you ask for?
Um dos grandes nomes das edições latinas do Lollapalooza em 2019, o Arctic Monkeys mostrou a sua versão festival da turnê de divulgação do seu mais recente álbum. Com um set de 22 faixas, a banda capitaneada por Alex Turner abriu espaço para músicas novas, clássicos da carreira e canções adoradas pelo público, como “Cornerstone”.