The geographical dead center of North America and the beloved birthplace of Guy Maddin, Winnipeg, is the frosty and mysterious star of Maddin’s film. Fact, fantasy and memory are woven seamlessly together in this work, conjuring a city as delightful as it is fearsome.
When he takes his girlfriend to a seedy abortion clinic in the back room of a combination hair salon / bordello, Guy Maddin meets the madam’s daughter and falls in love. But she won’t let any man touch her until her father’s murder has been avenged.
An idyllic childhood with her mooshum and kookum, or grandparents, in her community of Peguis First Nation dissipates as Aberdeen’s hard-partying and absentee parents distances her from that haven. Now an adult, sleeping on public benches, Winnipeg-based Aberdeen is in survival mode. The last remaining stable parts of her life begin slipping away — her reliable brother Boyd is ill and gives up Aberdeen’s grandkids to the foster care system. Then she loses her ID.
This documentary explores a variety of projects undertaken by scientists at Environment Canada's Freshwater Institute in Winnipeg to study the processes that pollute or disrupt clean and balanced freshwater environments.
This previously unreleased, 35-minute documentary film that takes you deep into the bowels of Winnipeg's punk and hardcore underground circa the mid-2000s. "The Manitoba Connection" provides a rare, lightning-in-a-bottle snapshot of DIY subculture as it is on the Canadian Prairie, marked by geographical isolation, brutal winters, and a history of working-class politics.
Bruce Macdonald follows punk bank Hard Core Logo on a harrowing last-gasp reunion tour throughout Western Canada. As magnetic lead-singer Joe Dick holds the whole magilla together through sheer force of will, all the tensions and pitfalls of life on the road come bubbling to the surface.
Randy has PTSD from the Army. After extreme treatment he is released into the world to make it on his own. He goes to Winnipeg to race his snowmobile cross country to St. Paul.
This film deals straightforwardly with the consequences of a nuclear attack for the Canadian Prairies. The Prairies are singled out because of their proximity to huge stockpiles of intercontinental ballistic missiles located in North Dakota. Scenes include a visit to a missile base and to an emergency government bunker in Manitoba. A doctor, a farmer and a civil defence coordinator provide different perspectives on nuclear war. Although the film focuses on one region, it provides a model for people everywhere who would like to know more about their own situation but don't know what questions to ask.
In Winnipeg, Nazgol and Hossein try to help a classmate recover an Iranian banknote. At the same time, a character named Matthew Rankin quits his job in Montreal to be closer to his family in Winnipeg, where he meets Massoud, a tour guide who also takes care of Rankin's mother.
A turn of the 20th Century office block at Portage and Main. What was once Winnipeg's most prestigious commercial address has become a catch-all for the marginalized and history's leftovers. A snapshot of a fading era, now gone for good.
In this film, Paul Tomkowicz, Polish-born Canadian, talks about his job and his life in Canada. He compares his new life in the city of Winnipeg to the life he knew in Poland, marvelling at the freedom Canadians enjoy. In winter the rail-switches on streetcar tracks in Winnipeg froze and jammed with freezing mud and snow. Keeping them clean, whatever the weather, was the job of the switchman.
In post-World War I Winnipeg, a Ukrainian immigrant and a Jewish woman get caught up in a labour strike.
Two men driving home from work miraculously hit every green light.
Sandy Doyle is an outspoken no nonsense business woman. She became a worldwide celebrity with the creation of her diner Blondies Burgers.
Originally released in 2006, Kubasa in a Glass presents a digitally warped reflection of Winnipeg’s brief and disposable self-image, as seen through local no-budget and public access television of the 1980s.
Winnipeg Film Group. Deep in the winter of 1986. Guy Maddin is in the process of filming Tales from the Gimli Hospital and needs to rub a dead seagull on somebody's chest. Immediately, Dave Barber agrees, submitting his bare flesh to Maddin's road kill and to film history. (This film was commissioned by the Winnipeg Film Group's Cinematheque for its 25th anniversary, Silverscope)
Thursday shot from filmmaker Galen Johnson's high-rise apartment during COVID-19 “lockdown” in Winnipeg, captures people going about their daily routines in the city's eerily empty streets, yards and parking lots, on their balconies and on the riverbanks. The extreme distance and the diminutive scale of humans is paired with sound close-ups—a combination that embodies the strange, heightened intensity of feeling of the time, knowing an era-defining tragedy is happening yet being so physically removed.
Join a grassroots collective of volunteers as they search Winnipeg’s Red River and its banks for clues to find out what happened to their missing family and friends. The documentary demonstrates the devastating experience of searching for a loved one who didn't come home with profundity and humanity.
For First Nations communities, the headdress bears significant meaning. It's a powerful symbol of hard-earned leadership and responsibility. As filmmaker JJ Neepin prepares to wear her grandfather's headdress for a photo shoot she reflects on lessons learned and the thoughtless ways in which the tradition has been misappropriated.