Acusado de comunista, um roteirista de Hollywood tem sua carreira arruinada. Ele sofre um acidente que o deixa sem memória e o leva a uma pequena cidade, onde é confundido com um herói de guerra.

O roteirista Dalton Trumbo tem uma história singular em Hollywood: apesar de ter escrito algumas das histórias de maior sucesso da época, como A Princesa e o Plebeu (1953), ele se recusou a cooperar com o Comitê de Atividades Antiamericanas do congresso e acabou preso e proibido de trabalhar. Mesmo quando saiu da prisão, Trumbo demorou anos para vencer o boicote do governo, sofrendo com uma série de problemas envolvendo familiares e amigos próximos.

Nos anos 50, David Merrill é um cineasta chamado a prestar depoimento para um comitê que investiga atividades ligadas ao regime comunista, mas se nega a cooperar porque não quer prejudicar um amigo. Ele é incluído na lista que circula em Hollywood e que cita nomes de profissionais suspeitos de ter relações com o comunismo e não devem ser contratados. Surge o dilema: ajudar o amigo ou retomar sua carreira?

A documentary that examines the films made by the victims of the Hollywood Blacklist and offers a radically different perspective on a key period in the history of American cinema.

Jimmy McNamara is an ex-writer and WWII vet turned accountant who receives a call from Vivian, his ex-fiance and nightclub singer. Vivian got a Hollywood contract and is taking Jimmy with her. All he has to do is retrieve the negatives of compromising pictures that put her bright future in danger. But Jimmy's mission might not be as simple as it seems.

Biographical movie about the early 20th century broadway stars Nora Bayes and Jack Norworth.

Interviews, archival footage and home movies are used to illustrate a social history of folk artists Pete Seeger.

The story of John Henry Faulk, a radio/TV personality of the 1950s, who was blacklisted during the McCarthy era. Faulk sued the organization that was behind the blacklisting, and the resultant trial, and Faulk's victory, helped to put an end to the blacklisting period.

An inventive remembrance of the impact of the Hollywood blacklist on two American classics, rendered as a visually mesmerizing dialogue between Carl Foreman and Elia Kazan.

An updated version of John Mulholland’s making-of documentary that explores the remarkable 1952 film starring Gary Cooper, and the gripping story behind its troubled production. Though High Noon was originally seen as an attack on the blacklisting witch hunt gripping Hollywood at the time, it is now recognized as a damning portrait of civic complacency, democracy in peril. High Noon is today considered a classic of American cinema.

Paul Robeson was a celebrated African-American Actor, Athlete, Singer, Writer, and Civil Rights Activist. Robeson's many achievements are chronicled in this program, ranging from playing with the NFL to graduating from Columbia Law School, performing on Broadway and in Hollywood films to founding the American Crusade against Lynching as well as Council on African Affairs. Robeson was one of the most talented performers of his time and a dedicated humanitarian who ultimately sacrificed fame and fortune for what he believed in. His association with Leftist Politics during the era of the Cold War, and frequent denouncing of American political parties led to his eventual blacklisting with other prominent writers and artists during the McCarthy Era. His talents in all areas are remarkable, and his dedication to attaining a peaceful coexistence between all the people of the world is truly admirable.

Documentary about the blacklisted folk group, "The Weavers," and the events leading up to their triumphant return to Carnegie Hall.

In his hilarious, daring new show, Blah Blah Blacklist, Daliso Chaponda looks at disgraced blacklisted celebrities and historical figures we're ashamed we once admired and who now have let us down. There's also the small matter of family member arrests, exploding buildings in his home country, the enterprising Malawian who tried to blackmail Daliso and being accused by some of his own community that he's 'not Black enough'...