What does being a woman really mean? How do women live the status society reserves for them? A group of women, beautiful or not, young or not, gifted with motherly instinct or not, answer before Agnès Varda's camera.
This short animated film is an impressionistic exploration of sensuality within the feminine imagination. Inspired by Anaïs Nin's poetic writing, Sabina breathes with lush, elemental energy where colours embrace and shapes caress in the soft currents of water and desire.
Dorothy (Fiona Samuel), a lone swimmer, luxuriates in tranquil bliss at a deserted pool — only to have her solitude rudely interrupted by a squad of swimmers. A wordless, strikingly choreographed conflict ensues as Dorothy attempts to assert herself against the dehumanised aggression of the swimmers.
A group of male friends become obsessed with five mysterious sisters who are sheltered by their strict, religious parents.
Daisy is the love of Ken's life - she is also large... and very pretty... and on the dole. But Ken is a dreamer, all his dreams to make a fast buck ending up where they started - as dreams. With the rent unpaid, the bailiffs at the door and Ken's dreams in tatters, Daisy sets out to bring home the bacon and gets a job in the local factory. There she meets Marlene and half a dozen other large women who are all united in a secret passion - Sumo wrestling! Ken doesn't know what's hit him.
A depiction of the lives of four young girls, Mona, Amira, Layali and Salma, who have developed intimate friendships over the years. When they finish their studies, they part ways as each pursues a different path, and each encounters obstacles along the way.
Arguing that advertising not only sells things, but also ideas about the world, media scholar Sut Jhally offers a blistering analysis of commercial culture's inability to let go of reactionary gender representations. Jhally's starting point is the breakthrough work of the late sociologist Erving Goffman, whose 1959 book The Presentation of the Self in Everyday Life prefigured the growing field of performance studies. Jhally applies Goffman's analysis of the body in print advertising to hundreds of print ads today, uncovering an astonishing pattern of regressive and destructive gender codes. By looking beyond advertising as a medium that simply sells products, and beyond analyses of gender that tend to focus on either biology or objectification, The Codes of Gender offers important insights into the social construction of masculinity and femininity, the relationship between gender and power, and the everyday performance of cultural norms.
A documentary feature questioning the female breasts as feminine signifier.
Drag Queens and their cabaret shows are well-known in France, but Drag Kings still remain very much on the sidelines. Chriss Lag traveled all over France and met 22 Kings to bring them front and center.
A beautiful intimate portrayal of Muslim women in a hammam.
By drawing a parallel between the Indian Durga Puja festival and other forms of celebrating the divine feminine, Santa Shakti reveals the Sacred Power beyond languages and religions.
In the American suburbs, two women mysteriously and sensuously entwine in this slow-burning, saucy, abstracted fable on the longing and laboring female body.
Amy, an 11-year-old girl, joins a group of dancers named “the cuties” at school, and rapidly grows aware of her burgeoning femininity—upsetting her mother and her values in the process.
Examines how a US value system built on the extreme masculine ideals of money, power and control has glorified individualism, institutionalized inequality, and undermined the ability of most Americans to achieve the American Dream.
Torn from their home by a hand in the sky, colorful entities seek freedom from a rigid binary in this short experimental animation.
This music video comes from a position of feminine self-expression and autonomy. We stand as witnesses to a woman giving birth to another part of her identity. In this case, let’s take it in a literal sense as we will see The Saint pushing The Whore out of her body. We begin with these two women celebrating their sensuality and having a firm grasp of their autonomy. And then as the story progresses, we are introduced to a new character who’s convinced it’s his right to take that agency away. But he’s clearly misguided. DIVA! is the pursuit of amplifying the very fact that The Saint in us can co-exist with The Whore as well as The Bitch, The Slut, The Boss, The Motherfucking Diva, and a lot more. It is a celebration of our endless rebirth.
Marseille, midsummer. Lying on their beach towels, Jess and Alana talk about the previous night's beach party.
A young queer girl is entered into an eerie beauty pageant, of unknown stakes, that ultimately turns against her.
In “Out Lookers”, Verena Blok portrays older women who reclaim their space in public. Witnessing these women age while she herself was maturing into womanhood, the dominant Western discourse privileging youthful femininity rendered them slowly invisible. The film uses snippets of candid conversation between the artist and the women about the transitional nature of femininity. At times they speak through a book they love, Olga Tokarczuk's“DriveYour PlowOverTheBonesOfThe Dead” (2009), a bleakly comic mystery novel about a post-menopausal woman who raises fierce questions about human behavior.