Mona Lisa SmileDecember 19, 2003
The story of Katherine Ann Watson, a feminist teacher who studied at UCLA graduate school and in 1953 left her boyfriend behind in Los Angeles, California to teach at Wellesley College, a conservative women's private liberal arts college in Massachusetts, United States.
Creature CompanionMay 4, 2018
In the American suburbs, two women mysteriously and sensuously entwine in this slow-burning, saucy, abstracted fable on the longing and laboring female body.
The Great American LieApril 15, 2019
The Great American Lie is a documentary film that examines how a US value system built on the extreme masculine ideals of money, power and control has glorified individualism, institutionalized inequality, and undermined the ability of most Americans to achieve the American Dream. The main topic of this film is arguably one of the most important issues of our time: social and economic immobility. Inequality has been on the rise in America for more than three decades. Middle and low income wages have remained stagnant or decreased while top earners have seen their wages increase 135% since 1979. Today, the top .1% of Americans owns almost as much wealth as the bottom 90%. This film is incredibly timely because of the staggering state of inequality today, but this film is also important because it is new. By bringing the unique perspective of gender to this story, this film expands the conversation around the causes and solutions to America's inequality and division.
Secret SocietyJune 7, 2002
Daisy is the love of Ken's life - she is also large... and very pretty... and on the dole. But Ken is a dreamer, all his dreams to make a fast buck ending up where they started - as dreams. With the rent unpaid, the bailiffs at the door and Ken's dreams in tatters, Daisy sets out to bring home the bacon and gets a job in the local factory. There she meets Marlene and half a dozen other large women who are all united in a secret passion - Sumo wrestling! Ken doesn't know what's hit him.
The Codes of GenderOctober 13, 2010
Arguing that advertising not only sells things, but also ideas about the world, media scholar Sut Jhally offers a blistering analysis of commercial culture's inability to let go of reactionary gender representations. Jhally's starting point is the breakthrough work of the late sociologist Erving Goffman, whose 1959 book The Presentation of the Self in Everyday Life prefigured the growing field of performance studies. Jhally applies Goffman's analysis of the body in print advertising to hundreds of print ads today, uncovering an astonishing pattern of regressive and destructive gender codes. By looking beyond advertising as a medium that simply sells products, and beyond analyses of gender that tend to focus on either biology or objectification, The Codes of Gender offers important insights into the social construction of masculinity and femininity, the relationship between gender and power, and the everyday performance of cultural norms.
An immersion into the Divine FeminineAugust 15, 2017
By drawing a parallel between the Indian Durga Puja festival and other forms of celebrating the divine feminine, Santa Shakti reveals the Sacred Power beyond languages and religions.
Para Além dos SeiosMarch 10, 2016
A documentary feature questioning the female breasts as feminine signifier.
Parole de King!November 30, 2016
Drag Queens and their cabaret shows are well-known in France, but Drag Kings still remain very much on the sidelines. Chriss Lag traveled all over France and met 22 Kings to bring them front and center.