O filme se passa na véspera do ano novo, New Year's Eve vai acompanhar alguns dos personagens durante a véspera de Ano Novo. Uma comédia romântica que vai emocionar todo mundo. Conta a história da vida de vários casais e solteiros em Nova York se entrelaçam ao longo da véspera de Ano Novo.

Silas vive em uma sociedade onde seus habitantes foram geneticamente concebidos para não ter emoções. Porém, uma doença passa a ameaçar a todos, ativando sentimentos em suas vítimas que são excluídas do resto da sociedade. Silas é infectado passando a ter sentimentos que precisam ser escondidos, o que torna-se quase impossível. Ao conhecer Nia, imediatamente se apaixona por ela e descobre que ela também foi infectada. Quando o governo anuncia que a cura para a síndrome foi encontrada, eles percebem que estão em grande risco e precisam fugir.

Brooks Wilson is in crisis. He is torn between his wife Selma and two daughters and his mistress Grace, and also between his career as a successful illustrator and his feeling that he might still produce something worthwhile.

Henry Roth está confuso. Autor nova iorquino de livros infantis que conta para as crianças que Papai Noel não existe, ele odeia dormir com - ou perto de - alguém, incluindo sua namorada e dorme no chão, geralmente com objetos pesados sobre ele, apenas para se sentir seguro. Se lema é "A vida não é nada mais que a explosão ocasional de risos sobre uma interminável lamento de dor". O filme é uma moderna história de amor na qual um anti-social e emocionante complexo autor de livros infantis de sucesso é forçado a trabalhar com uma bela ilustradora, depois que seu melhor amigo e colaborador criativo morre. Enquanto Henry luta para deixar os fantasmas de amor e vida irem embora, ele descobre que talvez seja necessário um pouco de dedicação.

Thriller psicológico repleto de animações semelhantes a mangás sobre a jovem e pobre ilustradora de quadrinhos Nina, vivendo com sua senhoria mesquinha. Ela afunda cada vez mais em um mundo de fantasia violento.

A visual journey into the life and legacy of one of Australia's most celebrated artists, Brett Whiteley.

Americans are preoccupied with the news, but need an escape from many of the events reported in the news. These escapes in the past have included dime store novels. The most accessible of these escapes is what are known as the funny papers, the set of serialized comic strips that are included within many newspapers. They appeal to all socio-economic classes, and all ages. Some of the earliest known from the late 19th century include the Yellow Kid, Little Nemo, Happy Hooligan, the Katzenjammer Kids, Mutt & Jeff, and Bringing Up Father. Many cartoonists are seen in action. Some originated their characters, while others have taken over following the passing of the originator. The joy of many comic strips are the absurd and the fantastical, which are limited only by the imagination of the cartoonist. Others are grounded in reality, which add to their poignancy within the public mindset.

THE STORY WON’T DIE, from Award-winning filmmaker David Henry Gerson, is an inspiring, timely look at a young generation of Syrian artists who use their work to protest and process what is currently the world’s largest and longest ongoing displacement of people since WWII. The film is produced by Sundance Award-winner Odessa Rae (Navalny). Rapper Abu Hajar, together with other creative personalities of the Syrian uprising, a post-Rock musician (Anas Maghrebi), members of the first all-female Syrian rock band (Bahila Hijazi + Lynn Mayya), break-dancer (Bboy Shadow), choreographer (Medhat Aldaabal), and visual artists (Tammam Azzam, Omar Imam + Diala Brisly), use their art to rise in revolution and endure in exile in this new documentary reflecting on a battle for peace, justice and freedom of expression. It is an uplifting and humanizing look at what it means to be a refugee in today’s world and offers inspiring and hopeful vantages on a creative response to the chaos of war.

A sculptor, an enemy of modern art, sets an example. He sculpts a statue of Venus in the style of the Greek antiquity and buries it in a forest. When it's dug up in 1930, it's considered to be a 2 000 year old, antique statue.

An agoraphobic children's book illustrator is trapped inside her home by two young psychos-in-love, who terrorize her. It is only when her young son is threatened that she manages to overcome her paralyzing fears and attempt to leave her home to save him...

Isi doesn't get the world anymore. Just a short while ago, life was wild, fun, and without obligations, but suddenly everyone around her seems to be grown-up and successful. With her diploma in one hand and a drink in the other, she is stuck between the careless days of college and real life. When her best friend Lotte gets a respectable job and becomes pregnant, Isi realizes that she needs to find a way to start living a life on her own.

Haunted by the tragic death of their son, Charlie, and desperate to escape their grief, a renowned children's book illustrator and his wife leave the world behind for the remote Scottish Highlands - where they unleash an unknowable evil.

An illustrator can't find the perfect guy, so she draws her own.

Takes audiences behind the scenes of the new golden age of children’s picture books —a time when all children can see characters who look like them on the page; a time when creators come from diverse communities and backgrounds; and a time when instead of keeping the hard stuff out of stories for children, we put it in and provide context and counternarrative.

This documentary celebrates the work of illustrator Reynold Brown, whose colorful and compelling art graced over 300 movie posters during the 1950s and '60s, ranging from star-studded westerns and studio epics to sensational creature features and low-budget B-movies. Art historians, writers, and movie producers discuss Brown's art within the context of the post-war social climate and an ever-changing movie industry.

Os amigos de escola Lee Wan e Shin Gi Tae são inseparáveis amigos de escola que passam cada momento de tempo livre que têm juntos. Mas Lee Wan tem um segredo: ele tem uma queda por seu melhor amigo e quer que seu relacionamento se torne romântico. Quando ele diz a Shin Gi Tae como ele se sente, Gi Tae recua e Lee Wan foge para uma nova vida. Sete anos depois, Lee Wan, que agora é ilustrador, é chamado para uma entrevista em uma empresa de jogos que está desenvolvendo um jogo com tema de namoro, onde fica cara a cara com Shin Gi Tae, que é líder de equipe na mesma empresa. Agora, esses dois ex-amigos devem trabalhar juntos, apesar dos acontecimentos de sete anos atrás. Mas será que passar tanto tempo na companhia um do outro novamente resultará em atrito – ou pode reacender velhas paixões?

An account, in his own words and those of his relatives, of the life and work of the brilliant Manuel Pérez-Sanjulián Clemente, one of the most important Spanish illustrators of all times.

Charles Santore, in an expansion of his discussion in “Oz: The American Fairyland” (1997) (V), tells about his experience making an abridged storybook of “The Wizard of Oz”. He tells of his inspirations, the little girl who modeled for Dorothy, the tin man in folk art, and a left to right progression in a journey of identity, with opposing forces pushing the movement in art back to the left.

The illustrator and author paints scenes from a 70-year-long career, including his work with Roald Dahl. With David Walliams, Joanna Lumley, Peter Capaldi, Ore Oduba and Michael Rosen.

Len Lye (1901-1980) was a pioneer of experimental animation, and also of kinetic sculpture. This short film dramatically presents 18 minutes inside the head of the artist as a teenager. The opening scenes are set in New Zealand in the year 1917, on the day when Lye (setting out on his bicycle to deliver newspapers) makes his excited discovery that motion can be the basis for a radically new approach to art.