Ellison (Ethan Hawke) é um escritor de romances policias que acaba de se mudar com a família. No sótão da nova casa ele descobre antigos rolos de filme, que trazem imagens de pessoas sendo mortas. Intrigado com o que elas representam e com um estranho símbolo presente nas imagens, ele e sua família logo passam a correr sério risco de morte.

No verão de 1979, um grupo de seis garotos em uma cidade industrial de Ohio testemunha uma catastrófica colisão noturna de uma caminhonete com um trem de carga. Eles registram tudo com a câmera Super-8 com a qual estavam tentando fazer um filme. Não tarda para que eles comecem a desconfiar que aquilo não foi um acidente, quando misteriosos desaparecimentos começam a acontecer e o exército tenta encobrir a verdade (algo muito mais terrível do que eles poderiam imaginar).

Filip Mosz é um operário que resolve comprar uma filmadora 8 mm para registrar os primeiros dias da filha recém-nascida. No entanto, o que era para ser apenas um hobby se torna uma obsessão. Mosz começa a filmar tudo e todos. Pessoas do cotidiano transformam-se em "astros" de suas produções. Mas não tarda para que o "operário-documentarista" se depare com dilemas éticos, que trarão sérias consequências para ele e sua família.

Alfredo Lopez (Javier Cámara) é um vendedor fracassado de enciclopédias, que vive na Espanha dos anos 70. Convidado por seu chefe para um simpósio, ele e sua esposa Carmen (Candela Peña) são surpreendidos com o anúncio do novo projeto da empresa: a confecção de uma Enciclopédia Sexual Visual, que contará com fitas de casais de vários países europeus. A proposta do chefe é que seus empregados rodem seus próprios filmes eróticos, que seriam destinados exclusivamente aos países escandinavos. O casal, em crise financeira, aceita a proposta e inicia suas produções com uma simples câmera Super 8. Essa nova atividade rejuvenesce a paixão do casal, que fica famoso em toda a Escandinávia. Alfredo se empolga com a repercussão e influenciado por seu grande ídolo, Ingmar Bergman, planeja sua primeira incursão em uma película não pornográfica.

Made for straight 8's 2019 competition on one cartridge of super 8mm film with only in-camera edits and no post-production. This film follows two naked people who meet at a café, fall in love, and decide to dress each other in clothes.

Shell-shocked Barbara must face up to the loss of a dear companion after a tragic accident. Her best friend Klara and husband Torsten devise a plan to thaw Barbara's heart, after she reminisces about the incident, the funeral, and happier times. Will she agree to the suggestions of her nearest and dearest? Can grief turn into hope?

SONG 5: A childbirth song (the Songs are a cycle of silent color 8mm films by the American experimental filmmaker Stan Brakhage produced from 1964 to 1969).

In 1948, French singer Charles Aznavour (1924-2018) receives a Paillard Bolex, his first camera. Until 1982, he will shoot hours of footage, his filmed diary. Wherever he goes, he carries his camera with him. He films his life and lives as he films: places, moments, friends, loves, misfortunes.

Lost Boundaries is comprised of footage shot by Julien on location, in England in the summer of 1985, during the making of the Sankofa film and video collective's first experimental feature film The Passion of Remembrance (1986), which he co-directed with Maureen Blackwood, another member of the collective. In recapturing those moment Lost Boundaries both deconstructs and foregrounds the means of 16mm film production while weaving together a fragile community of Black artists and actors who came to prominence at a time when debates in film theory - such as those of the Screen film journal and of "third cinema" discourses where cinema was intertwined within (Brechtian) filmmaking practices - were at the forefront of forging a new politics of artistic representation. A Black avant-garde.

In 1975, the long slog of civil war has recently begun in Beirut. A high school student named Tarek is thrilled by all the chaos and upheaval because he no longer needs to go to school. Plus, he finds negotiations between West and East Beirut interesting. Tarek is accompanied by his buddy Omar as the two shoot Super 8 films of the tumult around them. The jovial mood takes a tragic turn when Tarek's parents start fighting over whether or not to flee Beirut.

A young man wakes up one morning to find that his head has transformed into a large cabbage. He quickly becomes a source of bemusement, desire and hostility to all those around him.

Three bands and crew (a combined total of 13 individuals), 2 Dodge Ram extended cab vans, one equipment truck, one PA system traverse the continental US for six months. A road documentary shot from the inside of the last Black Flag tour ever (the 1986 “In My Head” US tour.) Featuring behind the scenes proceedings and live performances from Black Flag, Painted Willie, and Gone. David Markey was along for the entire trip as the drummer / singer for Painted Willie, documenting the six month tour with his Super-8 camera as it happened. Also features roadie Joe (“Planet Joe”) Cole, soundmen Davo Claasen and Dave “Ratman” Levine, and the tour manager who kept it all together, Mitch Bury. A crucial turning point in American underground rock. The end of the line for a trail blazing American band. Shot in 1986 and completed by director David Markey in 1991 for We Got Power. (futuristika.org)

SONG 8: Sea creatures (the Songs are a cycle of silent color 8mm films by the American experimental filmmaker Stan Brakhage produced from 1964 to 1969).

SONG 12: Verticals and shadows caught in glass traps (the Songs are a cycle of silent color 8mm films by the American experimental filmmaker Stan Brakhage produced from 1964 to 1969).

SONG 1: Portrait of a lady (the Songs are a cycle of silent color 8mm films by the American experimental filmmaker Stan Brakhage produced from 1964 to 1969).

Bern, 1979: a tower block called Tscharnergut. Together with a few friends (among them famous Swiss actor Stefan Kurt), director Aron Nick's father and uncle shoot the idealistic Super 8 film "Dr Tscharniblues" ("The Tscharni Blues") – a wild, unvarnished self-portrait of their generation. 40 years later, Nick gathers the friends at Tscharnergut and asks what has happened to them and their ideals in the meantime. What have the achieved? What have they lost? Past, present, and future clash and form a journey of personal disappointments, hopes, and a collective search for identity. In "Tscharniblues II," Aron Nick discovers a kind of friendship that can weather anything.

SONGS 2 & 3: Fire and a mind’s movement in remembering (the Songs are a cycle of silent color 8mm films by the American experimental filmmaker Stan Brakhage produced from 1964 to 1969).

Memory is a collaboration with musician Noah Lennox (Panda Bear), exploring the relationship between a musician and filmmaker and their personal reflection on memories. From Super 8 home movies and entirely handmade, this film explores familiar memories, the present moment combined with past experiences and how it all seems to evade from our present memory.

SONGS 2 & 3: Fire and a mind’s movement in remembering (the Songs are a cycle of silent color 8mm films by the American experimental filmmaker Stan Brakhage produced from 1964 to 1969).

A fragmented collection of independent closed cinemas, in London during lockdown, captured on Super 8mm film.