어느 날 밤 폭풍으로 인해 글렌의 집 뒷마당의 고목나무가 쓰러지고, 글렌과 그의 친구 테리는 나무가 뽑힌 구덩이 한 켠의 커다란 구멍을 보고 관심을 갖는다. 그러나 글렌과 테리 그리고 글렌의 누나 앨은 대수롭지 않게 넘겨 버린다. 그러던 어느 날 구멍 속에서 생물체들이 올라오는 것을 보게 된 이들은 구멍과 생물체들의 출현이 악마의 공격을 예고하는 것임을 전혀 알지 못한다. 그들의 부모는 아이들을 두고 여행을 떠나게 되고, 이틈을 타 공격을 시작하는 악의 세력과 글렌, 테리 그리고 앨의 전쟁이 시작된다.

Claire Tree spends the night in the hotel room of her friend and confidante, saying goodbye to him before her impending marriage the following day. When she returns to the hotel with her husband the following night, the house detective accuses her of prostitution and throws them out. Now Claire must explain everything to her unsympathetic husband.

At the break of dawn, teenagers Axel and Love are on the way home after a night out partying. As the sun rises, they start to see each other in a whole new light... Elin Övergaard's remarkably tender portrait of the struggle to say what you mean to the person you care for the most packs a considerable emotive punch in only just a few minutes.

A short documentary film that captures the city (Cairo) in its most tranquil and calm state, from 5 am to 7 am.

Rescue police receives a report on the killing of a leftist journalist in her apartment. The prosecutor moves to the scene of the incident and tries to reach the murderer.

A formally free poetic documentary filmed through a summer depression in northern Portugal.

In the Moroccan desert night dilutes forms and silence slides through sand. Dawn starts then to draw silhouettes of dunes while motionless figures punctuate landscape. From night´s abstraction, light returns its dimension to space and their volume to bodies. Stillness concentrates gaze and duration densify it. The adhan -muslim call to pray- sounds and immobility, that was condensing, begins to irradiate. And now the bodies are those which dissolves into the desert.