This film presents aspects of day-to-day life in Venice, a city that is most renowned for its historic sites and large tourist trade. It tells a story about a boy who loses a prized model ship on the waterways of his city.
Blissful scenes of tourists arriving by boat and then sea bathing on a beach in the Venetian lagoon.
A film by Eckhart Schmidt made in Venice that plays experimentally with image and sound.
The documentary explores the world of culture, nature and gastronomy through one chef's eyes across the marshlands of the Venetian Lagoon.
After the trying constraints of lockdown and social distancing that brutally reduced urban space to its strict minimum, making it into a place where isolated individuals merely cohabit, Homo Urbanus is a cinematic odyssey offering a vibrant tribute to what we have been most cruelly deprived of: namely, public space. Taking the form of a free-wheeling journey around the world (10 films, 10 cities), the project invites us to observe in detail the multiple forms and complex interactions that exist every day between people and their urban environments. Somewhere between visual anthropology and observational cinema, these films put urban man under the microscope and encourage us to take a closer look at individual and collective behaviour, interpersonal dynamics, social tensions, and the economic and political forces that play out every day on the grand stage of the city streets.
a journey suspended between reality and fantasy during the Venice Film Festival.
Even frequent visitors to Venice, the lagoon city still offers numerous hidden sides that are worth discovering. The historical significance of some places cannot be read in any travel guide.
A young doctor must care for an elderly person and ends up having deranged visions. His life mixes reality with the legend of the ancient mask of the plaguedoctor.
A monument handcrafted by Konstantin Bessmertny is exhibited at Venice Biennale 2007.
Juvenile adventure from Italy.
Vuko, a young servant of Kotor prince, makes entourage with his brother and friends in order to obtain for the daughter of Venetian Doge for the prince's son. They spend seven weeks of drinking, whoring and without thoughts of anything else. And then, one morning, running through narrow streets before the army, Vuko accidentally witnesses the fight between the knights and the guards. Vuko falls into the hands of guards, and finds himself imprisoned. Even without knowing beforehand who is Maltese, Vuko is being sworn in on the eve of execution, so that the knight would deceive his miserable destiny at least a bit.
Raphael, Yervant Gianikian's father, survived the Armenian genocide in 1915 in Eastern Turkey. In April 1988, while living in Venice, he sat for his son's camera and read an excerpt from his memoirs, translated from Armenian into Italian.
What is the "feeling" of a city? Is it the roads, the light that illuminates them, the people that live there and their stories? It's all these things, but also something else, something requiring time and attention to be understood. The film goes in search of this feeling exploring the city of Venice and its lagoon, prying into its less-known corners and listening to the stories of six citizens: a hotel waitress, an old archaeologist, a pensioner from Mestre, a painter/fisherman, an apartment burglar and a young boy.
After marrying their sweethearts Gianetta and Tessa, gondoliers Marco and Giuseppe learn that one of them is really the King of Barataria. But it's a mystery as to which one is which. The couples begin to fantasize about wealth and royalty, which brings about a delightful concoction of confusion, jealousy and true love. THE GONDOLIERS was the last successful collaborative work of Gilbert and Sullivan. This production was recorded at the Sydney Opera House.
The Orient Express, on its night trip from Munich to Venice, is full because of the beginning of the carnival in Venice. Between the passengers are a young writer, an actress, and her daughter, an elderly dancer, five neo-nazi punks, and a strange man that seems to have some kind of influence over them through their dreams.
Two rich American young adults who meet and fall in love in Venice, Italy. With plenty of money and no real responsibilities or direction in life, the couple begin experimenting with illicit drugs. The movie travels through a series of flashbacks showing their progression from marijuana to harder drugs as a result of their complex romantic entanglement with each other.
The seemingly tranquil waterways of Venice are terrorized by the perfect killing machine. In search of his father who has mysteriously disappeared diving in the city, David stumbles across the cryptic trail leading to the long-lost fortune of the Medici. As the unwitting pawn in a Mafia plot to recover the treasure, David's girlfriend is kidnapped at gunpoint, plunging him into a desperate race against time. If he has any hope of saving her he must enter the deadly waters. Can David out-gun the Mafia assassins and survive the voracious sharks laying in wait beneath the surface, or will he succumb to the same fate as his father?