Even frequent visitors to Venice, the lagoon city still offers numerous hidden sides that are worth discovering. The historical significance of some places cannot be read in any travel guide.
After the trying constraints of lockdown and social distancing that brutally reduced urban space to its strict minimum, making it into a place where isolated individuals merely cohabit, Homo Urbanus is a cinematic odyssey offering a vibrant tribute to what we have been most cruelly deprived of: namely, public space. Taking the form of a free-wheeling journey around the world (10 films, 10 cities), the project invites us to observe in detail the multiple forms and complex interactions that exist every day between people and their urban environments. Somewhere between visual anthropology and observational cinema, these films put urban man under the microscope and encourage us to take a closer look at individual and collective behaviour, interpersonal dynamics, social tensions, and the economic and political forces that play out every day on the grand stage of the city streets.
A young doctor must care for an elderly person and ends up having deranged visions. His life mixes reality with the legend of the ancient mask of the plaguedoctor.
Harry's Bar opened in 1931 and attracted a multitude of customers from the start, drawn to the atmosphere and the talents of barman Giuseppe, with his cocktails, gourmet dishes and exquisite hospitality. Over eight decades the bar has seen it all, from being closed during the fascist regime to being declared a national treasure in 2001, and witnessed a stream of writers, painters, directors, film stars, kings, queens and epicures, becoming a legend.
This film presents aspects of day-to-day life in Venice, a city that is most renowned for its historic sites and large tourist trade. It tells a story about a boy who loses a prized model ship on the waterways of his city.
A description of some parts of the world - explored, visited, documented, imagined. An abstract attempt at finding them again. The title refers to geographer and civil servant of the Republic of Venice Giovanni Battista Ramusio (1485-1557).
This is a documentary film on the romantic and decadent atmosphere of Venice at the end of the 18th century. A vigorous comment by Jean Cocteau tells us of the sick souls and the sorrows of literary characters and musicians who lived the dream of this city. It is the Venice of Lord Byron, Alfred de Musset, George Sand, d'Annunzio; a Venice made of precious images, palaces reflected in the water, mysterious moonlights, little squares where unhappy lovers wander under the music of Richard Wagner.
a journey suspended between reality and fantasy during the Venice Film Festival.
The mysterious parallel story of Italian painters Andrea Mantegna (ca. 1431-1506) and Giovanni Bellini (ca. 1435-1516), brothers-in-law, public rivals and masters of the early Renaissance.
This Colin Low documentary from 1959 depicts Venice in all its splendor. In the tradition of Venetian painter Canaletto, the film captures the great Italian city’s elusive beauty and fabled landscapes, where spired churches and turreted palaces soar into a blue Mediterranean sky. Narration by William Shatner.
Blissful scenes of tourists arriving by boat and then sea bathing on a beach in the Venetian lagoon.
What is the "feeling" of a city? Is it the roads, the light that illuminates them, the people that live there and their stories? It's all these things, but also something else, something requiring time and attention to be understood. The film goes in search of this feeling exploring the city of Venice and its lagoon, prying into its less-known corners and listening to the stories of six citizens: a hotel waitress, an old archaeologist, a pensioner from Mestre, a painter/fisherman, an apartment burglar and a young boy.
A monument handcrafted by Konstantin Bessmertny is exhibited at Venice Biennale 2007.
Raphael, Yervant Gianikian's father, survived the Armenian genocide in 1915 in Eastern Turkey. In April 1988, while living in Venice, he sat for his son's camera and read an excerpt from his memoirs, translated from Armenian into Italian.
Sofia travels the streets of Venice feeling the pain of an unexpected loss. Absence, silence, but also fate, life and its magic, the city, its people and its unfamiliar streets all fill her failed stay in one of the most emblematic and longed cities to live a honeymoon.
A woman feeds pigeons on the Piazza San Marco in Venice.