'Boykee' is a drug addict from the streets of Rotterdam, who manages to get himself into some serious trouble and he' s looking for a way out. Lea, a troubled young woman, might offer Boykee the escape he desires.
This film describes the 1960s drug culture. Addicts discuss their experiences in the United States and in Vietnam. Dr. Stanley Yolles, director of the National Institute of Mental Health (NIMH), talks about the drug culture and the NIMH role in prevention and treatment. The tape describes growth in the use of marijuana and heroin. In 1966, the Narcotic Addict Rehabilitation Act is the first law to give the addict a choice of treatment or jail. Synanon in California is a private, self-help, residential community that helps people deal with their addictions. New York's Daytop Village works not only with addicts on addictions, but on developing a new lifestyle. Methadone, though still experimental, has proved to be an effective treatment for heroin addiction.
Presented by Voices in Society and Travelers Insurance Indemnity, this untitled PSA-style film from the 1970s is a compilation of various anti-drug use PSAs from National Clearinghouse for Alcohol and Drug Abuse Information (NCADI). The films were assembled by a film collector who did public screenings of cult films; he often showed this compilation under the moniker “Stoner’s Night Out”. NCADI is the information service for the Center for Substance Abuse Prevention of the U.S. Department of Health & Human Services. The PSAs that comprise this film combine footage of drug use as well as interviews. Overall, this film warns of the short-term and long-term effects of drug use with the later segments of the film focusing on marijuana use specifically.
Examines the widespread use of drugs in American society and presents experts discussing different reasons for increased drug abuse by youth. Focuses on the varying opinions of a judge, researcher, child psychologist, minister, and drug user toward increased drug abuse. Emphasizes the need for helping children make proper choices about drugs. Highlight: JIM NABORS and unidentified woman do operatic duet to "Figaro" with lyrics changed to
drug references; Jim Nabors pops pills in the sequence. ALSO: Good hippie sequence in Haight-Ashbury.
Maya is Ayaibex's daughter, an addict in recovery that feels a blame for damages that caused her daughter, Maya decides to remember her mother's childhood experiences in her world of addiction to seek the redemption of the weight that her mother has loaded for 20 years and get both to forgiveness.
Produced in 1967, this black and white film is an inmate's view of Daytop, a drug treatment centre on Staten Island, New York, where addicts learn to get along without drugs. Uncompromising, often brutal group therapy sessions are designed to shake loose the excuses a victim makes for himself. The people and situations shown are authentic; only one actor was employed. The results obtained at Daytop are regarded by some psychiatrists as a breakthrough.
Set in New York City in the 1990s, community activists seek to rid their neighborhood of the anguish, brutality, and violence associated with local drug dealers.
Back from rehab, a painter suspects her husband is stealing from her.
Josh, a young drug addict, joins a support group, where he opens up about his situation.
Documentary on the life of late Mother Love Bone singer Andrew Wood.
Cautionary anti-drug film based on a true story about the effects on Jean Stapleton and Arthur Hill when their teenage son (John Putch, Stapleton's real-life son) gets spaced out on a marijuana joint laced with PCP, or "angel dust," and the family is forced to wrestle with the crisis.
Omar and Pete are determined to change their lives. Both have been in and out of prison for more than 30 years — never out longer than six months. This intimate and penetrating film follows these two longtime African-American friends after what they hope will be their final release. Their lives take divergent paths in their native Baltimore as one wrestles with addiction and fear while the other finds success and freedom through helping others. With extraordinary cooperation from Maryland's innovative reentry programs — many run by former drug addicts and convicts themselves — Omar & Pete also provides a rare glimpse into an intense and very personal web of support.
A drug addict checks into rehab.
A cult-like rehabilitation center abuses, brainwashes and imprisons vulnerable teens.
Gerard, Mara and Jiri are addicted to heroin. The trio's struggle to kick the habit is more complicated than they expected. And then something happens that changes everything.
Early "shockumentary", apparently shot in Egypt, which documents the habits of opium addicts. The interiors of drug dens are shown, and at the conclusion the film an addict is shown collapsing on a sand dune; the booming voice of the narrator informs us that the addict has perished. Footage used is from the silent film Dope Fiends.
Nine young men and women, deemed unmanageable by both anguished parents and a society grown weary of drug users, gang members and thieves, are given one last chance to save their lives. Some make it, some don't.
The Charters family falls into despair over their drug-addicted son Gary. They discuss his problems through the "Toughlove" program in searching for answers.
Two wild and rebellious teenagers in love find that their eager wedding plans are being complicated by family members and roughneck gangsters.
INNER DEMONS follows an 'Intervention'-style reality show crew that films an episode about a sixteen-year old girl, a former A-student, who is fighting addiction but may in fact be suffering from something even more destructive: demonic possession. The movie is an inquiry into the truth about her - with symptoms that straddle the disturbing and scary intersection between insanity, addiction and true possession.