Maya is Ayaibex's daughter, an addict in recovery that feels a blame for damages that caused her daughter, Maya decides to remember her mother's childhood experiences in her world of addiction to seek the redemption of the weight that her mother has loaded for 20 years and get both to forgiveness.
Back from rehab, a painter suspects her husband is stealing from her.
Second Lane is a story about drug addiction, living with it and fighting it. It is a documentary about people who use intravenous drugs and the professionals and peers working with those people. What happens when ‘Vinkki’, a social and healthcare counselling centre in Helsinki, closes its doors due to a lost contract.
Junior Rios started using heroin when he was 15. At age 29, Junior is a father of three. To support his $200-a-day heroin habit, he scours the rooftops of the South Bronx for materials he can sell. When he's finally caught, he enters an aggressive rehab program. Meanwhile, his ex has moved on, and is trying to make a better life for herself and their children.
Omar and Pete are determined to change their lives. Both have been in and out of prison for more than 30 years — never out longer than six months. This intimate and penetrating film follows these two longtime African-American friends after what they hope will be their final release. Their lives take divergent paths in their native Baltimore as one wrestles with addiction and fear while the other finds success and freedom through helping others. With extraordinary cooperation from Maryland's innovative reentry programs — many run by former drug addicts and convicts themselves — Omar & Pete also provides a rare glimpse into an intense and very personal web of support.
A cult-like rehabilitation center abuses, brainwashes and imprisons vulnerable teens.
Early "shockumentary", apparently shot in Egypt, which documents the habits of opium addicts. The interiors of drug dens are shown, and at the conclusion the film an addict is shown collapsing on a sand dune; the booming voice of the narrator informs us that the addict has perished. Footage used is from the silent film Dope Fiends.
Presented by Voices in Society and Travelers Insurance Indemnity, this untitled PSA-style film from the 1970s is a compilation of various anti-drug use PSAs from National Clearinghouse for Alcohol and Drug Abuse Information (NCADI). The films were assembled by a film collector who did public screenings of cult films; he often showed this compilation under the moniker “Stoner’s Night Out”. NCADI is the information service for the Center for Substance Abuse Prevention of the U.S. Department of Health & Human Services. The PSAs that comprise this film combine footage of drug use as well as interviews. Overall, this film warns of the short-term and long-term effects of drug use with the later segments of the film focusing on marijuana use specifically.
This film describes the 1960s drug culture. Addicts discuss their experiences in the United States and in Vietnam. Dr. Stanley Yolles, director of the National Institute of Mental Health (NIMH), talks about the drug culture and the NIMH role in prevention and treatment. The tape describes growth in the use of marijuana and heroin. In 1966, the Narcotic Addict Rehabilitation Act is the first law to give the addict a choice of treatment or jail. Synanon in California is a private, self-help, residential community that helps people deal with their addictions. New York's Daytop Village works not only with addicts on addictions, but on developing a new lifestyle. Methadone, though still experimental, has proved to be an effective treatment for heroin addiction.
Examines the widespread use of drugs in American society and presents experts discussing different reasons for increased drug abuse by youth. Focuses on the varying opinions of a judge, researcher, child psychologist, minister, and drug user toward increased drug abuse. Emphasizes the need for helping children make proper choices about drugs. Highlight: JIM NABORS and unidentified woman do operatic duet to "Figaro" with lyrics changed to
drug references; Jim Nabors pops pills in the sequence. ALSO: Good hippie sequence in Haight-Ashbury.
Josh, a young drug addict, joins a support group, where he opens up about his situation.
Gerard, Mara and Jiri are addicted to heroin. The trio's struggle to kick the habit is more complicated than they expected. And then something happens that changes everything.
A drug addict checks into rehab.
Dock Ellis pitched a no-hitter on LSD, then worked for decades counseling drug abusers. Dock's soulful style defined 1970s baseball as he kept hitters honest and embarrassed the establishment. An ensemble cast of teammates, friends, and family investigate his life on the field, in the media, and out of the spotlight.
Produced in 1967, this black and white film is an inmate's view of Daytop, a drug treatment centre on Staten Island, New York, where addicts learn to get along without drugs. Uncompromising, often brutal group therapy sessions are designed to shake loose the excuses a victim makes for himself. The people and situations shown are authentic; only one actor was employed. The results obtained at Daytop are regarded by some psychiatrists as a breakthrough.
A woman suffering from drug addiction is interned against her will in a clandestine rehabilitation center where she suffers many cases of abuse and fights to survive against violence, prejudice and the loss of dignity.
Set in New York City in the 1990s, community activists seek to rid their neighborhood of the anguish, brutality, and violence associated with local drug dealers.
In this honest and deeply personal account of living with addiction, a young man talks about the realities and challenges of living in the Anishinaabe community of Kitcisakik and the hope he still harbours for himself and his people.
Documentary on the life of late Mother Love Bone singer Andrew Wood.
Despite their differences, Celeste and Sihem quickly become inseparable. The common will to get out of drugs seals their fusional friendship. This will be as much a force as an obstacle when, transferred from the center that welcomes them, they find themselves left to themselves, to the test of the real world and its temptations. They will have to fight to finally live.