Неизвестен, но смъртоносен човек, пристига в град, разкъсван от война между два рода - Рохе и Бакстър. Но вместо да избяга или да умре, както би се случило с мнозина други, човекът се опитва да играе двойна игра, извличайки полза от това.
Жизнерадостен, забавен и същевременно сериозен филм, дълбоко френски по своя дух, с възхитителни пластични композиции и барокова пищност на визията, направен в голямата традиция на спектакъла. Действието се развива по време на т.н. "бел епок" - годините от края на XIX и началото на ХХ век. Разказът следи перипетиите по откриването и първите представления на легендарното парижко кабаре "Мулен Руж". Анализирани са човешките отношения в света на спектакъла.
Clumsy Monsieur Hulot finds himself perplexed by the intimidating complexity of a gadget-filled Paris. He attempts to meet with a business contact but soon becomes lost. His roundabout journey parallels that of an American tourist, and as they weave through the inventive urban environment, they intermittently meet, developing an interest in one another. They eventually get together at a chaotic restaurant, along with several other quirky characters.
В тази гангстерска история, режисирана от Серджо Солима, Чарлс Бронсън е Джеф - независим наемен убиец, който спазва строго собствен кодекс на честта. За да избегне замесването на свидетелка - Ванеса (Джил Айрланд), Джеф е ранен и попада в затвора. Проблемите започват, когато след излизането му от затвора, мафиотският бос Уебър (Тели Савалас) иска килърът да работи за него. Новата жена на Уебър е Ванеса и той дори не не подозира, какво ще му се стовари на главата!
A vengeful witch, Asa Vajda, and her fiendish servant, Igor Jauvitch, return from the grave and begin a bloody campaign to possess the body of the witch's beautiful look-alike descendant, Katia. Only a handsome doctor with the help of family members stand in her way.
В Париж се случват поредица от убийства на млади жени. Почеркът на убиеца при всички тези случаи е един и същ, нещо повече - самият убиец започва да звъни в полицията и да съобщава за своите престъпления. Комисар Мегре е бесен и е готов на всякакъв риск, ако това ще помогне да постави маниака зад решетките. След поредното убийство, когато подозренията падат върху нищо неподозиращия злополучен квартален касапин, комисарят поставя на убиеца хитро скроен капан...
The Posalaquaglia cousins are two small scammers and make a living of expedients: Dante receives as recognition for Tommaso a bill of one hundred thousand lire from the famous financier Bruscatelli, who ends up in prison immediately afterwards.
Boston, 1920. Italian immigrants Nicola Sacco and Bartolomeo Vanzetti are charged and unfairly tried for murder on the basis of their anarchist political beliefs.
Some political candidates are determined to win the electors' preference during an election campaign in Italy.
When the swindler La Spada and his accomplice José come out of jail in Madrid, they decide to pull a really great swindle: nothing less than to discover and sell a third picture of the famous Goya's Maya. They engage the renowed Scorcelletti who can imitate any picture and who lives in Rome. Afterwards, with the help of the beautiful Eva, they convince the celebrated art critic Francisco Montiel of the existance of a third Maya and let him find the picture. When the swindlers are on the point of selling the faked maya to an American millionaire, Scorcelli comes back from Rome to sell one of his six other maya pictures.
Originally titled Nous Sommes Tout des Assassins, We Are All Murderers was directed by Andre Cayette, a former lawyer who detested France's execution system. Charles Spaak's screenplay makes no attempt to launder the four principal characters (Marcel Mouloudji, Raymond Pellegrin, Antoinine Balpetre, Julien Verdeir): never mind the motivations, these are all hardened murderers. Still, the film condemns the sadistic ritual through which these four men are brought to the guillotine. In France, the policy is to never tell the condemned man when the execution will occur--and then to show up without warning and drag the victim kicking and screaming to his doom, without any opportunity to make peace with himself or his Maker. By the end of this harrowing film, the audience feels as dehumanized as the four "protagonists." We Are All Murderers was roundly roasted by the French law enforcement establishment, but it won a special jury prize at the 1952 Cannes Film Festival.
John Chandler is sentenced to death only to re-emerge as his own brother, courtesy of the CIA who have arranged the subterfuge so they can use him as a double agent.
A guy is about to become the millionth citizen to buy a car in Rome. Frightened, he decides to remain pedestrian, and recalls several stories, with new car owners as protagonists. Episodic comedy.
The fake private detective Mike Spillone is hired by two old ladies to find out if Brigitte, the wife of their nephew Otello Bellomo, has a lover. Brigitte is a physician but the two aunts are unaware of the fact. While investigating, Mike and his assistant Johnny discover Brigitte with a prospective patient, the marquis De Vitti who was shot by the husband of the woman he tried to seduce. Afterwards Spillone finds her with her husband who he believes to be her lover.
Ranch owner MacGregor has seven sons and oldest Gregor leads his brothers to Las Mesas, a small town where they want to sell horses. They get into trouble with local people who are related with evil Santillana. After getting imprisoned and losing their horses they decide to go after Santillana's gang.
A doctor saves a girl from suicide and marries her out of pity. Soon the evil man who had pushed her to the limit taking advantage of her re-enters her life. The ensuing crisis will help the newlyweds overcome their differences and start a fresh, better new life.
While filming in the Roman countryside, some of the workers damage the garden of Caterina. Going to ask for compensation, she meets the director Marcello, who propose her to star working in movies.
An avenging stranger guns down a gang of ruthless bandits in revenge for the murder of his family.
An ill-assorted group of international criminals executes a tightly-planned ransom sting in Spain. Things go along swimmingly until various tensions within the group come to the fore.
Duclos's son, a worldly gangster, is compromised in a case of which he is innocent. The proof of this innocence is in the hands of a "competitor", the Marquis de Chemantel de Beauvoiron, a misguided aristocrat. He asked for $ 10 million to cede the document. Duclos will then imagine Chemantel contracting $ 10 million in life insurance for his son. As he discovered in Rome a tramp, a look-alike of the marquis, he will bring this man to Paris and arrange for him to die accidentally.