A young Peruvian bear travels to London in search of a new home. Finding himself lost and alone at Paddington Station, he meets the kindly Brown family.

Paddington, now happily settled with the Browns, picks up a series of odd jobs to buy the perfect present for his Aunt Lucy, but it is stolen.

The local truant officer informs Mrs. Brown (Paddington's keeper) that since he is of age, Paddington must go to school.

Toko Amano worked as a detective, but to take care of her sick husband she quit her job. After her husband passed away, Toko Amano now works as a crisis management expert. 3 days ago, Toko Amano's former mother-in-law rode on an express train with beds. She witnessed a man strangling a woman and told the train conductor, but he thought she imagined it. The police later searched for the woman's body, but could not find her. Toko Amano boards the same express train that her former mother-in-law rode. She looks for the dead body.

Travelling on the 4.50 from Paddington, Mrs McGillicuddy witnesses a murder on a passing train - but where is the body?

Paddington travels to Peru to visit his beloved Aunt Lucy, who now resides at the Home for Retired Bears. With the Brown Family in tow, a thrilling adventure ensues when a mystery plunges them into an unexpected journey through the Amazon rainforest and up to the mountain peaks of Peru.

Featuring specially filmed readings and narration by Hugh Bonneville, this film celebrates how Paddington became such a well-loved character for generations of readers and film fans. It is also the story of his unassuming creator Michael Bond.

Paddington, having just seen Gene Kelly on the cinema screen, takes to the streets in a rain storm with his umbrella. Join him as he starts singin' and dancin' in the rain.

Retracing the footsteps of the beloved Paddington Bear, Stephen Fry travels to the Cloud Forests of Peru in search of the rare Spectacled Bear.

Episodes are: 'Please Look After This Bear'; 'A Bear in Hot Water'; 'Paddington Goes Underground'; 'A Shopping Expedition'; 'Paddington and the Old Master'; 'A Spot of Decorating'; 'A Family Group'; 'Paddington Makes a Bid'; 'Do-It-Yourself'; 'A Disappearing Trick'; 'Something Nasty in the Kitchen'; and 'Trouble at the Launderette'.

How To Improve Immigrants' English (1940s Instructional Film). Originally called '48 Paddington Street', British Pathe issued this as a cinema newsreel in the 1940s, although it was produced by 'British Instructional Films Ltd'

Paddington is one of Sydney's oldest suburbs, which has developed somewhat along the lines of New York's Greenwich Village or London's Chelsea and has become Sydney's artist colony. This is a fully dramatised film, which captures the essence of Paddington, not only by striking visuals of the Old-Sydney architecture in the area, but by re-enacting the mood and lifestyle of some typical, bohemian inhabitants. Scripted by Joan Long. Music by Grahame Bond and Rory O'Donaghue. Starring Ross Thompson, Janne Wesley and Ron Blanchard.

Mr. Brown's birthday is drawing near and Paddington is worried because he can't afford to buy him a present. His efforts to raise some money lead him into a series of misadventures, first as a waiter at a society dinner, then as the dancing partner of the hostess, Mrs. Smith-Cholmley, in a televised dance competition at the local charity ball.

Paddington enters the Great Alphabet Treasure Hunt and has to find something for every letter of the alphabet. But he soon gets attacked by a W for wasp and gets himself in a mess as usual.

‘ Paddington Collaboration ’ was shot on 16mm film one morning in and around a flat in Paddington , London. Inspired by a history of formal film experiments the artists imposed a structure with each controlling roughly half of the content. Fowler drew from classic ‘room films’ to document a journey from the interior of the upstairs flat to the front door of the building. McLauchlan then explored the surrounding area, following this exploration with shots of Fowler in front of the places he had previously captured. Fowler asked McLauchlan to draw over the first half of the film, instead she wrote about the events of that morning, a text that then forms the sound track. The narrative reveals the physical and temporal structures that guide this collaboration , together with those that shape expectations of what it means to contribute to this type of film.

Miss Marple believes she's seen a murder in a passing-by train, yet when the police find no evidence she decides to investigate it on her own.