This is a 50-minute, independently produced film that consists of 45 one-minute instances, each overflowing into the next in a gushing expression of creativity. Despite deliberately avoiding any explicit structure or object of reference, the film speaks for itself, leading the viewer through an unhinged and chaotic sequence that, despite its absurdity, feel completely relatable. It is a rendering of collective anxiety akin to Bosch’s The Garden of Earthly Delights, seeming to present a caricature of our fears out of real footage — to say you feel “as if a Lion is trying to break in your front door” might sound like an idyllic metaphor for your anxiety, but when the metaphor is made out of real footage, the absurdity appears to collapse into a kind of deranged realism. All your most irrational anxieties could well be real; the lion is really at the door.
The girl's morning begins in conflict with her own persona.
A history host explains the history revolving around the buddhist crisis. He gets into many details of the story.
This documentary asks, what is happening to our homes? This is what’s going on all around this country while they’re trying to get everyone to focus on everything else that isn’t this.
Three film-makers travel to Iraq to film the ongoing crisis in which ISIS forces are trying to take over the country. The film-makers speak with locals, military, police and other media outlets to get their opinions on the crisis but it's the voices of the children which often goes unheard, so the film-makers listen to the children, and find out their views on the crisis.
This documentary analyses the perverse monetary policies initiated before the euro inception. It focuses on the case of Spain and the terrible housing bobble that developed there.
The degraded socio-economic condition of Argentina leading to the December 2001 rebellions, and its consequent social chaos analyzed by focusing on real people from Buenos Aires poorest shantytowns, crumbling hospitals, and women middle class farmers fighting multi national banks that are shamelessly appropriating their farmlands. Written by Gonz30
Bernabe (José Sacristán) works as an artistic director for a publicity firm but his avocation is fawning after his bosses, sleeping with whomever might advance his career, and ignoring his wife. Life continues on in this vein until he meets a young model whom he invites up to his boss's temporarily vacant country house, pretending the house belongs to him. Not very far away, bulldozers and other machinery are clearing the beautifully wooded area so construction can start on an amusement park. Little does Bernabe realize that his potential new conquest is a seriously fanatical environmental advocate, and she arrives at the house with friends, gets Bernabe high and "out of it," and then she and her friends proceed to trash the construction machinery. Once Bernabe comes around again, he finds out what has happened, loses heart for his planned sexual escapade, and begins to appreciate his wife for the first time.
Lebanon today. The traces of the civil war are all too tangible as government corruption becomes unbearable. In a country where conflict and peace are caught in an endless cycle, musicians from different backgrounds pool their talents to create an underground music scene. Each evokes his or her representation of Lebanon: its shifting geographical, political, historical and social borders, its painful passage through conflict and instability. A touching portrait of a young generation trying to build an oasis in a hostile environment where the forces of destruction continue to wreak havoc.
There are over 6,000 languages in the world. We lose one every two weeks. Hundreds will be lost within the next generation. By the end of this century, half of the world's languages will have vanished. Language Matters with Bob Holman is a two hour documentary that asks: What do we lose when a language dies? What does it take to save a language?
Illegal immigrants and asylum seekers in Serbia, placed in asylum centers after their dramatic journeys from war-torn and poverty-stricken areas of North Africa, Near and Middle East go through a period of adaptation to life and social circumstances in Serbia. In most cases, however, their goal is to reach one of the EU countries. Docu-drama is a space for them to, beside the socio-political context in which they found themselves, show their individual values, becoming heroes that viewers can identify with and whose destiny and struggle they can understand.
A feature-length documentary that follows a community in Australia who came together to explore and demonstrate a simpler way to live in response to global crises.
Shocking, devastating and unflinchingly real. KOMO News' Eric Johnson looks at the heroin crisis in Seattle.
When 20-year old Nathan loses his career and his girlfriend, he questions his purpose in life. Compounding his struggle, Nathan grew up in a foster home and never met his birth mother. He sets out on a quest to find his mother and somehow come to terms with her rejection of him. His journey begins by flying to the city where he was born. Upon his arrival, Nathan checks into a hotel and meets Mave the hotel's housekeeper. Encouraged by Mave's wisdom and the help of hotel guest Shelly, Nathan finds the address of his mother, Linda. Linda is a social worker who agonizes over the decision she made with Nathan 20 years ago. In an effort to admonish the guilt of giving up her son, Linda is caught up in the life of a teenage mother-to-be, Tori, who is conflicted by the decision to abort her baby. When Nathan gathers the courage to meet his mother, he uncovers a terrible secret that totally redefines what was meant to be for his life.