Millionaire William van Luyn falls in love with his secretary Joan Thayer and marries her. Her family, part of "the great middle class" (as blowhard nephew Henry keeps reminding us), is happy for Joan, but reluctant to take charity from Will. He moves in with them, and they keep resisting, until one day he takes drastic action.
Middle-class housewife Ae-soon is excessively vain and neglectful of her duties as a homemaker. Unable to tolerate her any longer, Ae-soon’s husband kicks her out, and she leaves him and their daughter Jeong-hee to take up with her lover in a hotel.
Young Viscount Tony Pym wangles National Service leave on the pretext of standing as a Tory candidate for a local seat held by his family for generations. The request is a ruse to enable Pym to marry his wealthy American fiancee while she's still in England, but his masterplan backfires when he finds himself swept into an election campaign and beaten by Labour's Mr Cleghorn – who is then made a peer. In an attempt to save face, Pym decides to stand again – as a socialist. It all proves too much for the Pyms' loyal, true-blue butler, Mr Beecham...
A chance love affair between a teddy boy and a painter, set in early 1960's London. This was a student film made with the assistance of a BFI grant and its influences include the British Free Cinema movement, John Cassavetes' Shadows (1959) and, for the love scene, Alain Resnais's Hiroshima Mon Amour (France, 1959). The film's young hero is a cross between James Dean's troubled teenager in Rebel Without a Cause (US, 1955) and Albert Finney's defiant mechanic in Saturday Night and Sunday Morning (d. Karel Reisz, 1960). Initially portrayed as a self-assured, arrogant and immature teenager, his chance meeting with a pretty, sophisticated middle-class artist reveals a more insecure, fragile side. The climactic love-making scene earned Scott the first X certificate given to an amateur filmmaker. This short film is an extra on the BFI Flipside DVD The Pleasure Girls.
Sophie and Otto Bentwood are a middle-aged, middle class, childless Brooklyn Heights couple trapped in a loveless marriage. He is an attorney, she a translator of books. Their existence is affected not only by their disintegrating relationship but by the threats of urban crime and vandalism that surround them everywhere they turn, leaving them feeling paranoid, scared, and desperately helpless.
A marriage crisis between a writer and his wife leads her to flee to Germany and eventually return with another man, through whom the writer is going to overcome his writer's block.
Two couples. One of the husbands kills his wife. He is temporarily helped by the other couple. The husband wants to help him, but his wife wants to turn him in to the police.
A middle-class couple go camping in Dorset, but peace and quiet elude them.
The bread-winning daughter in a middle-class family fails to return from work one evening. The saga begins with worries at home, followed by midnight searches and finally a deepening crisis arising out of economic and moral constraints prevalent in the society. Yet the film speaks of hope and of strength hidden behind despair.
Two 12-year-olds, the products of Upper West Side broken homes, struggle to make sense of their parents lives and their own adolescent feelings.
Beth, Calvin, and their son Conrad are living in the aftermath of the death of the other son. Conrad is overcome by grief and misplaced guilt to the extent of a suicide attempt. He is in therapy. Beth had always preferred his brother and is having difficulty being supportive to Conrad. Calvin is trapped between the two trying to hold the family together.
O.C. and Stiggs aren't your average unhappy teenagers. They not only despise their suburban surroundings, they plot against it. They seek revenge against the middle class Schwab family, who embody all they detest: middle class.
When Paul and Sandy Darden (Judge Reinhold and Demi Moore) move into a seemingly quiet upper-middle-class community, their American Dream is all but destroyed by the incessant din of barking dogs. So from valium-laced raw steaks to more hilarious methods of pet disposal, the Dardens try everything to make their dream house a quiet home.
Sammy and Rosie are an unconventional middle-class London married couple. They live in the midst of inner-city chaos, surround themselves with intellectual street people, and sleep with everybody - except each other! Things become interesting when Sammy's father, Rafi, who is a former Indian government minister, comes to London for a visit. Sammy, Rosie, and Rafi try to find meaning through their lives and loves.
The film revolves around a middle class Malayalee family. Problems arise when the eldest son alienates his father and gets thrown out of home. The film portrays the other members struggling between the two.
Chronicles three years of a middle class family seemingly caught up in their daily routines, only troubled by minor incidents. Behind their apparent calm and repetitive existence however, they are actually planning something sinister.
A domestic farce exposes the eccentricities of a "typical" middle class, suburban family who find their lives thrown into a crisis with the unexpected arrival of one of the wife's old flames.
The adventures of an upper-class suburban family abruptly confronted with the younger brother's discovery of his homosexuality, the elder sister's suicide attempt and sadomasochist tendencies, and the intrusion of a very free-spirited maid and her husband. And it all started with the arrival in the family of an innocent looking rat.
Aavide Shyamala Telugu Full Movie featuring Prakash Raj and Ramya Krishna. Directed by Kodi Ramakrishna. Aavide Shyamala movie also stars Ali, Tanikella Bharani and MS Narayana. Music composed by Madhavapeddi Suresh and produced by R. Sitarama Raju.
The Yamadas are a typical middle class Japanese family in urban Tokyo and this film shows us a variety of episodes of their lives. With tales that range from the humorous to the heartbreaking, we see this family cope with life's little conflicts, problems, and joys in their own way.