A couple breaks into a house to steal a valuable painting. Things will not turn out the way they were planned.
A young woman who has just started a job at an art museum writes an email to a friend she lived with until recently. The other woman, also young, works as an artist and has just moved to a new city. A narrator reads this email, but we don't know which of the two women the voice belongs to, whether to the sender or to the receiver of the message. Neither are we aware of the details of this relationship; but what we do know is that, in addition to their interest in art, they share a concern for the difficulties of carrying out their personal and professional lives in the present. By focusing on the peripheral or hidden details of some paintings in the Bilbao Fine Arts Museum, this narrator relates several stories linked to the social, economic and psychological conditions of the artists, both past and present.
Filmed In the heart of the mountainous villages of Greece and North Macedonia, the documentary follows a group of conservators of antiquities and works of art on their journey, with the goal of preserving Byzantine iconography. The dialogue between them and the hagiographers of the past comes to life.
'A Sheep Will Follow'
A man walks into a dark room and feels the effects it has on him
A model and a photographer, after hours of trying, strive for the perfect shot but face challenges as their egos get in the way of achieving perfection.
A highfalutin art movie crumbles into a meta-fictional disaster that betrays its director’s incompetence in real time, and it’s all on film.
A discovery of the pictorial art that Ndebele women traditionally practice in South Africa: painting the walls of their houses.
In the living room, RAMA (33), is painting the bottom of the wall which is full of TARA (6) crayon scribbles which resemble the shape of a ship with simple lines. JINGGA (30) is ironing her school uniform and feeding Tara who is busy drawing a boat in a drawing book. Rama looked tired, he suggested that JIngga stop painting so that Tara wouldn't get involved in scribbling. Hearing that, Jingga promised to take care of Tara so she wouldn't do it again. Rama said he was tired when he came home from work and found the house dirty. If JIngga can't get Tara to comply, then JIngga won't be allowed to paint anymore.
Pablo, an introverted child, has the ability to enter his mother's paintings, this takes him on a surreal and bizarre journey that dissolves the limits between reality and imagination.
With closed eyes, a woman stands in serene stillness, her skin becoming a canvas where neutral pigments intertwine. She dances and reclines, embracing vulnerability as she finally opens her eyes and confronts the cruel world within her soul.
A being wants it's painting back.
