The fates of two people align as a beggar tries to steal money from a sleeping newspaper boy. Instead of reporting the crook to the police, the benevolent boy buys him a hearty meal, convinces him to give up drinking and helps him back onto the right path in life. Soon enough the beggar has a job, money and a roof over his head. The two friends face a bright future together. (stumfilm.dk)
"'Boxcar' Simmons, a tramp, represents himself as a mining millionaire in a small town. The population accepts him at his own valuation, and two of the town's 'slickers' make desperate efforts to 'take him for his roll.' One of their schemes is to sell him a worthless ranch, but he turns the tables on them by making them believe that the ranch is a veritable bed of silver ore, and then, after they buy it, he presents the major part of the proceeds to the girl who owns the place and with whom he had fallen in love." (Moving Picture World, 24 Jun 1922, p. 736.)
As a man travels down to New Orleans for the winter, he finds out a robbery will be taken place on Christmas night in a plantation. he helps a girl by making it available for her to marry her boyfriend.
A hobo searches the countryside for the daughter he lost when his wife left him...
Composed of three disturbingly sensual and terrifying short narratives, unified by the twin themes of sex and death.
On Christmas Eve, the Little King sneaks two tramps into the castle. The next morning, the three men are thrilled by the presents Santa left behind.
At Thanksgiving, a tramp arrives in a homeless-hostile town.
A couple of naïve girls get themselves unwittingly involved in the gambling racket in this Poverty Row production directed by the redoubtable Phil Rosen.
A story of the great-depression era about women hobos, tramps, job-seekers, fugitives and runaways running from or toward something as they hitch-hiked their way across the United States, dodging the police, do-gooders, lustful men and pursuing-husbands in a bad mood. One of them is a killer, another is a girl hitch-hiking to her wedding in order to afford a wedding gown, and there is also the Governor's daughter who crusades on their behalf, while hitch-hiking along with them.
A flea sets up its new home in the fur of a sleeping dog.
A man who has a body almost completely covered in tattoos is searching for the woman who cursed him with the "skin illustrations". Each tattoo reveals a bizarre story, which is experienced by staring at the scene depicted. When the illustrated man meets a fellow tramp on the road a strange voyage begins.
Rival window cleaners Willy I and Willy 2 befriend Jou-Jou, an aspiring dancer, who has been tricked out of money by a con-man posing as an American movie mogul, and together they turn an old railway carriage into a "Villa Hollywood" for her.
After saving a tramp from suicide, a millionaire takes his clothing and disappears. Word is out that he will give a million dollars to anyone who is kind to a tramp.
After returning from a party, Angela finds herself locked in her house with two unknown women, while a homeless man lurks outside.
A man goes fishing in the same pond where a burglar has thrown a sock of money stolen from the man's house.
In 1928, as the talkies threw the film industry and film language into turmoil, Chaplin decided that his Tramp character would not be heard. City Lights would not be a talking picture, but it would have a soundtrack. Chaplin personally composed a musical score and sound effects for the picture. With Peter Lord, the famous co-creator of Chicken Run and Wallace & Gromit, we see how Chaplin became the king of slapstick comedy and the superstar of the movies.
Old Mr. Cohen (Paul Graetz) simply walks away from his London department store, leaving his sons to run it.
At an upper class golf resort, a tramp discovers he's the lookalike of a rich man with a beautiful, unhappy wife.
An isolated house is too remote for a lone servant, who leaves a note, quietly exits the back door, and puts the key under the mat. Left alone in the house is a mother and her infant. A tramp has watched the servant leave and begins to skulk. When the lady of the house sees him outside as he discovers the key, she's terrified and desperately phones her husband, who's at work in town. He jumps into a car that's idling in front of his office and races toward home, the car's owner, and police, in hot pursuit.
John Vincent is a cop on a quest for vengeance. After finding his wife murdered in his own home, he decides to dispense justice on the murderous psycho's who have destroyed his life. Armed with only a crowbar and his wits, John takes to the city streets and takes out the insane maniacs only to find there's something worse out there.