In the slums, teenager Frankie Warren hangs out with a rowdy gang who one day knock him out in a fight. In court, the boys refuse to reveal who struck the knockout blow, and all are subsequently sentenced to a reformatory, cruelly run by two corrupt guards. New deputy commissioner Mark Braden arrives determined to change things, but despite the help of Frankie's sister, Mark's reform plans -- and Frankie's future -- may be sabotaged from within.
Sheffield stands in as 'Smokedale', an industrial Everytown, in this stirring call for "new schools, new hospitals, new roads, new life", after WWII.
One of the earliest exploitation films from South Africa, directed and produced by independent film maker Pierre D. Botha. This is a classic example of a ‘restless youth’ film. The action takes place in Johannesburg (The Godless city of the title) and focuses on the youth sub culture of the ‘Ducktails’ (“a white youth gang subculture which emerged within post Second World War South Africa. Rebellious, hedonistic, apolitical and showing little respect for the law, education or work”).
Report on vandalism
Maggie Cole is a research scientist who, after the sudden death of her husband, takes a position as an on-call doctor in an inner-city clinic. There, she must fight a battle on two fronts: against the medical conditions endangering her patients and against sexism toward a female doctor.
Winnie, the daughter of a steel worker and a teacher, lives in Gage Park, a Chicago neighborhood that is changing from white to black. Her family struggles with racism, inflation and a threatened strike, as Winnie learns what it means to grow up white, working class, and female.
A group of ghetto kids try to find out who killed a popular police officer.
A revisionist twist on Cinderella with an all-black cast and set in Harlem during WWII. Cindy is a country bumpkin who moves from South Carolina to live with her father and his new family. When her stepmother and two stepsisters refuse to take her to the Sugar Hill Ball, her draft-dodging, chauffeur neighbor whips up a little "magic" and at the ball she catches the eye of the richest man in Harlem.
In the winter of 1991 an ABC film crew spent six weeks following Sydney's Redfern police.
The inner city patrol of Redfern is predominantly working class with a large aboriginal and migrant population.
The police in this film are general duties officers mostly on mobile patrols.
At the time of filming 78% of police at Redfern were under the age of 25.
Every school day, African-American teenagers William Gates and Arthur Agee travel 90 minutes each way from inner-city Chicago to St. Joseph High School in Westchester, Illinois, a predominately white suburban school well-known for the excellence of its basketball program. Gates and Agee dream of NBA stardom, and with the support of their close-knit families, they battle the social and physical obstacles that stand in their way. This acclaimed documentary was shot over the course of five years.
Vietnam veteran Archibald Wright is a house painter hired to work on a Beverly Hills mansion where he becomes involved in the life of the resident family. The owner Elaine left her husband J.P. while he was serving in Vietnam, causing him to become an alcoholic hobo living in downtown Los Angeles. Archibald tries to help their daughter Tory to continue her relationship with her father, even though Elaine is strongly against it.
After decades of terror, two deadly street gangs reach a delicate truce and young MJ (Silkk the Shocker) sees a way out of the hood once and for all. Only Corrupt (Ice-T) stands in MJ's way, resulting into a violent and brutal roller coaster ride of action!
With a spate of violence that rocks the inner city, L.A.P.D. and ex-Marine John Kross investigates its cause: a new drug called Chaos. With help from his partner Carpenter, they delve into the mystery, only to discover a link between the drug and a terrifying supernatural power unleashed during the gulf war, witnessed by Kross twelve years ago. Now, Kross must race against time to stop the destruction, battle his own demons and come to grips with his destiny as he discovers that his reality has been mapped by a power much greater than himself.
A day in the life of a barbershop on the south side of Chicago. Calvin, who inherited the struggling business from his deceased father, views the shop as nothing but a burden and waste of his time. After selling the shop to a local loan shark, Calvin slowly begins to see his father's vision and legacy and struggles with the notion that he just sold it out.
Five hapless inner-city low-lifes attempt to burgle a pawnbroker's safe, but end up being plagued by bad luck.
The continuing adventures of the barbers at Calvin's Barbershop. Gina, a stylist at the beauty shop next door, is now trying to cut in on his business. Calvin is again struggling to keep his father's shop and traditions alive--this time against urban developers looking to replace mom & pop establishments with name-brand chains. The world changes, but some things never go out of style--from current events and politics to relationships and love, you can still say anything you want at the barbershop.
A group of street kids find that the only way to make it through the day is to hold onto their dreams while their reality is eating out of dumpsters, turning tricks and squatting in abandoned buildings.
On a gang-controlled dead end street, Sheree Farmer is raising her six children alone. With the help of Mary Abernathy, a former fashion industry executive turned community activist, Sheree struggles to buy her first home and escape her violent and drug-infested Newark neighborhood. In HOME, director Jeffrey Togman follows these two exceptional women in an intimate story that speaks to the future of America's cities.
A wealthy Los Angeles teen and her superficial friends wants to break out of suburbia and experience Southern California's "gangsta" lifestyle. But problems arise when the preppies get in over their heads and provoke the wrath of a violent Latino gang. Suddenly, their role-playing seems a little too real.