A construction worker on a construction site in the Paris suburbs, Mehdi takes the bus to return home after work. Wishing to get off while the vehicle is stationary in a traffic jam, the driver refuses: while restarting, the bus hits the car in front of it. The bus driver attacks Mehdi whom he holds responsible for the incident, claiming that it is forbidden to “talk to the stagehand”. Mehdi is implicated in court and his lawyer tries to draw attention to the living conditions of immigrant workers.
In the heart of the Camargue region, in the south of France, Jawad and Belka find freedom in their love of Camargue races. For these young Maghrebi men, the event is more than a simple tradition. Facing off with a bull is an opportunity to establish their place in the arena—and in French society. But at what cost?
Rachid, a North African immigrant worker in the Fayard company for several years, saved to bring his wife Leïla and their son Larbi. They arrive in France for the first time. Leïla full of hope came to join her husband in exile. But very quickly, it is the shock: the difficult working conditions, the hard daily life of her husband and the surrounding grayness marked by anti-Arab racism does not bode well. The 30-episode series was first broadcast on May 17, 1976 on TF1, and is the first French series to address immigrant issues in France.
February 1980, young Abdelkader Lareiche was shot in the head by a building guard in a housing estate in Vitry. In a context marked by several racist crimes and a policy of security repression, his friends are mobilizing around the “Rock Against Police” movement. Forty years after the events, Philomène sets out to meet the activists and actors of this movement. “Memory is not commemoration, it is the living part of History” confides Mounsi about the massacre of October 17, 1961. This is the heart of Nabil Djedouani’s project, to restore a moment in a living way. of the militant history of the suburbs, registered here in the Rock Against Police movement, but which cannot be restricted to it. A thread stretched from the 1980s to today, which continues to “analyze the collective and murderous unconscious of the French State” and the ways of resisting and revolting.
Le Doigt Dans L'Engrenage is a film by Ahmed Rachedi, written by Rachid Boudjedra mixing fiction, filmed documents and interviews which recounts the arrival in Paris of an Algerian immigrant lost in the metro. On December 27, 1968, France and Algeria signed an agreement which admitted each year 35,000 Algerian workers to French territory in the France of the Trente Glorieuses where the annual growth rate reached 5% and where factories lacked workers. Candidates obtain a residence permit valid for 5 years for themselves and their families. Paris is committed to improving professional training and housing conditions for immigrants, too often confined to the most thankless jobs and often housed in slums. A testimony on the living conditions of emigrant workers "economic cannon fodder" of neocolonialism which simultaneously develops its alter ego, institutionalized racism, as a tool of social stagnation and division of the proletarian class.