A mind journey through anxiety, pain, social and psychological oppression, to the endless search of personal freedom.
One of the most asked questions is why a loving God allowsdeath and suffering. The heart of the Creator is revealed as Gary Bates persuasively unfolds the often overlooked issue in today's evolution-creation culture wars - the vital 'big picture' of the Gospel. Many hearts and minds were changed after hearing Gary explain the Gospel message with a powerful, yet compassionate approach.
A lot of us have gone through times in our lives that are difficult. Some have been small and hard to understand and some have been big and overwhelming. During these times we want answers, don't we? We want to know why. Why do we have to suffer? Why do bad things happen to good people? We just want someone to make sense of it all. But we don't always get the answers, do we? Sometimes we are left wondering. And those can be some of the most difficult times. Maybe there are times we need to be released from having to have all the answers. And maybe it's when we're released that we are able to see there may be more going on here than we realize.
Behind these bars lies an unbridled fury. Caged Terror-a tale of madness, infidelity and revenge. Everyone needs to get away from it all, and the country is the most tranquil place to escape life's everyday battles. Or is it? Richard and Janet, a city couple, find that just the opposite is true as their weekend getaway is transformed into a frightening and primitive wilderness. Camping for the night in a seemingly abandoned farmhouse, the two are suddenly joined by strangers who have been secretly watching them all afternoon. Strangers who will soon cage Richard like a trapped animal and ravage his wife. Strangers who will drive Richard berserk in the cold and inhuman isolation of Caged Terror.
A surrealist saga in four parts: 1.) The credit sequence in which title cards show successively larger foetuses pulsating on the screen until the baby is born and cries.
2.) Etoile-directly referring to Cocteau, Lethem shows an adolescent sucking a starfish and then giving birth to a smaller starfish. A statement of inadequacy. To give birth involves an emasculation and a loss of vitality.
3.) Corps-two images of a man on a couch groping for each other, watched by a mysterious peeping Tom. As the two superimposed images come together, the heavy breathing subsides…the statement that the birth of desire is a self – realisation.
4.) Hymen – The decaying body of a girl is shot through green filters, and the final image reveals her vagina crawling with maggots and overlain with a crucifix. A representation of Catholicism preventing the free expression of desire.
Why is it that often when we get what we want, we still feel empty? We work so hard to succeed, but our lives just end up becoming more about us. Can success turn on us? Can we get caught up in a smaller world where our lives are all about the things that we want? Or is there another way to live? Where life is about more than just us. Where we see people in need and we do something about it. Where our world is expanding because we are sharing our success. And maybe in attempting to save someone else from their suffering, we find out that we are actually the ones being saved.
In a world full of constant change, we are always aware of what’s going on and what we think about it. This gives us a sense of who we are related to what we are aware of. This documentary reveals that awareness itself is not what you think.
Tormented by a mysterious figure named Belmiro, a young woman goes up on a stage to deliver a monologue about her past and fight against herself.
One family suffers from the death of their mother and wife. Amid the suffering, each one seeks a way to deal with the loss and Mariana, the eldest daughter, tries to pick up the remaining pieces of her family.
A young man tunes his guitar while holding a telephone, having learned from his teacher that the beep sound of the phone is the same note as the “la” tone of the music scale. Having been discharged from the army following an accident that left him unfit for duty, he now picks up the phone for reasons other than social connection.
A documentary that explores how seven remarkable people embrace their pain, learn to live with their loss, and now engage in life with more compassion, courage, and awareness. The personal and moving stories include those of author Isabel Allende, Reverend Cecil Williams, writer Alana Laraine, Zen Monk/Vietnam Veteran Claude AnShin Thomas, youth motivator Vinny Ferrero, and filmmaker Lee Mun Wah. With courage, these people invite the viewer to open up to the pain of grief and discover for themselves the extraordinary opportunities their own losses may reveal.
Yeong-shin and Dong-hyuk graduate from college with a cause. They plan to bring education and modernization to farmers living in the rural area of their hometown. When they arrive, the pair immediately get to work, Dong-hyuk builds a village hall and starts aiding the farmers while Yeong-shin tries to gather the children to form a school. However, the villagers at first resent and resist the pair. It is not until one child, Ok-bun, takes the initiative and and learns to read under Yeong-shin’s care that the villages trust the pair and allow their children to be taken from the fields and taught reading, writing and math.
Aanivaer is a Tamil independent film directed by Indian Tamil film director John Mahendran. The film was shot in Sri Lanka with a story and screenplay revolving around a love story amid the ongoing Civil War in Sri Lanka.
In a world left behind, 12-year old Clara Is forced to take care of her dying father
A poetic and metaphysical view on a daily life routine in a distant nursing home, on a top of the mountain in Uzice, Serbia – the closest place to heaven. This is the last station on earth for old people that called “clients”. While they’re waiting for the end of their lives, prisoned in a desolate nursing home and their old-dying body, they are fighting for the freedom of their soul, the only place they can feel young and alive. A fight between light and darkness, suffering and acceptance, life and death.
This is a 1 min rumination on the illustration of the frontline of a war based on the National Gallery of Canada's exhibition (The Great War: A Hundred Years On), depicting the cruelty of war as well as the absence of experiences that the media can portray us with the real war experiences.
A poetic exploration of the multi-generational affects of Canada's Indian Residential School system, based on the personal trials of Aboriginal playwright Yvette Nolan.
Each year, hundreds of Central American migrants try to cross the northern border of Mexico on the freight train known as the Beast. That trip is usually the most dangerous journey of their lives. On the road many lost their dreams, their body parts and even their lives. Crossing Mexico is their biggest challenge, here are victims of discrimination, violence and even murder. This film portrays the suffering of those people who travel in search of a better life.
Jimmy McGovern's depiction of the mid 90s Liverpool dockers strike. Featuring script contributions from Irvine Welsh and the real dockers themselves
Egor Polushkin (Stanislav Lyubshin) is a kind-hearted, nature loving, artistic family man who is living in a small village. To his neighbors and even his wife (Nina Ruslanova) he is a walking disaster, so they frown at him and call him Bedonosec (engl. misfortune bearer). Only Egors son (Viktor Anisimov) shares his enthusiasm for the beautiful things of live.
As Egor becomes the new forest ranger, this new position brings him not only joy, but it is also the source of great suffering to come, as his fondness for the living nature and especially the newly acquired white swans is in conflict with the interests of others...