Juliet Forrest is convinced that the reported death of her father in a mountain car crash was no accident. Her father was a prominent cheese scientist working on a secret recipe. To prove it was murder, she enlists the services of private eye Rigby Reardon. He finds a slip of paper containing a list of people who are 'The Friends and Enemies of Carlotta'.
Reporter Michael Gordon uncovers intrigue in Damascus, where the Allies and Nazis struggle for control of Arab sympathies.
In 1992, a suburban New York teenager named Amy Fisher captured the national media's attention when she shot her lover's wife in the face. This sordid tale of underage sex, aggravated assault, and Joey Buttafuoco managed to spawn not one, not two, but three separate made-for-TV movies. Drew Barrymore, Alyssa Milano and Noëlle Parker all took stabs at portraying the disturbed young lady, yet a true on-screen depiction of Amy Fisher has never emerged - until now. In this Rashomon of found footage film, director Dan Kapelovitz mind-melds the multiple melodramas into one ultimate metadrama mashup.
A meditation on the human quest to transcend physicality, constructed from decaying archival footage and set to an original symphonic score.
Original Super 8 footage shot by Dr. Oliver Sacks of his patients at Beth Abraham Hospital, Bronx, NY, who were administered the drug L-Dopa in the summer of 1969 and “awakened” after decades of inactivity is featured in this cine-poem that combines archival footage with a score for solo saxophone composed by Philip Glass.
Bill Morrison’s experimental short features decayed film reels from the lost, German silent film Pawns of Passion (1928).
Using only archive film and a new musical score by the band Mogwai, Mark Cousins presents an impressionistic kaleidoscope of our nuclear times – protest marches, Cold War sabre-rattling, Chernobyl and Fukishima – but also the sublime beauty of the atomic world, and how x-rays and MRI scans have improved human lives. The nuclear age has been a nightmare, but dreamlike too.
This documentary focuses on the artistry of director Bill Morrison, who leverages decaying film stock from years past to tell new stories that are relevant to today's audiences. The decaying film lends brilliant visuals which add to Morrison's concept of storytelling.
Using the discarded, deteriorating remnants from seven silent film titles, filmmaker Bill Morrison braids a story of intertwining love triangles that pivots between the accounts of two women.
An ongoing exploration of the films of Rose Hobart and a re-duplication of Joseph Cornell's infamous found footage masterpiece
Things fall apart, but they are also reassembled and given new life, in an enlightened form. Meet the New York based artist and filmmaker Bill Morrison in this interview about his haunting experimental collage films 'Decasia' and 'Light is Calling'.
A short film where circus performers entertain children.
A lucid dream turned nightmarish reality. A ship sinking into a world of fear. A short film that’s mostly puppetry by one of America's most prolific twentieth century artists.
The Goal Is To Live is an infinitely-looping assemblage constructed out of repurposed content from the popular show How It’s Made, which chronicles the factories that create everyday objects. The film takes Dina Kelberman’s practice of accumulation and recontextualization into a large-scale time-based work for the first time. Reorganizing short clips into a long Rube-Goldberg-like narrative, and featuring a hypnotic minimalist soundtrack by Rod Hamilton and Tiffany Seal, the film portrays a mesmerizing and surreal process in which materials are transformed in myriad ways.
The film The Unchanging Sea (2018) was inspired by the discovery of a decaying print of DW Griffith's The Unchanging Sea (1910) in the nitrate vaults of the Library of Congress. Taking this ancient title as its point of departure, a new narrative was re-assembled from a variety of similarly ancient films about going off to, and returning from, the Sea. The characters in these old films appear to be emerging from the roiling oceans of Time, having floated like messages in bottles for over one hundred years, and now having washed up on our shores to tell us their stories.
Little Orphant Annie is a re-edit of a silent film of the same title from 1918, directed by Colin Campbell. Two reels from an original nitrate print were scanned and re-edited to make the new film, which follows the structure of the poem written by James Whitcomb Riley in 1885. Riley is heard reciting his poem in a recording made in 1912. The poem is also heard read by Kelli Shay Hix in 2016, who additionally wrote and performs the song, “The Swimmer.”
Black-and-white film projections by Bill Morrison, using archival footage of frigid Arctic scenes.