Masaru Aso was the lab assistant of geneticist Doctor Mochizuki, used as one of his experiments related the creation of the Neo Organism, enabling him to transform into a grasshopper-like being called Kamen Rider ZO. He fled into the mountainside and went into a coma before he was awakened by a telepathic call two years later with an unconscious urge to protect Hiroshi Mochizuki, the son of Doctor Mochizuki.
Angelina lives in a big city on the sea coast, where handsome men and beautiful women are strolling the streets with only one purpose: to have fun, flirt and love. But Angelina, being pretty, intelligent, and nice, finds herself lonely. She is a police officer and her job is helping abandoned kids, orphans, and troubled youngsters. One day one of her charges, a little boy, explains to Angelina how lonely, dull and useless she is. Those words have been bothering her ever since, and she decides to change herself.. Angelina starts her way through the darkness…
"It’s not easy to find a foster family for you," an orphanage supervisor explains to nine-year-old Alicia. "After all, you are a very special girl." Alicia is crying. "I’m not special. I’m just a girl." This disturbing scene sets the tone for this film about Alicia, who was taken away from her teenage mother by the Child Welfare Bureau when she was 12 months old. She’s been living in an orphanage since the age of five, and they have never managed to find a foster family for her. In Alicia, we watch as she becomes a teenager, still craving safety and love. Over the course of three years, filmmaker Maasja Ooms follows her daily life up close. Alicia's yearning and powerlessness are palpable in these observations, which painfully reveal the effects of having no prospects.
THE DEPARTMENT is a feature documentary which takes us inside the never-before-seen child protection system at work in NSW. Filmed in an observational style, it follows caseworkers across the state as they navigate the complexities of keeping children safe in families experiencing domestic violence, addiction, poverty, mental health issues and intergenerational trauma.
Barbara was caring for her grandchildren when her granddaughter Tiara was taken from school by welfare workers. Barbara fought for the next seven months to have her returned and finally won but the consequences of the removal on the family will never go away.
A direct, uncompromising look into the complex machinery of Quebec’s youth protection services (known as the DPJ). https://lustitia.com/en/productions/dpj/
