“INGOLSTADT” is a gripping drama that revolves around a renowned artist, celebrated for her groundbreaking work, who finds herself in the midst of a public scandal during the launch event of her latest masterpiece. As she takes the stage for a routine Q&A, a seemingly ordinary audience member begins to question her ethics and the morality behind her creative process. As the interrogation intensifies, it becomes clear that this disgruntled individual harbors a secret, one that could potentially shatter the artist’s reputation and career. The tension escalates as the artist is forced to confront not only the ethical implications of her work but also the hidden truths that lie beneath the surface of her art. As the night unfolds, the audience, the artist, and the mysterious questioner are drawn into a whirlwind of revelations, leading to a climax that will leave everyone questioning the true cost of art.
Ed Ruscha made his very first art in his native Oklahoma, but soon became attracted to Los Angeles . Curator Margit Rowell has examined his extensive body of work and created a brilliant exhibition of his seldom seen drawings. Rowell visits Ruscha in his studio, looking at new paintings with the artist, discussing his progress over the decades and asking him to comment on the many milestones in his large retrospective exhibition at MoCA in Los Angeles.
This retrospective exhibition gives brilliant insight into the artist’s work of the last 4 decades. Credit for this highly sensitive selection of Morris’ work goes to Rosalind Krauss, who curated the exhibition. We invited artist and curator to come back to the Guggenheim Museum for a second look at the exhibition. The filmed walk-through gives a vivid sense of the artist’s progress and documents the views of the artist and Rosalind Krauss, one of the most significant critics of our time.
A gallery owner is opening an unusual exhibition: An artist who is terminally ill wishes to die in front of an audience.
A sculptor turns to his dreams for artistic inspiration, his unconscious will manifest in a way never seen before.
The odyssey of the Mayice designers, who had to face to bring an impossible-to-manufacture piece to the Rossana Orlandi gallery, in Milan, in time to be exhibited at the Salone.
Fred Taylor displays a number of items from the Building Centre's 'Inn Sign Exhibition' held in November 1936. Some signs in the exhibition date back to the reign of Charles II, while others are more contemporary.
Bisher existierten keine Filmaufnahmen von dieser Ausstellung. Die Visus-Vision UG erstellte auf der Basis historischer Fotografien des documenta Archivs und des Deutschen Dokumentationszentrum für Kunstgeschichte – Bildarchiv Foto Marburg – die vorliegende Filmdokumentation. Die Realisierung der einzelnen Filmszenen erfolgte mit dem innovativen selbst entwickeltem Softwarewerkzeug VISUS.
Portrait of the painter Manuel Moldes, from Pontevedra, Spain, about the work he does in the preparation of a retrospective of his work.
Martin Blaszko is considered one of the most important artists of geometric abstraction in Latin America. This documentary, which ends a trilogy, follows the setup of what ended up being his last art show, through only twenty sequences.
When single photographer Kenna finally gets her own exhibition, she turns her attention to her love life. Yet two different men, sensitive Jeff and strong-willed Martin, are determined to win her heart, pulling her free spirit in opposite directions.
Aspiring artist Ali must rebuild her life after a tragic accident kills her husband and their young child, and leaves her blind. Life in the dark proves to be a daunting task, so, at her doctor's suggestion, she hires a caretaker named Jeff to help her adjust with the transition. Jeff's aid proves to be indispensable, she even meets and quickly befriends her new neighbor, Linda. Before long, she is embroiled in a fight for her life from an obsessive predator. Will she learn to protect herself using her only remaining senses in time to save her life?
"The Man We Want to Hang" is a 12-minute short, consisting of Anger filming borrowed paintings done by legendary and controversial occultist Aleister Crowley.
A San Francisco couple travels to France in search of Pablo Picasso.
Die Bildhauerin Lizzie bereitet sich auf die Eröffnung einer neuen Ausstellung vor und muss ihr kreatives Leben mit den alltäglichen Dramen von Familie und Freunden in Einklang bringen.
As seen and heard by... the Standing on the corner art ensemble, an "Exhibition" Index Film
From July 21 through September 10th, 2007, the Museum for Contemporary Art Tokyo held an exhibition honouring Kazuo Oga, the art director and background artist for many famed works from Japan's Studio Ghibli. Over 600 works from the artist were on display, and numerous fans flocked to the one-of-a-kind exhibition celebrating the lush, gorgeous background artwork typifying many a work from Hayao Miyazaki and other Ghibli filmmakers. International fans of Oga and Studio Ghibli have not been left out, however. A Ghibli Artisan - Kazuo Oga Exhibition - The One Who Drew Totoro's Forest allows fans the opportunity to attend the exhibition, as well as watch interviews and testimonials with Oga's contemporaries and collaborators, all subtitled in English.
Pablo Picasso is one of the greatest artists of all time - and right up until his death in 1973 he was the most prolific of artists. Many films have dealt with these later years - the art, the affairs and the wide circle of friends. But where did this all begin? What made Picasso in the first place? Too long ignored, it is time to look at the early years of Picasso; the upbringing and the learning that led to his extraordinary achievements.
1947 entwickelt Jackson Pollock die Stilrichtung des abstrakten Expressionismus, der konservative Zeitgenossen irritiert. Wegen des exzessiven Farbverbrauchs nennen sie ihn verächtlich "Jack the Dripper". Einzig Kollegin Lee Krasner erkennt sein Talent, fördert ihn und verliebt sich in den verschlossenen Mann. Doch weder künstlerischer Erfolg noch Lees Liebe können Jackson vor seinen Alkoholexzessen und Depressionen bewahren. 1956 kommt der begnadete Kunstrevolutionär 44-jährig bei einem Autounfall ums Leben.