A meditation on eating people and quiet waitresses.
A young man gets stuck in an elevator just as it passes the 13th floor.
A young American woman traveling through Italy finds herself in a strange Mediterranean villa where nothing seems quite right.
Four friends gather at a villa with the intention of eating themselves to death.
The film presents a series of unrelated "pictures": a police commissioner who, faced with four friars stripped by two women, must decide whether they are real or false friars (but he can't); a professor who, suffering from acute dysentery, is dismissed for unworthiness by the Institute Council; a football referee trying to escape the ire of angry fans; an endless marathon in Piazza Navona; a true but crazy producer, a not crazy but fake producer and a group of actors who want to take revenge on one and the other; a "club of toasts" that spends its time toasting to this and that, to elect new members and honorary members; finally, a censorship commission that, aboard an old and very battered car, fails to reach his workplace.
14th-century Franciscan monk William of Baskerville and his young novice arrive at a conference to find that several monks have been murdered under mysterious circumstances. To solve the crimes, William must rise up against the Church's authority and fight the shadowy conspiracy of monastery monks using only his intelligence – which is considerable.
In a lonely, rocky area dotted with human bones, the vulture takes its latest sacrifice. It then disappears into the rock hole to leave as a dove of peace with an olive branch in its beak.
The American architect Kracklite arrives in Italy, supervising an exhibiton for a French architect, Boullée, famous for his oval structures. Tirelessly dedicated to the project, Kracklite's marriage quickly dissolves along with his health.
A twisted and macabre film by Mróz-Raynoch, which explores an exhibition where the guests are as grotesque as the exhibits (stylistically akin to Gerald Scarfe’s horrifically distorted caricatures).
This collaborative video project is based on a short story by H.G. Wells called "The Country of the Blind"—about a man who travels to a country of blind people and attempts to dominate their sensual, feminine culture with his male, sight-derived power. Following this theme, "Blind Country" begins with animated fruit dancing over Mike Kelley's body and the admonition of "Northerners" to "refill the quickly emptying sack." In the male-dominated land of the North, candy-spurting pinatas stand as phallic symbols. Presumably castrated, and stripped of his authority, Kelley acts the buffoon as he is led through the murky land of the South, a "female," earthy, "realm of the senses" opposing the phallocentric world of the North.
Cemetery watchman, Francesco Dellamorte, is tasked with dispatching the recently deceased when they rise from their graves.
On a remote almost uninhabited island, there are two gently friendly representatives of the once opposing sides. They have long been accustomed to each other and do not expect any changes in life. And all of a sudden a woman appears on the island!
The “meaning of life” told by Eros Puglielli in his peculiar directing style: weird characters, odd mishaps, fates that meet, skim and loose each other. A student in love with her philosophy lecturer, a disabled man seeking for his legs recovery, a young pop star desperate for a spiritual leader to meet. And above everybody stands an overhanging odd luminous man, maybe true, maybe not.
August Underground's Penance is the personal home video of two sociopathic killers on a murder spree. Again two killers videotape their bloodthirsty madness, but Penance also shows their slow decline.
A director and his crew attempt to make the transition from the small to the big screen.
An upright priest, disliked the corrupt upper echelons of V.A.T.I.C.A.N.O., is imprisoned, tortured and sentenced to certain death. But by divine intercession he'd be able to save himself: once put back on track, and trained in the martial arts by an eccentric monk, he will take revenge in a crescendo of disproportionate violence.
The shocking finale of the titular trilogy, which features graphic footage of the macabre and grotesque as directed by Brazilian filmmaker Lázaro Hahn.