After dumping a bucket of water on a beautiful young woman from the window of a train car, wealthy Frenchman Mathieu, regales his fellow passengers with the story of the dysfunctional relationship between himself and the young woman in question, a fiery 19-year-old flamenco dancer named Conchita. What follows is a tale of cruelty, depravity and lies -- the very building blocks of love.
Seville, Spain. Juan Santos, a convicted petty criminal, gets out of jail for a day to celebrate with Triana, his wife, the first communion of their daughter Estrella.
Angel, a young intelligent and kind, aims to be a police inspector. Rafael instead is an expeditious, forceful and arrogant policeman. Meanwhile, Miguel and Mateo are part of Group 7, a group of rogue cops ready to do anything to achieve their goals.
Abraham and his female friend Álex have a close relationship; they share both secrets and fears. When Abraham starts going out with Anchi, he begins to distance himself from Álex, who gradually dives into a living hell where she encounters strange apparitions, nightmarish visions and extreme situations.
Rafael, a Seville citizen who has never left the Spanish region of Andalucia, decides to leave his homeland to follow Amaia, a Basque girl unlike other women he has known.
Álvaro, a man obsessed with the idea of writing what he brands as “high literature,” manipulates the lives and feelings of the people around him to write about the consequences caused by his devious acts.
Amaia after breaking up with Rafa, falls in love with a Catalonian. Koldo, her father, goes to Sevilla to persuade Rafa to go to Catalonia and take Amaia's heart back.
Tano is 16-years-old and is already sitting in jail. In 48 hours he’s a free man and off to the wedding of his brother. In the two days he recounts his neighborhood in a section of Sevilla.
The story of two young friends, a lawyer, a rich man and a group of kidnappers end up in a series of strange circumstances all to discover; Who Killed Bambi?
German people having trouble with love and identity.
Maria, whose parents live in the country, cannot stand her father's authoritarian ways and moves to the city. She finds a job as a cleaner and tries to survive in a wretched apartment in the shabby part of a big city. She is pregnant, and the fact that her boyfriend has abandoned her does not help matters. When her father goes to the hospital for an operation, her mother comes to stay with her. Her neighbor, an old recluse whose only friend is his dog, begins to come out of his shell and these three lost souls try to give each other the strength to start over.
Simón is an aspiring novelist who makes a living designing crossword puzzles for a newspaper. One day he receives a threatening message instructing him to include the word "adversary" in a puzzle as Seville gets hit by a series of violent attacks.
Pablo is a young man who unconsciously seeks a special connection with a girl. An unexpected call could change everything.
In the sequel to 'The world is ours', 'The world is yours' we have Alfonso Sánchez and Alberto López playing 'Los compadres', men from Seville with a good economic position. Using satire, the two Andalusian comedians caricature these two new characters, through pride and lack of culture, and make comments about the situation of men, women and the differences that Spain has with the rest of the world. Now, with 40 years on, they pose the following situation: you are a man of forty years who laughs at life, without really having a hard because everything you have had you squandered. The vision of the prototypical, casposa and sister in law of Spain.
Three youngsters take a road trip to Seville that will change their lives forever.
"Nueve Sevillas" is a heterodox psycho-geographical profile of the new flamenco in Seville. Nine characters coexist with the great flamenco artists of today.
Seville, Spain, 14th century. A group of black slaves brought from Africa form the Hermandad de los Negros, a Holy Week brotherhood that has survived over the centuries, despite the opposition of the powerful; still active, it is one of the oldest institutions in Europe.
Port of Seville, Spain, 1640. A group of people from very different origins embark on the ship Capitana. They are members of the upper class, adventurers, peasants, convicts, who have only one thing in common: the illusion of arriving in America, the promised land where they can make their dreams and ambitions come true.
Religious-based images and traditions permeate the lives of all the people who inhabit Seville. Historically, the city's mariquitas ("sissies") have also assimilated them in their childhood and, through them, have been creating their own encounter spaces and their own codes. Nowadays, new dissident identities continue to respond to them: they participate or distance themselves, they continue what exists or transform it. This film looks at these traditions from a perspective always relegated to the margins.