Bruce Brown's The Endless Summer is one of the first and most influential surf movies of all time. The film documents American surfers Mike Hynson and Robert August as they travel the world during California’s winter (which, back in 1965 was off-season for surfing) in search of the perfect wave and ultimately, an endless summer.
Spalding Gray sits behind a desk throughout the entire film and recounts his exploits and chance encounters while playing a minor role in the film 'The Killing Fields'. At the same time, he gives a background to the events occurring in Cambodia at the time the film was set.
Cinerama takes you on a South Seas Adventure to tropical islands set like sparkling jewels in dreamy cerulean waters. Thrill to the lure of sunbrowned, luscious maidens and a paradise of coconut palms, coral strand and blue lagoons. Enchanted South Pacific archipelagos beckon with all the beauty and color of a painter’s palette. Stepping stones in the vast expanse of far-away seas, they promise romance, adventure, excitement—an irresistible blend of fascinating people and exotic places.
A “hidden camera” takes the viewer on a worldwide tour of sexual practices and rituals, including Tijuana strippers, Asian sex shows, British prostitutes, New York devil worshipers and a Mexican slave market.
This MGM Traveltalk short focuses on the history of England's colleges in Cambridge, Oxford, and Eton and the towns that surround the campuses.
In 1962 Joris Ivens was invited to Chile for teaching and filmmaking. Together with students he made …À Valparaiso, one of his most poetic films. Contrasting the prestigious history of the seaport with the present the film sketches a portrait of the city, built on 42 hills, with its wealth and poverty, its daily life on the streets, the stairs, the rack railways and in the bars. Although the port has lost its importance, the rich past is still present in the impoverished city. The film echoes this ambiguous situation in its dialectical poetic style, interweaving the daily life reality (of 1963) with the history of the city and changing from black and white to colour, finally leaving us with hopeful perspective for the children who are playing on the stairs and hills of this beautiful town.
This Traveltalk series short visits Los Angeles, California. In one of the highlights of the film, narrator James FitzPatrick visits the Disney cartoon studio and shakes hands with Walt Disney.
A 1962 West German documentary film directed by Hermann Leitner and Rudolf Nussgruber.
The film is a travelogue of sorts. Ostrovsky’s personal family footage meets the archives of Soviet propaganda footage. The result is a kind of Khruschev-era mix with a collage of Soviet music and a voice-over of my reminiscences of the Cold War era.
A 40-day, 40-night road trip to the Trinity Site—where the first atomic bomb was detonated in the summer of 1945—covering many other atomic destinations and driving deep into the natural and social history of the American southwest.
A home movie made by Robbins and Meg Barstow that documents their family's free trip to the newly opened Disneyland. The one-week trip was a prize that they won in a contest sponsored by Scotch tape.
A faux travelogue that mixes documentary and mockumentary footage. The camera looks through a one-way glass into the women's dressing room at a lingerie shop, visits a Kyoto massage parlor, goes inside the mailroom at Frederick's of Hollywood, watches an Australian who sticks nails through his skin and eats glass, checks out the art and peace scene in Los Angeles, takes in Easter week with vacationing college students on Balboa Island, observes a German audience enjoying a play about Nazi sadism, and, with the help of powerful military lenses, spies on a Lebanese white-slavery auction.
Pilot JP Schulze and filmmaker Louis Cole set off to circumnavigate the world in a single-engine, 1974 Cessna T210L airplane named Balloo. They had 90 days to complete the journey, and as they traveled they met people from many different cultures and asked them - is what divides us greater than what brings us together?
Documentary detailing a farmer’s visit to the market in Rawalpindi.
The future Edward VIII visits his Empire, with Indian royalty, elephants, palaces and temples.
A young family leaves their home on Kauai. It is time to return to the itinerant path from which all things in their uncommon lives come; beginning and ending on a remote dot in the Pacific. They nomadically trace continents to places where waves meet their edges, envoys of aloha. It is what they will learn, what they bring others, what they will pass on to their children in the hyper-expanded classroom, the lab of direct being; a legacy passed from a father to his family.
Join Megan McCormick on a journey of discovery across Japan's spectacular heartland starting in Japan's beautiful former capital Kyoto. She explores Buddhist temples, World Heritage Sites, and bargains at the city's best flea market. She then travels to Osaka, and Iga-Ueno, a former ninja stronghold, where she learns the secrets of these famously skilled assailants. She also visits the remote Sado Island and Himeji.
A 4 year-old boy stands in awe of a 1,000 year-old Viking boat in a small Norwegian museum and finds within its silent grace an impressionistic sweep of picture and music revealing the rich spirit of Norway and its people. (This is the movie that was shown after the Maelstrom Ride in Epcot Center)
In this ultimate guide to Scandinavia travelers Megan McCormick, Ian Wright and Neil Gibson explore Denmark, Sweden, Norway, Lapland, Finland and the Baltic States. From enjoying a traditional Viking festival to crossing the Arctic Circle into Lapland for dinner with reindeer herders to a visit to the capital of Lithuania, Vilinus, and the Midsummer Night Festival in Kernave, these hosts will introduce the viewer to a variety of sites and attractions during their Scandinavian tour.
In 1899, a photographer at American Mutoscope & Biograph mounted his camera on the front of a trolley traveling over the Brooklyn Bridge. The three 90-foot rolls he created were edited together to complete the journey from Manhattan to Brooklyn, entitled Across the Brooklyn Bridge. As a commission by the Museum of Modern Art for the re-opening of their facility, American avant-garde filmmaker Bill Morrison took this remarkable footage and recombined it with itself to form a new split-screen extrapolation.