These are last days of the Soviet troops' stay in Afghanistan. What's next? About the economic difficulties after the war is over, the results of the military company.
In times of crisis, how will be this season for Santa Claus?
Chapter 16 of the series 18 decades of life in Mexico in the twentieth century. Images of the cultural, social and political life in Mexico from 1975 to 1979. Overview of the first years of the government of Jose Lopez Portillo. At the beginning of his administration, political problems make it necessary to counter the influence of Luis Echeverria. It is a time of disappearances and political killings; Birth of opposition political associations and guerrilla movements. Mexico is experiencing one of its worst economic crises.
Leonidas and Vangelis travel to Munich to work in the successful restaurant of there uncle.
Chema is an expat architect from Spain who lives in Amsterdam. He has built up a new life there as a wind-up toy maker. He creates small pieces of art from recycle items.
Chapter 15 of the series 18 decades of life in Mexico in the twentieth century. Images of the cultural, social and political life in Mexico from 1970 to 1974. During the presidential term of Luis Echeverria Alvarez fantasies of prosperous and modern country it dissolves; Mexico live in political crisis. It is a time of omnipotence, barbarism, and violence intervention: the world seeks new ways. In Mexico, it held the World Cup, unionism is strengthened and inflation responds to the continuing economic imbalances.
The popular resistance to the current Greek economic crisis explored and expressed through the ethical and political writings of Ancient Greece.
With breathtaking clarity, renowned University of Massachusetts Economics Professor Richard Wolff breaks down the root causes of today's economic crisis, showing how it was decades in the making and in fact reflects seismic failures within the structures of American-style capitalism itself. Wolff traces the source of the economic crisis to the 1970s, when wages began to stagnate and American workers were forced into a dysfunctional spiral of borrowing and debt that ultimately exploded in the mortgage meltdown. By placing the crisis within this larger historical and systemic frame, Wolff argues convincingly that the proposed government "bailouts," stimulus packages, and calls for increased market regulation will not be enough to address the real causes of the crisis, in the end suggesting that far more fundamental change will be necessary to avoid future catastrophes.
Obsessively referring to the traumas and wounds that the Spanish civil war (1936-39) and Franco's dictatorship (1939-75) caused in their day no longer serves to explain the impassable abyss of incomprehension and hatred that the abject policies and radical positions adopted by both the right and the left in recent decades have opened up before the citizens of a country that is barely known beyond hackneyed cultural clichés.
A mixture of documentary and fiction examines the new god of Capitalism offered to the Serbs with the ending of state socialism. We look at a number of strikes in Belgrade during the late 2000s and these introduce us to several characters playing themselves. Employees dressed in American football helmets and pads square up with employers' heavies in their bullet-proof vests, resulting in explosive situations. A visit from the Russian tycoon's representative and vice president Joe Biden's arrival further complicates the proceedings.
Belgrade in the 1990s seen through the eyes of Goran Čavajda 'Čavke', the late drummer of Serbian rock band "Electric Orgasm". Under dictatorship of Slobodan Milošević, his city became one of the worst places to live in Europe, while the country suffered highest inflation rate in its history, accompanied by mass poverty and political isolation. Documentary follows Čavke walking through the Belgrade streets where total chaos and decline of moral values rule. He finds his only shelter underground, where his friends - musicians and artists - live and work invisibly.
Marcy Meyers is down on her luck. Faced with piling bills, the remnants of a failed marriage, and now an imminent home foreclosure, she has nowhere to turn but to the hope of a miracle. That miracle she finds in Shoot the Moon, a national game show that promises a one in a lifetime chance to win it all. But Marcy's faith in the show comes with a price. As her relationship with her daughter Alice is put to the test, the clock ticks towards a seemingly inescapable fate. Shoot the Moon tells the story of miracles and the extraordinary place they are found.
In the midst of the chaos of México City, a group of eight bachelor millennials who call themselves ´The Hermits´, open the doors to their tiny apartments in the historic Ermita Building, in the yet-to-be gentrified neighborhood of Tacubaya, and share their life experiences in a time when precarity changes the way in which we love, feel and relate to each other. As we explore the homes of these eight neighbors, we also witness their personalities intersect in a Whatsapp chat, a virtual space that functions as a supporting system that helps them face the adversities that living alone in this city brings.
In 1992 – 500 years after the beginning of Spain's global empire with the discovery of America – Spain proudly presented itself to the international community as a modern, developed, dynamic country through the Olympic Games in Barcelona and the Expo in Seville. But for filmmaker Luis López Carrasco (1981, Murcia), 1992 was also the year in which the regional parliament building in Cartagena was razed during furious protests against the threatened closure of various local industries. El año del descubrimiento revives this almost forgotten history in a typical Spanish bar in Cartagena, where different generations come together to drink, eat, smoke and talk. Stories from witnesses, demonstrators and strikers from back then and discussions among younger café visitors on themes such as class consciousness, the economic crisis and the role of unions percolate to the surface amidst talk of other life issues.
Ainhoa is 8 years old and has left home with her school bag, a Playmobil figure and a secret plan.
