The Tender Skin, a struggling writer-turned-bartender grapples with longing and regret when a chance encounter reignites buried feelings at an art gallery.

Corpus Peccati is an unconventional and experimental film with a 1 hour and 14 minutes duration, created by filmmaker, photographer and artist Aaron Klusmann. This avant-garde film is a controversial view of sex and liberty, in a deeper understanding of the viewer, the film explores different exposures, between black and white and a red color with vertical rotations during the entire film.

The National Gallery of London is one of the world’s greatest art galleries. It is full of masterpieces, an endless resource of history, an endless source of stories. But whose stories are told? Which art has the most impact and on whom? The power of great art lies in its ability to communicate with anyone, no matter their art historical knowledge, their background, their beliefs. This film gives voice to those who work at the gallery – from cleaner to curator, security guard to director – who identify the one artwork that means the most to them and why. An assortment of people from all walks of life who have a strong connection to the gallery make surprising choices of both well-known and lesser-known artworks. Finally, some well-known celebrities explain what they head for when they visit the gallery. These stories are used as a lens through which to explore the 200-year history of the National Gallery and what the future may hold for this spectacular space.

A young woman who has just started a job at an art museum writes an email to a friend she lived with until recently. The other woman, also young, works as an artist and has just moved to a new city. A narrator reads this email, but we don't know which of the two women the voice belongs to, whether to the sender or to the receiver of the message. Neither are we aware of the details of this relationship; but what we do know is that, in addition to their interest in art, they share a concern for the difficulties of carrying out their personal and professional lives in the present. By focusing on the peripheral or hidden details of some paintings in the Bilbao Fine Arts Museum, this narrator relates several stories linked to the social, economic and psychological conditions of the artists, both past and present.

Alison Watt became the National Gallery's Seventh Associate Artist in 2006. This art film records her two-year residency, as she created paintings inspired by masterpieces in the National Gallery. She already had a lifelong attachment to paintings in the collection, yet the prolonged contact, particularly with Saint Francis in Meditation by Francisco de Zurbarán, led her to notice new details and unexpected nuances which influenced her own art. Through a series of interviews with Watt, this art film documents the formation of this exhibition, with particular emphasis on the creative process.

In 1983, Franz Paludetto acquired Rivara Castle at the foot of the Italian Alps. A century earlier, artists from all over Europe had gathered here to establish the Rivara School of Painting. We witness the story of Italy during the latter half of the 20th century.

A woman goes through a series of daydreams in her car while encountering a familiar face.

A short documentary on how people view art and its value in today's society.

To mark his fiftieth birthday in 1988, London's Tate Gallery staged a major retrospective of his work. Melvyn Bragg joined David Hockney for an exclusive private view of the exhibition and they were filmed discussing pictures from all stages of Hockney's remarkable career.

An older sister takes her fearless runaway sibling on a road trip, to share the most chilling tales surrounding their hometown.

A painter in the throes of a creative block finds inspiration thanks to a fascinating and mysterious gallery owner, but he can't expect the shocking consequences of their encounter.

The odyssey of the Mayice designers, who had to face to bring an impossible-to-manufacture piece to the Rossana Orlandi gallery, in Milan, in time to be exhibited at the Salone.

While locked-up for six years in federal prison, artist Jesse Krimes secretly creates monumental works of art—including an astonishing 40-foot mural made with prison bed sheets, hair gel, and newspaper. He smuggles out each panel piece-by-piece with the help of fellow artists, only seeing the mural in totality upon coming home. As Jesse's work captures the art world's attention, he struggles to adjust to life outside, living with the threat that any misstep will trigger a life sentence.

"The prevailing stigmatization of the 'villero' universe is fed back by the images. In order to dismantle this stigmatization, other images must be presented or we need to reveal what the existing ones seek to cover up. The slum is usually represented from a limited and deceitful visual panorama. This representation has an intention. Cinema and television are two image-producing devices that strengthen the stereotypes that we have about the people who inhabit these spaces. And what happens in the field of painting? Do clichés reign there too? This visual essay seeks to confront various works by national painters and sculptors, belonging to the Palais collection, with the kinetic images of current cinema and television, to reflect on both the differences and the similarities in the meanings and discourses that both regimes of images can produce." César González

People looking at the Mona Lisa in the Louvre – or are they just looking at themselves?

As the walls of Cuba's ageing infrastructure continue to crumble, a burgeoning street art scene is born in Havana. Murals of hand-painted masked character – Supermalo – with the tag “2+2=5?” have begun to appear in seemingly every corner of the heavily foot trafficked city.

A satirical look at the contemporary art world and art sales.

Heartbroken, Matthew, an American art curator, wanders daydreaming through a maze of artworks in his hotel in Tokyo. That is, until he has a surreal encounter.

An oral history of Artists Space, the legendary New York artists organization. Told through the voices of the artists, critics and curators who formed it, the film is narrated by voiceover culled from 30 hours of archival cassette tape interviews over a 45 year period. Artists such as Laurie Anderson, Mike Kelley, Hito Steyerl and David Wojnarowicz walk us through the decades. A formally-experimental and raucously-told chronology composed of rare archival documentation, The Business of Thought... is a reminder of the radical potential of the arts and the importance of collective, cultural spaces.