A Father blames himself for the tragic loss of his daughter to the sea. Leading up to the funeral he is haunted by his grief and shunned by his broken-hearted wife, causing a spiral of anxiety and despair.

A pregnant mother, unsure of how to raise a child, arranges an interview with her two gay dads but fate intervenes when his dad suffers a heart attack. Her dad reflects on their family's history, captured on an old camcorder.

Max and Anna Mancini have been married for 25 years and have two teenage children. The two boys, although they are twins, are characteristically antipodes: Tina is rebellious and little studious; Nico is calm, lonely and has the obsession of video games. There is a constant war between parents and children, which reaches its peak on the day of the twins' 18th birthday, when the party at home, which had been granted to them, degenerates. Max and Anna realize they don’t know anything about those two teenagers, they wonder where they went wrong and think back with nostalgia to the times when Tina and Nico were adorable wrens to protect. But do they really remember what happened? At the end of that disastrous evening, there is a second chance for Anna and Max, to see clearly in the relationship with their children and try, where possible, not to repeat the same mistakes.

Her and Him live together and love each other. Him wants to have kids and Her is not so sure. Everything changes when Him believes Her is pregnant. Him realizes that maybe having kids with Her, is no quite what he really wants.

Three modern couples juggle relationships and demanding careers while navigating the unpredictable terrain of parenthood.

Ruben and Gio have been recently adopted by Evelyn and Memo. The four of them try to create a home where the past, the bad and good stories, and the dreams in common for the future blend all together.

Documentary following the life of a young woman living with motor neurone disease (MND) as she takes on motherhood and plans her marriage to the man of her dreams.

A short documentary that follows Korean grandparents as they share their modern-day reckoning of their immigration story and grandparenthood.

The documentary by Mari Soppela focuses on glass ceilings, a metaphor for the invisible borders between men and women in work life. Talk about glass ceilings is usually associated with women’s opportunities to advance to well paid managerial positions, but the documentary connects itself more broadly to the structural problems of work life from women’s perspective. Glass ceilings are long trials about equal pay, having to continually prove one’s skills, and 85-cent euros. The topic cannot be handled without intersectional crossings: what are invisible glass ceilings for some, are solid concrete for others.

Yogi, an employee who lives alone in his house. One time, an unknown child entered his house and change his life.

'Intended Parents' is a short film about a Black millennial couple, seeking to expand their family through surrogacy. With one partner identifying as a transgender woman, the couple (Alexandra Grey as "Robyn" and Lawrence Locke as "Anthony") find themselves continously educating or being imprisoned by outdated traditions and opinions from loved ones. While the film explores the intersections of love, gender, surrogacy, acceptance, and desperation; the powerful couple aims to deflate multiple negative stigmas as they prepare for the life-alternating roller coaster of fertility and surrogacy.

This film tells a story of ethnic Koreans from Russia and the post-Soviet territories making their new home in New York City. The history of the diaspora is told through conversations with Lidiya Kan’s mother, personal stories, fragmented memories, and her family photo archive. An important character of the film is Morkovcha, the Korean carrot salad, an invention of the Russian Korean diaspora; its essence is symbolic of their mixed identity.

In a small and conservative city in Jalisco, Alex builds his identity and defends his dreams: fatherhood, music, being a man.

An Icelandic couple live with their herd of sheep on a beautiful but remote farm. When they discover a mysterious newborn on their land, they decide to keep it and raise it as their own. This unexpected development and the prospects of a new family brings them much joy before ultimately destroying them.

In this honest and deeply personal account of living with addiction, a young man talks about the realities and challenges of living in the Anishinaabe community of Kitcisakik and the hope he still harbours for himself and his people.

A widowed new dad copes with doubts, fears, heartache and dirty diapers as he sets out to raise his daughter on his own. Inspired by a true story.

At the crossroads of documentary and narrative fiction, Another tomorrow offers a window into the daily life of a single mother and her child through a typical day.

The sudden pregnancy and miscarriage of a young woman results in a turbulent day of anxiety and loneliness, set in a monumental day of a country’s search for hope.  

In Unborn we follow the internal monologue of a hybrid pigeon-persona who questions her inevitable cursed fate of parenthood. As a pigeon, she is supposed to build a nest to lay her eggs, but she fundamentally doubts her part in the cycle of life. Several absurd scenes show her struggle with popular belief, and nightmarish fantasies around the trappings of parenthood, and indirectly address reproductive rights without perpetuating the polarising perspective present in ongoing public debate. The spell-like remarks of the crow could be seen as her conscience echoing society’s expectations around reproduction. The presence of the egg as a haunted object with magical properties in this film becomes an unsettling interpretation of (in)fertility as a curse. The video incorporates various digital and hand-made techniques like stop-motion animation, set design, sound design and performance to unfold an uncanny world.