Mariko Miyagi is back documenting the activities of disabled children from her own school, Nemunoki. This time, the whole documentary focuses itself on the powers of creativity and drawing.

Documentary about pop music artist Shinji Harada.

A man sets out to search for his brother among the survivors of Hiroshima after an anonymous letter.

A man and a little girl meet in a bicycle parking in Tokyo. The little girl says she wants to watch the sea, and their travel begins. The man does not intend to be a kidnapper – he asks the girl to phone her mother and tell her she's with him. During their trip they meet various people, but they always must continue on, lest the man be arrested.

In the summer of 1947, various men and women gather at a mansion in the countryside at the invitation of Kazuma Utagawa. They are artists, novelists, poets, painters, playwrights, actresses, etc. Then the murders begin, one after another. The incident seemed to have no continuity...

A rebel youth joins a duo of entertainers only able to communicate by gesturing; when the female performer is suddenly abducted, he and Takeru must take action.

Identity and integrity are discussed in connection with a tour of rock band Carol.

Correlated with Susan Sontag's theorization of kitsch as well as employing the queer lingo of "camp," this film's relentless equal opportunity pop-art montage shattered the foundations of conventional cinema, making it a true document of the Shinjuku underground scene. Director Okabe himself appears recreating his favorite roles from Bonnie and Clyde to Spaghetti Westerns, as well as incorporating quotations by inserting stills of Godard, Kennedy’s assassination and the Vietnam War.

Tadao decides to comes back from Tokyo to live in his home town, in the countryside. He stays at his parents place and finds a job, repairing transistor and television. He catches up with his friend Tetsuji, the only that haven’t left yet. But one night, Tetsuji decides to leave for Tokyo with a bar hostess.

Sunaoko come to Okinawa to find his brother Tsuruo. Her searching is not very painless because it tears up old wounds in complicated relationships, some of which date back to the horrors of war.

Eros Eterna tells the story of a legendary immortal nun who wanders around encountering several people of various conditions.

Helen and her associates stage a confession play in order to remedy stuttering, but things go amiss.

Haunted by the drowning death of his own daughter, a police investigator embarks on an obsessive 10-year hunt for the identity of a dead boy, to the detriment of his family life.

In Tokyo's Shinjuku district, the lives of a young man prone to theft, a young woman he meets at a bookstore, and a kabuki actor intersect.

With an unlikely hero who apparently excels at almost anything, this confused saga of survival in the wilderness and accidental murder starts out hard to believe and stays that way. C.H. (Luc Matte) used to be a star player for the Montreal Canadiens and has turned in his puck and hockey stick for the pursuit of women -- as well as a good game of chess (he is a master at that too). He supports himself by waiting tables and one day takes some time off to go on vacation in the Quebec wilderness, where some local thugs give him a hard time. From that point onward, things get worse after one of the hooligans is accidentally killed.

An ardent culture-vulture youth, previously charged for the murder of a woman when he was young, plans to hold hostage a local bank.

Following a stint in reform school, Ryu (Shinsuke Shimada) returns to his home, the Minami area of Osaka, accompanied by his new friend Ko (Takeshi Masu). He's greeted by his friends, Chabo (Ryusuke Matsumoto) and Ken (Bang-ho Cho). They seek to forge their own path through a multitude of rival gangs in Kita and Minami, including the Hokushin Alliance, backed by the yakuza, the Hope Association, and various other minor factions, including Zainichi Korean groups. What follows is a wild, fast-paced story of violence, revenge, betrayal, and discrimination, that never loses its sense of humor.

Isamu, a star athlete in high school, becomes a race cyclist. He wins his debut races, but soon his opponents see through his lack of strategy and beat him easily. Isamu's maths teacher, a race cycling freak, says he knows the solution to Isamu's problem. But will Isamu listen to him?

This biopic is centered on New Year's Day of 1894, when Kitamura is recovering from a suicide attempt. Japan is then under the spell of fervent patriotism because the government wants to build up public support for a war with China. Kitamura's literary friends and militant comrades come to visit. They wonder why Kitamura wants to kill himself. Kitamura at first refuses to receive them, then he sits down with them and looks back on his days as a civil rights militant, his stormy love life and his ardent but destructive desire to live literature to the full.

Two yakuza, one of whom frequently reflects on an uncomfortable past taking advantage of Korean women, meet a stowaway on Japanese soil from across the Genkai Sea.