The title of the film, set in Luxembourg in 1942, during the Nazi occupation, amalgamates the words Schacko (helmet) and chapeau claque (opera hat). The village, in which it is set, has not yet been feeling the effects of the war at this point.

A documentary about Luxembourg's Grand Duchess Charlotte Bridge —AKA the red bridge, notorious for its suicides— in which a couple of families who lived underneath the bridge were followed and interviewed throughout a period of time, telling about their macabre experiences.

Film by Kläy and Brauer.

Eileen Maloney, a hostess at a strip joint, has woken up to find her two children are missing. Lieutenant Bramm suspects that she killed them herself. He questions her for days about her lifestyle, her children, her ex-husband, men and women, and life in general. He forces her to re-enact her last moments in the children's room hoping to shock her into giving more information. The lieutenant's infatuation is not merely professional, however, and soon they are reversing roles.

A 30 minute documentary about Roger Dahm, who was voted the second most popular Luxembourger of 2010.

A landscape in which everything moves is afflicted with a figure which is in itself static, but which moves - a kind of mechanic man? In Mécanomagie both the borders of perception and (natural) laws are infringed so that something new may emerge: nature as a boundless state of ecstasy!

Igor, aged 15, and his father Roger deal in housing and peddling illicit labor in the outlying districts of Liege, Belgium. Scams, lies and swindling rule their lives. When one of his father’s illegal workers gets injured on the job and asks Igor to promise to take care of his wife and baby, Igor finds himself at a crossroad. He wants to keep the promise, but the price would be to betray his father.

The comedy in this lively film barely conceals its darker, more serious undertones as it chronicles a young Algerian's eye-opening introduction to the joys and travails of being an immigrant in Paris. Alilo has left his home to pick up an important suitcase for his employer. Unfortunately, he has lost the Parisian address. Fortunately, his cousin Mok, emigrated there several years before with his middle-class family before and is able to act as a guide. Mok, an aspiring rap singer, comes from a middle-class family, but chooses to live on his own in the dilapidated deteriorating 18th district, known as 'Moskova.' Mok characterizes the place as a haven for artists and intellectuals, but it is plainly just a Third World slum filled with tightly knit and colorful neighbors. Mok and Alilo have many interesting, some tragedy-tinged adventures over the five days it takes them to find the suitcase.

This standard slice-of-life drama is about Dju Dibonga (Richard Courcet), a young man who leaves his home on Cabo Verde, an island of Portuguese dependency off the coast of Africa, to go to Luxembourg and search for his father. Far from his home village and unfamiliar with the large city, the young black man forms an unlikely friendship with a down-and-out white policeman whose only consolation in life is found at the bottom of a bottle. Their developing companionship forms the main focus of this movie directed by Pol Cruchten.

Twelve-year-old Tommy reluctantly moves with his father from the big city to a small Lapp village - the childhood home of his mother, who has recently died. The village is close to the northernmost wildlife reserve in the world, where Tommy's father will be working on a project to release a captive lynx into the wild. The boy gradually falls under the spell of his new surroundings, and discovers that his mother was involved in protecting the local lynx, and, when his father's project fails, and the lynx is about to be sold, he decides to set it free himself. A dramatic series of events ensues, and Tommy, through his brave actions, regains the trust and respect of his family and the village.

A woman takes her young son, leaves her husband and moves in with her lover. The boy, desperate to get his parents back together, becomes convinced that if only he can get his father's stolen motorcycle back everything will be fine again, so he sets out to get enough money to buy his father a new one.

Juliette is frantically running away from a man when a car hits her. Lying in the street, semiconscious and stunned, she commences counting. She knows that if no one helps her by the time she reaches 100, something terrible will happen.

The discovery of sexuality through the eyes of a group of teenagers.

Between 1880 and 1960, hundreds of Luxembourgers went to settle in the Belgian Congo to live and work there; some for some time, others for ever. The film tells their story and their experiences.

Jean V., huissier de justice de quarante ans, exerce son métier avec talent mais sans faire preuve d'humanité. Il est marié à Nicole, 35 ans et consommatrice en crise. Régulièrement, Jean a recours aux services de George, débiteur chronique et personnage folklorique, qui l'aide dans ses "petites combines". Incidemment, George redonne à Nicole le goût d'acheter. Un jour, Jean fait la rencontre d'Eddy, un policier qui l'accompagne durant sa tournée des saisies. Mais un différent les oppose et va prendre des dimensions disproportionnées. Poussé à bout, Jean décide de monter avec George une sombre machination pour donner une leçon au flic.

Vita, a young and beautiful African woman learns that finding love and happiness need not come at the sacrifice of one's identity.

The 20-year-old Juliette tries to come to terms with an unexpected pregnancy, despite a lack of support from the father of the child and from her mother.

A teenage girl, Norah (Marie Kremer), living with her depressed father, Jean-Michel (Thierry Lefevre), in Luxembourg, obsesses over the whereabouts of her missing mother, who left them both when Norah was still a newborn. Norah is a misfit and devotes her energy to helping others and conversing with an imaginary friend. But, when she receives information pertaining to the possible location of her mother, Norah has to seriously think about inviting the woman back into her life.