Startups are using AI to create avatars that allow relatives to talk with their loved ones after they have died. An exploration of a profound human desire and the consequences of turning the dream of immortality into a product.

This year marks the 50th anniversary of ABBA’s iconic Eurovision victory, a milestone that calls for a celebratory cinematic tribute fitting for the ultimate pop band. ‘ABBA: Against the Odds’ unveils the epic journey of ABBA’s rise to global fame. Starting with the moment they won Eurovision, it tells the story of how they overcame critical backlash, societal attitudes and marital break-up to deliver their ground-breaking music and prove themselves as a live act.

Hollywood film music has its roots in Europe. Three composers who fled war and National Socialism to the USA created the sound that still shapes film music today: Erich Wolfgang Korngold, Max Steiner and Franz Waxman. In the early 20th century, these classically trained composers transformed the methods acquired in Vienna and Berlin into a new American art form: film music. They balanced the relationship between image and sound and developed techniques and dramaturgical tricks to achieve the greatest possible effect on the viewer. Their influence is visible in the work of contemporary US composers such as John Williams and Jerry Goldsmith. Today, Oscar winner Hans Zimmer, Ramin Djawadi and Harold Faltermeyer continue this tradition. Their melodies are part of humanity's collective memory and reflect the combined traditions of European and American musical history. The documentary accompanies composers in their work and explores the European roots of Hollywood.

The siblings Hannah and Timo grow up sheltered in a strictly conservative family. When Timo discovers he is gay and Hannah develops interests that are incompatible with her family's values, the siblings find themselves and their family's principles at odds.

It was one of the great crimes of the Second World War: from 1941 to 1944, a total of 872 days, the siege and starvation of Leningrad by the German Wehrmacht on Hitler's orders lasted. Over a million people fell victim to the blockade, most of them dying of hunger. Countless of these starving people wrote diaries with the last of their strength, and cameramen filmed in the paralyzed city. Evidence from the hell of the siege, many of the film recordings, but above all the written memories on which this documentary on the occasion of the 80th anniversary of the liberation is based, remained under lock and key after the war. The voices of those who had suffered through this terrible time should not be heard by anyone, because they did not fit the pathos of the Leningrad heroic song that was officially sung. Most of the recordings come from women. The writers feared neither the enemy nor the Communist Party or Stalin, who often proved incompetent in providing for the population.

While Hezbollah threatens to go to war against Israel, we look back at the establishment of the Shiite movement in power and its political weight in the Land of Cedar. An ascent which weakens the balance between Lebanon's religious and ethnic communities. Updated version of a documentary broadcast by ARTE in 2020, this rigorous investigation analyzes the explosive geopolitical situation in the Middle East, and in particular the skillful rise to power of Hezbollah, a state within a state capable of paralyzing Lebanese institutions.

Blue Carbon - Nature's Superpower is a documentary that uses music and science to portray perhaps the best weapon in the fight against climate change.

Asta Nielsen: pioneer of cinema and first European film star, tragedienne and comedienne, writer and artist. As a working-class child and single parent, she works her way up from the bottom - and consciously stages herself as the first role model for independent women and queers. We retell the story of this singular phenomenon with her own words and film clips.

Forensic biologist Inga Ehrenberg is so absorbed in her work at the Forensic Medicine Institute that she doesn't initially notice how lonely she is after her divorce a few years ago. It is only when her father claims that she has a half-sister and a falconer asks her to take care of a young falcon that she finds herself in a whirlwind of long-hidden, painful feelings. She begins to tame the falcon, convinced that the bird will never leave her.

Inspector Sörensen has finally retreated to the Frisian province, but he still has to contend with his own inner demons. Loneliness, insomnia and inner restlessness plague him, and although he does everything he can to stop taking his medication for the anxiety disorder, he remains trapped in his psychological torment. One dark night he almost runs over a young, disturbed woman on the country road. She is malnourished, wears only a nightgown and is blind. After she finally reveals her identity to Sörensen, a web of murder, religious madness and well-kept secrets begins to unfold before him. Sörensen is overwhelmed, not only by the shocking situation, but also by his own demons, which are gaining power over him again. The villagers reject him, and as fear takes hold of him again, he will soon realize that it won't just be a corpse.

A generation portrait in which we follow the lives of five international economy students from their studies at the University of St. Gallen over the course of five years: during their academic education, in their private lives and the first years of their professional careers.

What actually happens to our plastic waste after we throw it in the recycling garbage can? Plastic pollution is becoming an ever greater problem worldwide. The film asks the question: Who earns from the plastic crisis?