1938, France, Paris, at the Superior Conservatory of Dramatic Art ("Conservatoire Supérieur d'Art Dramatique"). The first-year entrance exams are in full swing. Many applicants, few accepted. Isabelle (Janine Darcey) is one of the few chosen. She joins former students from the second and third years, including François (Claude Dauphin) and Cécilia (Odette Joyeux). They attend the drama class run by Professor Lambertin (Louis Jouvet). The young people, passionate and eager to become comedians, clash in tumultuous love affairs, because by dint of acting, they imagine that life is a farce. François, for example, is in love with Isabelle, who also loves him, but is pursued by Cecilia, his former mistress...
"Put art in your life and life in your art!"
Brussels in the year 1568, as the Flemish people are fighting against the tyranny of the Spanish occupiers. Led by Count de Rysoor, the revolt against the ruthless Duke of Alba, is meant to help Prince William of Orange to get into the city and come to power. Now, the count's lieutenant, has an affair with Elisabeth, Rysoor's wife. For the time being, the count, who thinks of his homeland first, turns a blind eye. But such a relationship might well undermine the whole rebellion movement.
Proud, eccentric, and antisocial, Monsieur Hire has always kept to himself. But after a woman turns up dead in the Paris suburb where he lives, he feels drawn to a pretty young newcomer to town and discovers that his neighbors are only too ready to suspect the worst of him.
Fates of multiple otherwise disconnected characters intertwine miraculously under the sky of Paris. And it all happens in one day.
"Olivia" captures the awakening passions of an English adolescent sent away for a year to a small finishing school outside Paris. The innocent but watchful Olivia develops an infatuation for her headmistress, Mlle. Julie, and through this screen of love observes the tense romance between Mlle. Julie and the other head of the school, Mlle. Cara, in its final months.
A story, set in Rome of 44 A.D., concerning the amorous and political intrigues of the evil Empress Messalina, the wife of the Roman Emperor Claudius, and her eventual hounding to death.
Fanfan is a young handsome peasant. He joins the army to escape marriage because a gypsy girl predicted he will get glory and the king's daughter as a wife. But the gypsy girl was in fact Adeline, the daughter of the recruiting officer. Once he has discovered the stratagem, Fanfan refuses to forget this dream and decides to fulfill the destiny of the fake prediction.
While Henri Laurent speeds along on the racing circuits, his pretty wife Françoise goes from luxury boutique to luxury boutique with her best friend Denise. One day, Denise lets her know that Henri has a lover. Outraged, Françoise moves out of marital home and rents a maids' room in Rue de l'Estrapade. Henri tries to get his wife back but Françoise does not listen. She even looks for a job in a prêt-à-porter shop and lets herself be courted by Robert, her neighbor across the landing...
In a run-down South American town, four men are paid to drive trucks loaded with nitroglycerin into the jungle through to the oil field. Friendships are tested and rivalries develop as they embark upon the perilous journey.
In the early 16th century, Italy is ruled by the powerful Borgia family, led by César Borgia and his sister Lucrèce. In a ruthless power play, César plots to have his sister’s husband murdered. But without her brother’s knowledge, Lucrèce has taken a strong lover who will challenge the Borgias.
The daughter of a seamstress, Jeanne Bécu could hardly imagine she would later become one of the most influential women of the Kingdom of France...
The cruel and abusive headmaster of a boarding school, Michel Delassalle, is murdered by an unlikely duo -- his meek wife and the mistress he brazenly flaunts. The women become increasingly unhinged by a series of odd occurrences after Delassalle's corpse mysteriously disappears.
A new teenage student arrives at a prestige boarding school in Bavaria, having not only the ability to play the guitar and sing, but also to charm animals and detect ghosts. Quickly becoming part of a secretive club of five other students, he is inadvertently stranded by them at an abandoned chateau on an island in the middle of a large lake, where he encounters an enchanting young woman who wants to escape... Also filmed in a separate German-language version with largely different cast, MARIANNE MEINE JUGENDLIEBE, q.v.
German-language version of Duvivier's MARIANNE DE MA JEUNESSE, filmed separately with a largely different cast (thus, not the same film). No known US release.
The film follows the life of Napoleon from his early life in Corsica to his death at Saint Helena. The film is notable for its use of location shooting for numerous scenes, especially at the French estates of Malmaison and Fontainebleau, the Palace of Versailles, and sites of Napoleonic battles including Austerlitz and Waterloo.
Armand, a boastful womaniser, makes a bet that he can seduce any girl he wants. He soon crosses paths with a beautiful Parisian divorcee, who is nothing like anyone he has ever met before.
1914, a small village of the Marne. Charming and woken up, Madeleine, said the Madelon, who works in the coffee(café) of his father, Tourlourou, account of numerous pretenders. To the rich Antoine Pichot, she prefers corporal Beauguitte. When the war bursts, she(it) searches for the latter.
A distress call from a trawler leads various people to come to the crew's aid.
A remake of a pre-war French film success, Club de femmes is a seriocomedy centralized in an all-female boarding house. Forced to band together because of a housing shortage, the film's heroines set up camp in a deserted structure, despite the tongue-cluckings of local busybodies and do-gooders. Complications ensue when a huge corporation announces plans to raze the building and erect a factory. Amazingly, the ladies are saved by the very company that wants to evict them.
Using a specially designed transparent 'canvas' to provide an unobstructed view, Picasso creates as the camera rolls. He begins with simple works that take shape after only a single brush stroke. He then progresses to more complex paintings, in which he repeatedly adds and removes elements, transforming the entire scene at will, until at last the work is complete.