The Austrian architect Hans Hollein belongs to the world elite of architects since his candle shop Retti in Vienna (1965). His museum in Mönchengladbach (1982) revolutionized museum architecture in our century, and his Haas-Haus (1990) in Vienna became the most disputed post-war building in Vienna.

Shadows in the Spotlight: Stand-ins and bit players. Human material rented out for about 400 schillings a day. Live background, human scenery.

A documentary on the entire works of the Italian sculptor Michelangelo Pistoletto who lives in Vienna. His mirror-images make him one of the most original, manifold personalities in the European art scene.

January 1957, in a small town in the French-speaking part of Switzerland. A middle-class house, the home of two sisters, Clara and Thérèse, whose characters could not be more different. After their father is institutionalized, the two women take over the family business, which specializes in precision optics. One day, the floor of the music room collapses after being ravaged by termites. Karoly, a Hungarian refugeee and jack-of-all-trades, is hired to repair the damage. The Hungarian's presence causes ripples in the seemingly unchangeable life of the two sisters...

Jan, a freelance journalist, and Sabine, the mother of his two children and a textile designer, have no money. Sabine is abandoned by her husband and then gets caught up in the bureaucracy.

A sober psychogram of a woman who is fighting and hoping for her life and everyday life.

Alex (Thierry Van Werveke), a pest exterminator who lives with his grandmother, picks up a stranded woman (Kate Valk) who claims to be the American daughter of a spy.

Two apartments are joined together, the demolition of a wall transfers two small flats into a big one. Seven young people move in and share the living quarters. They all have definite ideas about life and living together and want to make them come true. But they don´t really know what they want. Everyday life causes problems and when a merry-go-round of changing relationships among the young people begins to run quicker and quicker, the constant moving from one room to the other ands before the eyes of the astonished house superintendent with the setting up again of the wall which separated the two walls.

In 1939, after barely escaping the Nazis, a Gypsy family returns to Switzerland only to be torn apart by racial persecution in the benign guise of children's welfare. This fictionalized story of Jana, an eight-year-old Gypsy girl snatched from her parents and consigned to a life of orphanages and bleak foster homes, is based on a little-known chapter of Swiss history: From 1926 to 1972, the state-supported Pro Juventute, a children's aid foundation, forcibly removed some 700 Gypsy children from their families, in order to sever the ties with their culture and assimilate them to a "better way of life." The underlying aim was to preempt a new generation's caravans from following their nomadic traditions along Switzerland's country lanes.

1991, farewell in Budapest. Mária remembers the past in tears. Her husband, Tibor, a chemist and a target of the KGB, left their apartment one evening to fetch some cigarettes only to be found drowned in the shallow Lake Balaton the following day. Their son, Peter, a student in Western-Europe, was found dead on the Danube embankment.

Plachinger and Kirchhoff, the heroes of Franz Novotny's 1980 comedy "Exit - Do Not Panic" meet by chance after ten years and spend a night together in which they attempt to be as they were in the old days: anarchistic and orgiastic.

A man and a woman meet. In the confusion of their short encounter they fail to give their names and exchange addresses. They go back to living their lives without the prospect of seeing each other again.

From then on, the dream of true love interrupts the sober routine of their daily lives.

Their longing for love increases and draws them back to the place where they met - and they barely miss noticing each other there. In the turmoil of the city in which they live there are moments when they just fail to run into each other by chance. Their short meeting has transformed their lives as well as their dreams. Perhaps they will find true love when they least expect to find it.

Performance conceived by Erich Wonder & Heiner Müller for the 300th anniversary of the Akademie der bildenden Künste in Vienna. The band, Einstürzende Neubauten, is located on a glass palace/stage on wheels (accompanied by the slavish trotting of huskies) which is slowly moving on the nightly ring road of Vienna.

She is the godmother of performance art. With her shocking public actions she created in the late 60s images that have burned into the general visual memory until today. The life and work of the Austrian artist Valie Export exemplify a development in art history in which women sought and found new ways and means of expression. Her work provides a feminist counterpart to the Viennese actionism of her time, which has influenced numerous artists of subsequent generations. The innovative diversity of her artistic approaches makes Valie Export an icon of 20th century art history.

When Fritz returns from his studies in the United States he wants to walk on pink clouds with Maxie, a TV journalist, but they come upon a gun-running operation in which Fritz's father is involved.

Fritz is caught between his loyalty to his family and his love for Maxie, who also can't decide what's more important, a career as a journalist or Fritz. They both are caught unaware by the enormous amount of individuals involved in the scandal and their unscrupulous reactions. Finally they both attempt to gather proof of the activities of this Hydra-headed organization in spite of the risks involved and independently of each other. A pandemonium of fragments of the Noricum, Bundeswuerde and Lucona scandals. The evil spirit of the late eighties in Austria.

This film, dramatizing Weininger's life, is an adaptation of the 1982 play Soul of a Jew by Israeli writer Joshua Sobol. Weininger's last despondent hours are depicted in a dramatic furioso. His whole life passes by like distorted images in a mirror. The young genius fights a desperate battle against time, his fellow men - and against himself.

The protagonist, Franz, copies the paintings of old masters. He slowly loses his sense of reality, resulting in angst-ridden fantasies and a desire for self-destruction.

Franz has an uphill battle with the loss of values and spread of capitalism around him. He rejects advertising to the point of destroying its manifestations.

Two fathers, a Romanian searching for his daughter who was forced into prostitution in Kosovo, and a Serbian seeking the body of his son killed in a car accident in Romania, meet on the river Danube. A boatman recounts the 200 year-old legend of Romanian peasants struggling unsuccessfully to move an old wooden church up the hill to their village at a time when building Orthodox churches was prohibited.