Marcel Łoziński tells the story of the crime committed by the NKVD in Katyn in 1940. He interweaves accounts of witnesses and survivors with images from the pilgrimage of members of Katyn Families to the place of murder, death and nameless burial of their loved ones.

Short film about the Mapuga tribe’s feast of pigs with sweet potatoes.

This morbid, unusual, and critically acclaimed documentary was filmed in the most exotic locations all over the world. Of the Dead (Des Morts) deals with death, the soon dead, and the living they leave behind. Our senses are shown no mercy as we witness the brutal execution of a Philippine Guerrilla. We are literally taken inside a cremation chamber while a human body melts and finally crumbles into nothingness. We witness-first hand- doctors trying to save a victim of multiple stab wounds, all close up, in graphic detail leaving nothing to the imagination. For those who think they have seen it all, Of the Dead, dares to be seen.

A lonely dishwasher hires a prostitute and brings her to his dingy apartment to enliven his dreary life for a night.

A handful of student revolutionaries from the Seventies meet up 30 years later to plan a robbery. This is not entirely correct, because they are friends, anyway, and always have been. They play cards together and go to each others’ birthday parties, have wives and children and probably mortgages. Romain Goupil’s film appears to be a throwback to the experimental days of cinema verite. Either that or it’s a home movie, shot with a video camera, to an improvised script or no script at all.

Paula flees to Dunkirk to spend the end year celebrations. She is going to turn 50. She wanders around the city where she used to live, searching "men from her past".

In this epistolary film, the traveler gives us his impressions of Africa parallel to the expression of his amorous distress. The images of the present intertwine with the incessant echoes of lost love, combining intimate pain with the misery of a country torn apart by internal struggles and poverty.

An all night party in a building on the outskirts of Paris provides the setting of this provocative French meditation on life and waiting. As the title states, the film centers on seven main characters at the party. Each of them is privately waiting for something and all of them engage in conversations about the fundamental concerns of life, including love, sex, truth and responsibility. Among the seven are a pregnant woman waiting for her baby, a playboy, a gay man, and a young woman with poor taste in men. To make the film, director Francoise Etchegaray gave the actors a sense of who they were supposed to be and what they should do, placed them in a room, and let them improvise their dialog.

In a busy, noisy neighborhood, a frustrated young wife in a failing marriage is offered her freedom by her indifferent husband, but has second thoughts after meeting an intriguing stranger.

In just a few simple lines, a picture of the French countryside in the 1960s: the last moments of a disappearing, changing world. The simplest documentary images are there to make us aware of the raison d’être of agriculture, harvesting the fruits of a cyclical and repetitive nature.

Duras narrates a short story while the camera travels through the streets of Paris with short interludes of solemn music.

In Tel Aviv, Ori, an Israeli man who just failed in an attempted suicide, bumps into Anna, a French writer, at the trial of a suspected Nazi war criminal. He is shocked to recognize the love of his life, whose memory has haunted him since they fell madly in love in Turin twenty years before. But Anna maintains that they have never met. Maybe in the desert things will become clear.

Éric Rohmer's short for the portmanteau film Paris vu par (Six in Paris, 1965), concerning a haberdasher and his umbrella. Convinced he has killed a man, Jean-Marc flees and spends an anxious few days waiting for the death of the stranger to be reported in the newspapers...

An American delegation goes to Russia in the midst of the Ukrainian war to try to find a solution to an economic dispute linked to sanctions.

A Russian oligarch reckons with harsh truths relating to his family's future.

A film about a relationship that wasn't meant to be.

An American art student thinks she's found love with a handsome prince, but things are not what they appear to be.

An incident with his neighbor sends director Barbet Schroeder on a quest for inner peace.

Eric Rohmer directs this short documentary that narrates the presence of women in French universities as of the time of its release -- 1966. During the film's short run, the narrator continues to point out that during the advent of World War II, only 21,000 women attended college and made only a 30 % of the student body, a number that by the 1964-1965 school year had passed the 120,000 mark. Instead of opting to live according to what was expected of them, now they were joining the work force, trading in aprons for lab jackets and becoming professionals even after getting married.