Robert Marshall’s dying utterance seems to point to Colman Colby (Robert Frazer) as his killer. Colby is arrested and at trial all testimony points to his guilt. But as the jury deliberates, the unfairly named “other woman” (Helen Lee Worthing) sets out to prove his innocence.
Directed by Wallace Worsley.
Coddled by his maiden aunts and apparently unable to make decisions, Oliver Wendell Blaine signs up for a mail-order course in "Success." Oliver follows the instructions step by step, builds his self-confidence, and proves himself a hero when a log jam threatens the town. He is made river boss and marries Phyllis Thorpe, daughter of the owner of the lumber-mill.
Drama of two girls who married into different layers of society.
Disguised as a boy, a young woman gets an inner-city street gang back on the straight and narrow path.
An American pilot flying in Mexico crash-lands on a ranch, and is nursed back to health by the daughter of the ranch's owner. Unbeknownst to the pilot--who has lost his memory because of the crash--the girl has been praying for a husband, and believes that God has answered her prayers by sending him this handsome pilot. However, a local guerrilla leader has also had designs on the daughter, and comes up with a plan to get rid of his competition, make some money and win the girl in the bargain.
Money, Money, Money is a 1923 silent film.
Mary Hale hates her job in a department store, and when wealthy Gordon Kent comes around, she flirts with him and is fired. Because she is mad at her fiancé, William Norworth, Mary takes off in Kent's car and she doesn't come home until the early hours. Her father is furious and slaps her, so she leaves home. Kent offers to let her stay in his apartment, while he sleeps at the club.
Tired of her friends and life as a society leader, Ninon Le Compte goes north to the Hudson Bay area to inspect trapping holdings inherited from her uncle.
This silent romantic melodrama is believed to be lost.
Marjorie Stockton is a fickle flapper who has loads of suitors. She won't give any of them the time of day, however, until she meets her match in the equally fickle Monte Covington.
Ottilie Van Zandt is forced to wed her cousin, despite her love for Richard Wayne, the gardener's son. Richard leaves, vowing to return a wealthy man and eligible suitor for her. He returns to find she has already married and, in turn, marries another girl on impulse. Two generations later, the grandchildren of Ottilie and Richard, who both have inherited their names as well, meet and develop a close friendship that culminates in the romance that their grandparents began but could not consummate years before.
Dwight Stanford and his wife, Penny, are a pair of spendthrifts who can't hold on to money, dependent for support on Dwight's rich uncle, who sends them a monthly allowance. Conrad Norris, Dwight's cousin, disapproves of Dwight and Penny, and resents his uncle's generosity. The uncle is the victim of a hit-and-run accident and, there being no will, Conrad, as next of kin, inherits. Switch, the uncle's lawyer, tells Dwight he is shutout with no hope of appeal. Dwight starts writing mystery novels about a fictional detective named Steven Knight, which become instant hits and the money pours in.
This is not a Clara Bow vehicle, and yet it is clearly the aspect/asset of Clara Bow which elevates a fairly serious melodrama to a timeless and profound social statement. Opening the film on death row where the handsome youth awaits the chair, a stirring test of the legal system evolves after two elite types conspire to expose its inadequacies. Elite, jaded society lawyer Gordon Harrington fabricates a murder, implicating an entirely "hired" fall-guy, one Dan O'Connor, while the bored playboy-type hides away on a yacht until the points are proven and the legal system has been disgraced. Naturally, something goes wrong, the playboy really turns up murdered, and O'Connor is now the accused, imprisoned murderer scheduled to be hanged.
A convict marries the warder's daughter after his escape and she eventually persuades him to finish his sentence.
Despite the fact that he has a beautiful wife who loves him and a good home, gold-digger Lillian Loring discovers that Ralph Hedman is a pushover for her winsome wiles and ways. Ralph's wife, Alice, becomes suspicious when she sees them together at lunch one day. He asks for a divorce but Alice says she wants to keep the marriage going for at least a year, for appearances sake, and says she will agree to a divorce then if he still wants it. Alive stays home alone for three months while Ralph is living it up as a full member of the Jazz Age. He gets sick and Alice invites Lillian to come over and help get him well. Lillian decides that lots of saxophone playing and wild dancing is the best cure. Alice takes all she can stand, leaves a note for Ralph and departs the premises. Ralph also takes his own departure, after leaving a note for Alice. Lillian keeps on partying. Alice and Ralph, driving their respective cars into an intersection, have a collision.
Arthur Randall becomes prosperous after divorcing his wife, Laura, and she now attempts unsuccessfully to win him back. Randall's son becomes ill, and he engages Joan Laird and her mother to care for the boy. Society misunderstands, and Joan is branded as a parasite. Laura kidnaps the boy, Bertie, and Joan gives chase. Laura's car goes over a cliff, and she is killed. Bertie survives the crash, however, and he and Joan attempt to find their way to a refuge. They become lost in the hills, and Joan manages to keep Bertie from dying until rescue comes.